PERFICK!

By ROSEMARY LORD

Just Rosie 2

I’m trying not to be – perfect.

Or ‘perfick’ – as H.E. Bates had Pop saying in The Darling Buds of May. For Pop, each day and everything around him was – ‘perfick.’

And that’s what I have always aimed for.

I’m very much a ‘Pollyanna,’ and always seek the best in every circumstance and find positive outcomes for the most dire situation. When someone tells me ‘No, you can’t do that. It’s not possible…” My reaction is always: “I’ll find a way!”

I have also been my harshest critic. Until a friend recently said, “Rosemary, you don’t have to be perfect. You are too hard on yourself. And you expect everyone around you to have those same high standards. They don’t. So don’t beat yourself up about it.”

Hmm. Food for thought.

Life has been a challenge for everyone in the last few months.

At first, I found the lock-down a sort of blessing. An opportunity for us all to take a collective breath and count our many blessings, reassess our lives, and think about what is really important for each of us. Find what it is we really want to do with our lives.

heartofhwd-wch-sketch-6_orig   It certainly gave me time to sort out a lot of Woman’s Club files, paperwork and organization. That makes it easier for me to delegate and hand over the reigns, so I can focus full-time on my writing once more.

And, working on the WCH from home, I was able to squeeze in writing time. I found more and more new writing ideas and goals and decided it was time to put my own life first. To make writing my full time work again. Sooner, rather than later. That’s the plan – and I’m getting closer!

As the Brazilian author of The Alchemist, Paulo Coelho, said, “There are moments when troubles enter our lives and we can do nothing to avoid them. But they are there for a reason. Only when we have overcome them, will we understand why they were there.” Paulo’s parents committed him to a Mental Institution when he was seventeen, after he told them he wanted to become a writer! “Not to punish me, but to save me from that life,” he later said. They failed. Today he is a highly successful author.

Mercy! Makes us appreciate our own parents, doesn’t it? Thank you, Mum and Dad, for being you!

file3171299616544         But after weeks of world-wide shut-downs and no travel permitted, I also saw how small some of our lives had become. Often out of fear. When we do something out of fear – we cease to think rationally, boldly. Our courage leaves us. Some never get it back, especially as we get older.

We did as we were told and stayed home, closed down businesses, gave up jobs we liked, cancelled vacations and celebrations. We stopped going to the gym, too. And having our hair cut. (Well, that’s my excuse for my temporary extra pounds and my ‘mop’ of hair!)

 

Internet Friends World

But all was not lost, as many people became very resourceful and creative. They shone through this adversity. They found new ways to keep small businesses going, create sideline businesses, found new ways to communicate, and celebrate. Not worrying about being perfect, they just got the job done. People offered help to their neighbors and strangers, and acknowledged gratitude to those who continued daily schedules in the community as ‘essential workers.’ So, the Covid shut-downs had also brought out the best in some people.

But life had been put on hold.

Meanwhile, I have spent long hours at my computer, at home, on Woman’s Club matters. I’ve accomplished much in working through these months, including resolving a complicated, year-long IRS Audit. But I wished I could be speedier with that very work. I wished I could work faster and do shorter days. I wished I were more technology-minded and that I could work more quickly in these areas. I wished I could do more for the club with online events. But I don’t know how – and felt a failure in those areas. I chastised myself for not doing better.

Remember school reports? “Rosemary could do better. She could try harder.”

So that stuck with me. I could never do well enough for me. And that’s where my friend pointed out my frustrating perfectionism. I had created my own fear – of having to do everything to perfection. Are there any other perfectionists out there? It’s a disease, I tell you!

So, I have taken a deep breath and let go of some of it. Or I’m trying to… They say old habits die hard. And it’s really tough, sometimes!

Lady Typing 2   In my former writer-life I spent many solitary hours writing. I was oblivious of the world around me. I forgot to eat. Not good when you had a husband hoping for dinner, after returning from a long day’s work! But Rick was very patient and sometimes cooked for us, and a plate of food would appear in front of me, on top of my typed pages. “You haven’t eaten in hours. You’ve GOT to eat…” he would grin and return to listening to his music through headphones, so as not to disturb me. But I loved what I was doing. He knew that, so he was happy.

And I’d lost that joy since he’s been gone.

So, after losing Rick, I took on the responsibility of saving the Woman’s Club, as a way of  escaping or forgetting, I guess. But it was such a different challenge. So much administrative work I’d never dealt with before. But I made myself learn. How hard could it be. Ugh! But I felt I must do a perfect job – in order to succeed.

I changed, I later realized. I rather lost my sense of humor. I was NOT amused by the battle I had to fight. The corruption. The thievery! I gritted my teeth and battled on through horrendous episodes. I had taken on a responsibility and I was not going to give up.

But I lost my writing along the way. And that wasn’t all. I’d lost spending time with good friends; friendships neglected. Life was whizzing by neglected and unlived.

These months working alone again at home I realized that, yes, I was a perfectionist where the WCH was concerned. Although no-one else seemed to notice. After my friend pointed this out, I realized I was being too tough on myself. I wasn’t having any fun – and I’d lost my sparkle. A girl has to have some sparkle. And I don’t know where I’d left mine.

So, I began to turn my attention to life around me again. Little by little. Now, new people have appeared to take some of the responsibility of the Club from my shoulders. And if they are not doing it as perfectly as I would like, that’s okay. It’s good enough. Gets the job done. They’re champing at the bit to get back out there. Back to work. Organize fun, interesting events. Escape from the Zoom Room. They are energized, brimming with ideas. And they think it’s fun!! What a relief.

06694-rosemaryatburbanklibraryjpg So I am becoming a happy writer, once more. I’ll be even happier once we’re allowed to travel, too. Even if I’m not going anywhere, at least I like to know that I could if I wanted to. I’m a dreamer, too.

So, my less-than-perfect writing schedule is coming along. With my less-than-perfect editing in my less-than-perfect office space – also known as a messy desk. And my definitely less-than-perfect filing system works just fine.

I’m remembering to eat, most of the time. Sometimes it’s a late-night dark- chocolate bar. And so my girlish figure is less-than- perfect. But that’s okay too. I still occasionally mutter, “I promise to do better.” But now that makes me giggle, instead.

I LOVE what I’m writing, and can’t wait to sit in front of my computer and create – or grab my pad and scribble notes.

writer Lady 3

Mark Twain once said “Twenty years from now you will be more disappointed by the things you didn’t do than by the ones you did do. So throw off the bow-lines. Sail away from the safe harbor. Catch the trade winds. Explore. Dream. Discover.”

Sounds wonderful to me…

Just perfick!

 

 

Back To Basics: Writers’ Boot Camp

by Miko Johnston

Have you been writing? No? I hear you. We can’t seem to find the energy, or the creativity, to write. Even though we have a file full of ideas to play around with, or a started piece, or a half-finished manuscript. Even though we have plenty of time to write with no excuse other than the million other things we can be doing. Cleaning out the hall closet. Again. Thinking of a new way to use canned tuna.  Researching unfamiliar candidates on my primary ballot – maybe I would want the next governor of Washington to be Goodspaceguy* : )

I sympathize. It took me a few months to get inspired enough to write again (see my last post).  If you’re still stuck in neutral, I’m here to help get you in gear. And what better way than to get back to basics – how to write a story.

WHAT IS A STORY?

A story is a fully formed concept that has a beginning, middle, and end, plotted with characters, goals, conflict, and stakes. This applies whether you write short stories, screenplays, novellas or novels.

HOW TO BEGIN:    

When you consider buying a new book, you generally open it and read a few pages before you decide to take it or leave it – you can even do that online with Amazon’s “Look Inside” feature. If the book’s middle sags, or the ending isn’t satisfying, you won’t know that until after you’ve purchased it. However, if the beginning doesn’t grab you, it’s not going home with you. That’s how readers will react to your book. This is why the most important part of a story is the beginning.

A beginning has to serve many purposes. It must introduce us to the ‘who’ of the story, also some of the what, when, and why. The tone and genre should be apparent. It should also give us enough to pique our interest; too much bogs down the story and too little leaves us scratching our heads.

As authors, we really begin by sitting down and writing. Thinking, mulling, researching – all important, but they won’t get the words on the page. Once you’ve committed to writing, you need a way to begin. The possibilities might seem endless, but there are basically three ways to launch a story.

I           Mid-action

This is when you begin at the last possible minute to give the reader a sense that the story has already started and they’re joining it already in progress. This may seem counterintuitive, like walking into a movie after it’s begun, but it tends to get the reader curious about what’s going on, so they keep reading to find out.

A good example of this would be a murder mystery that opens with the detective arriving pre-dawn at the crime scene; a beat cop hands her a take-out coffee and reads his notes: “The vic is….”, which gives readers information simultaneously with the detective. We don’t need to be in her bedroom when she’s awakened by the precinct’s call, or watch her get dressed, fix breakfast and head out to her car. That would be like arriving at the movie theater before the commercials. With mid-action, you get the reader engaged right away and weave in the details as you go.

II         Setting a scene that’s about to change

This is when you open with a scene of normal everyday life. It could focus on a character, like a young woman celebrating her promotion with her office mates, then walking home alone. Or a place, like a military base in the Middle East, where soldiers are relaxing. Often the genre hints that the placid opening will be disrupted with a bang – maybe literally. If the book’s a mystery or a thriller, you know something is going to happen – that young woman will be murdered; the soldiers playing cards or tossing a football around will suddenly come under attack. If the genre doesn’t imply something will happen, hint at it in your opening paragraph or page.

The key to this method is to hold off the revelation long enough to generate tension. Change it too soon and it will be like shouting BOO; startling but not satisfying. Wait too long and the reader will lose patience as well as interest. It also must depend on the length of the manuscript. You can take more time with a novel than with a short story.

III        A statement or explanation

Common in many great classics, this type of beginning employs a form of narration:

            A nostalgic “I remember…” musing

            A “Let me introduce myself” statement

            A narrator’s observation

            An implied ‘bookend’

            An omniscient point of view.

Mysteries that open with the murderer observing his deed, such as Paula Hawkins’ Girl On A Train, is one example, since the murderer is not the protagonist. Using an implied bookend, Lawrence Hill begins his engrossing novel,  Someone Knows My Name, with his elderly heroine ready to tell a packed audience her life story. The rest of the novel is told in flashback up to the climax, which brings us back to her about to go on stage.

Using this method addresses the reader in a direct way, which builds a bond. However, it introduces the plot slowly, in a cerebral rather than a dynamic manner, so it must intrigue us enough to keep reading. You can accomplish this with an opening sentence in a short story, but longer form fiction allows for more time.

Confused yet? Think of beginning a story like getting into a pool. Some just jump right in – method one. Others will dangle their feet in the water awhile, then slip in – method two. Others (me) will dip a toe in, complain about how cold it is, then slowly inch deeper into the pool until the water’s shoulder-high before gliding under – method three.

*          *          *

Are you are having trouble starting your story? Consider writing three different versions using each of these methods, then see which best accomplishes the goal of an opening. Which will lead you in the direction you want to go? Even though you’ll reject two of the openings, you may keep a nugget from them to use elsewhere. Or, if you decide to use a bookend opening, you can convert one of your other versions into chapter two.

Have you begun your story but aren’t satisfied with it? Does it feel bloated with backstory? Does it convey enough to grab the reader’s interest? Which type of beginning did you use? Does it satisfy the goals of that method? If so, perhaps trying another method would be more effective, or it might suggest a fix for your original beginning.

Your opening should not only prod your readers to keep going, but you as well. Again, even outlining an opening using another method of beginning may prompt some questions or ideas that will move you forward. If you’re writing a sequel, try rereading your previous book, or go back to the beginning and reread them all. It may give you momentum, or you may find some detail that triggers an idea to follow up on.

*          *          *

Have you gotten stuck after writing the opening and can’t seem to progress? Does your plot feel bogged down and going nowhere? In the next installment, we’ll look at ways to keep the middle from sagging or lagging.

*Spacemanguy` was an actual gubernatorial candidate in Washington state’s primary election. He lost.

Miko Johnston is the author of three novels in The Petal In The Wind series, available through Amazon and Barnes and Noble. Miko lives on Whidbey Island in Washington (the big one). Contact her at mikojohnstonauthor@gmail.com 

Mystery People

By Jill Amadio

As a Brit I put up with a lot of ribbing in America. Some friends take me to task for pronunciation. Well, I can’t help it if I have a very slight West Country accent as I am from Cornwall. To my amusement my accent is occasionally mistaken for Australian.

As a writer from over there, though, the ribbing can give me indigestion or at the very least depression for hours. The main problem is spelling. I am warned by colleagues that editors at U.S. publishing houses come down hard if you keep inserting a “u” into words like behaviour,  colour, and honour, or substitute a ”z’ for an “s”. Other minefields include using “ae” rather than “e,” as in “aeon” and “eon”.  Maybe it’s a matter simplicity. Americans pare as many ells from words as possible while Brits love double ells, such as “levelling” versus “leveling”.

My books are published here but habits die hard and I usually claim that Brits use the correct spellings. They only got chopped when unnecessary (to whom?) letters are summarily killed off. Flautists are called flutists, kerb is curb, and gaol is jail. Obviously what it comes down to is pronunciation, though. Americans spell words economically as they are spoken which is commendable although it escapes me why tyre is spelled tire. I think it has to do with the Boston Tea Party and wanting to be set apart from that awful king.

It’s a huge temptation to some authors who have leapt across the pond to use British spelling, perhaps as a sly signal to agents and publishers they are querying that the writer is a Brit – a sort of literary snobbism one occasionally encounters. In my first mystery I have my lead character admonish the British consul’s wife for this attitude which I did, in fact, actually encounter in Newport Beach.

Then there’s the grammar. Collective nouns in particular give me pause. Is a group, say, a government, singular or plural? Americans say it’s the former; Brits insist on the latter.  I have a page from the Associated Press Stylebook permanently stuck to my printer to remind me which to use.

Figuring out past particles is always fun. For instance, Brits say “pleaded” Yanks say “pled”. Oh, and the very, very worst word I hate to see changed is “hanged”. To my mind it should refer only to someone at the loop end of a rope, giving the action a far heftier meaning than the briefer word “hung”, as used here. People are not paintings.

What else? “Have” and “take” always flummox me. Am I going to take a bath? Or, am I going to have a bath? I read somewhere that this is an example of a delexical verb, which I’m not even going to touch.

While writing my mystery my beta readers caught another mistake. I wrote, “He drove her to hospital.” Wrong. I was told there should be a “the” in front of “hospital”.  I’m sure there’s some kind of diabolical rule about this but I think it is fine to give an in-house editor something to mark up to justify his/her salary.  As for tenses, the past participle in the U.S. for “got” is “gotten,” an ugly word that makes me shudder enough to want to write a thriller entitled “The Dangling Participle and the Dark, Dark Pluperfect”.

While writing the first in my crime series, whose amateur sleuth is a disgraced Cornish woman exiled by the palace for discovering a scandal (not sexual!), I had to learn the police rankings and figure out who was a sheriff and who was a police officer. Having worked with a reporter at the good old British rag, the Sunday Dispatch, I decided to have my sleuth simplify her confusion (and mine) by using British titles. When caught speeding she addresses a California Highway Patrol (CHiP) officer as Chief Superintendent, and calls the Chief of Police,  Constable.  I was very pleased to learn that sheriffs and policemen can be lumped into a group collectively referred to as “cops”.

When I mention a British pastime, such as nighthawking, no one has a clue as to its meaning. I was going to give the nasty habit to a character in my next book but I decided the explanation could be tedious unless you’re one yourself.

Even the four seasons can be a challenge. Seeking representation for my new book I scoured the agent lists and was rejected by 55 of them. I knew small presses can be approached directly and I found one with whose name I fell totally in love: Mainly Murder Press in Connecticut. However, the website declared, NO SUBMISSIONS UNTIL LATE SPRING!

Ha. I immediately sent in my query along with a note: “Dear MMP, I live in Southern California and although it is only January according to the calendar, and snowing where you are, it is already late spring here. You should see the roses!”

I received an email back within three hours, asking me to send chapters. Which I did. Obviously the publisher was not off in Tahiti but still on the snowy East Coast.” MMP published only 12-14 books a year and has now closed its doors but who can resist the name? So my advice is to go ahead and break the rules. Lay it on thick. Change the climate. Worked for me.

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Jill Amadio is from Cornwall, UK, but unlike her amateur sleuth, Tosca Trevant, she is far less grumpy. Jill began her career as a reporter in London (UK), then Madrid (Spain), Bogota (Colombia), Bangkok (Thailand), Hong Kong, and New York. Jill writes a column for a British mystery magazine, and is an audio book narrator. She is the author of the award-winning mystery, “Digging Too Deep” and the second book in the series, “Digging Up the Dead.”  The books are set in Newport, California.    http://www.jillamadio.com

 

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This article was posted for Jill Amadio by Jackie Houchin (Photojaq)

Two Little Paths…

AnotherRoadSignI’m sharing today two short blog writing-trails I’ve been down recently. As always, my hope is there’s something in my meanderings that might send you down helpful writing paths of your own.

My first little wandering, was instigated by a recent Paul D. Marks post[i] (Thanks, Paul…I think.(smile))

Paul posed the question to his readers of what would you do if you weren’t a writer. It was an intriguing question, and in thinking about my answer, my thoughts–after several professional considerations–led me BACK to writing. And you guessed it, ending up with ideas on how to improve my current writing. Here’s how the thinking trail went… Clipboard01Knowing what I know about my myself and where I am writing-wise——answering Paul’s question, I did arrive at being a Movie/TV Show Producer and/or Director (admittedly based only on outsider-knowledge of the professions). I do love movies and TV, and in my mind, producers and directors do all the great things in putting together a compelling story, like picking the  setting, lighting, color pallet, sequence of scenes, casting…

Then of course, it hit me—in my rewrites, editing, endless agonizing reviews—I could improve my WIPs with a heightened producer/director perspective. A couple posts ago I talked about BBC radio dramas that I listen to on audio-books, and what I learned from them. Well, I’m thinking carrying that learning experience forward to the big and little screen, should broaden my writing reviews.

Readers2I should backtrack a bit, and point out my prevailing approach and perspective on writing comes from reading. And especially from the golden age. Updated by P.D. James, of course! So, adding radio and movie profession perspectives, though it may be obvious to some, was not such a straight line for me.

So, in my “backup” career as a Producer/Director, I’m in the process of adding some touches to my latest WIP to expand my movie production “Vision.”[ii]

My second Little thing–is weighing egoism, good sense, advice taking, and the shortness of life. Items/thoughts which are a continuing balancing act for me–especially during the editing process.

With foolish bravado the other day, I decided to pull out some boxes from my writing dark-ages with the point to toss or save. This impulsive housework-like behavior lasted about an hour before I said “the heck with this” and pushed them back out of sight into the closet. But in that hour of attempted work, I found several short stories I supposedly wrote in the 80s. I say supposedly, because my name (actually pseudonym at the time MM LaCour is on them with submittal envelopes attached)—but I just don’t remember them. Whoever(smile) wrote them, evidently thought they should write however they wanted, convention be damned. Egoism, front and center.

Fortunately since then, I’ve been exposed to marvelous advice on writing. Indeed, so much about writing can be learned at conferences, seminars, from books, (plug) and especially here at “Writers in Residence.” Good Sense and Advice taking.

Paul’s post and the pulling out that box path-meanderings, have brought me here. All this “stuff” is excellent for thinking about, and to use for “how to.” But all important, is keeping in mind tomorrow is not promised. And all these thoughts and paths mean nothing–if I/you don’t write. Which has led me to the main thought I would like to pass on from these two little combined posts—–write as much, and as often as you can. AND most importantly, Enjoy the journey!

ThinkingHeadtoBook2Definitely interested in hearing your thoughts on Paul’s question(which I’m still thinking about), and what “perspectives” you might be using for your writing reviews. And here’s hoping, my ziggy/zaggy comments will help you make your next work “a stellar production.”



[i] I Write Therefore I Am by Paul D. Marks. https://www.sleuthsayers.org/2020/08/i-write-therefore-i-am.html?fbclid=IwAR2Bd1kSxrMyvgkFVS8AO3GcmU4ElEcYINye_-W8lOp84TJTim9emcmFoYY

[ii] Still working on a novella “Never Forgotten,” and in this period of having plenty of time, it’s much slower going than it should be. cover

Introducing Cynthia Naden, our Newest Writers In Residence Member.

Cynthia, we are so glad to have you in our Writers in Residence blog group. Tell us about yourself.

cynthia-nadenThank you, Jackie! I’m a native of California, I was born and raised in the Pasadena area.  My husband and I still live here, although we have talked about living elsewhere that is less expensive.  I have two adult sons and two adorable granddaughters.  We live in a condominium with two precious pups, Minnie, a mellow Maltese, and Mandy, a very precocious Terrier mix.  They keep us on our toes and give us hours of unconditional love and fun!

I bet they are cute!  When did you first get interested in writing?

I have been a writer since I was a child.  The first book I fell in love with was Pearl Buck’s Good Earth.  I subsequently read the rest of her tomes.  The first attempt at writing occurred when I was in the 4th grade and wrote about an imaginary trip I made to Australia aboard the SS Lurline.  What fun that was! Throughout my years in school, I always veered back to writing about Asia and when in college, studying for my Master’s in History found myself back in Asia but more specifically China.

Was History your only avenue of study?

No, besides my Master’s in history, I also have a Bachelor’s in English and Paralegal Studies, and a Master’s in Library and Information Science. But my writing career really took off following the completion of my last Masters.  I took a couple online writing courses and found myself writing a romantic suspense that is loosely based on a personal experience of my own.

You mean, the events in Cache Under the Stacks actually happened to you? That’s scary.

Well, some of the elements did, but not all. It is fiction. (smile)

A bookstore features prominently in the book. Do you have a favorite one?

I love bookstores. Whenever we travel my first stop is a bookstore. One of my favorites is Chaucer’s in Santa Barbara, but our own Vroman’s here in Pasadena is the best of the best.

What other writing interests do you have?

I’m interested in writing historical fiction and have a couple of novels started that take place during World War II – one in Europe and the other in the Pacific Theatre. And I would someday love to write about cooking or do restaurant reviews.  Always something that I am striving towards. But my one far-fetched desire is to own a boarding house for dogs with all the amenities!

I love it!  We have some dog-lovers in our group and among our readers. They would be happy about that aspiration.  I see you have many yummy recipes on your blog as well.  Cynthia’s blog recipes

Yes, and did you notice the SPAGHETTI BOLOGNESE recipe at the end of Cache Under the Stacks?

I sure did! I plan to try it soon. I love Italian food.  So, what have you in the works right now?

Starting Over 41S6cFWnPxLCache Under the Stacks was published in August 2018and Starting Over was published December 2019. Both books I “pantsed,” but now I am trying to outline and it is not as easy for me.  I’m working on a sequel to Cache Under the Stacks and a sequel to Starting Over, a woman’s fiction that has evolved into a bit of a mystery.

How about those two WWII novels you were considering? 

One is set in the late 1930s New York and London. It is called Because of You. The other one set in Pearl Harbor, and is yet to be titled, although tentatively I call it Murder in Waimea.

What are you reading now?

Reading during this “lock down” time has not been as productive as I thought it would be. I have several books on my bedside table: Woman in the Shadows by Jane Thynne; Erik Larsen’s The Splendid and the Vile; The Last Bathing Beauty by Amy Sue Nathan; and Landing by Moonlight by Ciji Ware.

How have you been managing during the “lock-down” time?

I thought I would have gotten a lot of writing done, but it has been hard to concentrate. If anyone has any suggestions, I would gladly like to know about how to overcome this. It has been a time of great distraction.

Do you have any dreams or goals?

My dream would be for Covid to be over and to travel to London, France, and Germany. I would like also like to publish at least one book a year and if possible, someday land a traditional publisher.

Thank you, Cynthia (Cyn), for sharing your past and your heart. We are so glad to have you here, and look forward to when you will be posting alongside us next year.

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Cache Under Stacks 51iDVwGVQML._SX331_BO1,204,203,200_BOOK REVIEW: Cynthia (pen-name Claire Naden) published Cache Under the Stacks, A Cate Wagner Mystery, two years ago, and I have just found and read it. It’s a story about a divorced, empty-nester bookstore owner, living alone in a nice neighborhood with her sweet pup, Minnie.

But then, she begins to get threatening phone calls from an unknown person. It doesn’t matter if she is at home, at the bookstore, or 100 miles away, he seems to know just where she is and what she is doing.  For most of the book, this stalker only terrorizes by phone, but towards the climactic end, the calls and messages get more specific. And when strange packages and people begin to appear at her bookstore, she knows her life is in danger.

Fortunately for Cate, a handsome police detective enters her life and takes an interest in her case. As the threats escalate, their relationship begins to heat up. But he can’t be with her every minute. She is alone sometimes and the stalker knows it.

Advertised as Romantic Suspense, I can assure you the book is both.  From the first pages, you will feel an unease for the main character that quickly turns into unrelenting anxiety. It’s hard to stop reading even at chapter breaks, because you simply must find out who is terrorizing the heroine and why.

Naden writes simply but in great detail. Where another author might say “She went into the house and locked the door,” this author breaks down those movements into tiny increments (fumbling with the key, dropping it, her purse strap catching on the knob, preventing her from closing the door fast). You think it would be boring, but not so. It  holds you captive while it ratchets up the suspense. You “just KNOW” someone is in the house, in her bedroom, or right behind her…

PS: You only understand the title at the very end!

 

 

Building a Platform

The last few items in this multi-paged blog for your consideration.

by Gayle Bartos-Pool

Platform

Point #9

  1. Your Inner Ham. This one might be scary, but if you really want to cut the mustard as a writer, you have to be able to stand up in front of strangers and read your work out loud.

If you haven’t passed out from the mere thought of that, you might think, “Oh, how hard can that be?” Go ahead and try it. Have some friends watch you and honestly critique you. Try reading stories to a children’s group. If they start laughing or fall asleep, maybe you should improve your technique. If you mumble in a monotone with your head down, it’s time to take a Toastmasters course or maybe acting lessons.

Reading to an audience is more than saying the words out loud. You must be able to project to the back of the room. You should use varied tones and moods. Your face should suggest the different characters you are portraying. In other words, you should give a performance.

Sing

Not all authors are good at public readings. Many mumble. Others stumble over their own written words while maintaining a monotone throughout the entire read. That is telling the audience that there is nothing exciting happening on those pages even if the selection would have been interesting if it had been read with the proper emotion and gusto.

Many books are sold at author readings when the author makes his or her book sound like a performance. It can be done, with practice. Read your own work out loud. It will help you discover some great sections to read to an audience.

It’s actually a good strategy in writing to open your book or short story with a bang. It grabs the attention of the reader who might be a potential agent or editor. And the guy in the bookstore might buy your book if the opening grabs his attention. So when you are reading to an audience, starting at the beginning is always a plus. But even if your opening isn’t a grabber, pick an exciting part to read and keep going over it until it sounds like a stage performance.

As a bonus, while still in the editing phase of your writing, try reading your work out loud. You will detect mistakes that you had overlooked while just reading the words off the computer screen. To kill two birds with one stone: record yourself as you read. You will hear your literary errors and you can judge your own presentation.

Remember: It is a performance. Lights. Camera. Action.

 

Point #10

  1. “Mr. DeMille, I’m ready for my close-up.” If you have anything published, even self-published, do TV interviews to get face time and experience. Local TV stations in many areas do segments on local authors. Public access stations do round-tables with authors. Call them up; tell them what you have done. Suggest doing a panel of several of your writer friends for their station. It never hurts to ask.

GenderWritingPanel
Burbank Library Panel

Point #11

  1. Don’t Drop the Ball Now. If you have gotten this far, take time to update your website, keep people informed on your Facebook page, or Twitter your latest event. Let your targeted audience (chefs, lawyers, senior citizen groups) know what you are doing. Visit all those Internet communities you have joined and let them know what you are up to. Leave a comment on a fellow writer’s blog when they have a new book out. Review somebody’s book on Amazon.com. (Wouldn’t you like somebody to do that to your book?)

 

PhotoFunia-1562086112As you learn new skills, like doing a TV interview, let people know about it on your website. Polish old skills. (You can always improve.) You should have learned a hundred great writing techniques and mistakes to avoid in that writing group you joined. (We can all learn from other’s mistakes as well as our own.)

Update your short, one-paragraph biography often, so when someone is doing publicity on you (or you are sending out your own Press Release) you have the latest news on yourself at hand. Something you did in college probably won’t interest anybody ten or fifteen years later, but guest blogging on someone else’s blog is Big News. The fact you wrote poems in high school isn’t very news worthy. The fact you interviewed a fellow writer on your blog is exciting. Read other people’s biographies on their websites. You’ll spot the pro from the novice by what the pro leaves out.

 

Point #12

  1. Go for the Gold. Once you have a book in print, try creating a video book trailer for your website. Windows Movie Maker software can help you turn out a mighty nice one. Hey! If you have done all the previous points, you can do the book trailer. It’s the latest thing out there. Other writers are doing them.

Micraphone Man

 

Tough love segment: Agents and publishers are looking for any excuse to say “no” to you and your manuscript. But if you have most of these twelve bullet points mastered, they are going to find it hard to turn you down. You show initiative and you follow through. That means they won’t have worry about expending time and money on a newcomer. (Let them spend their time and money when your efforts pay off and you have a Best Seller.) Do your homework now and maybe your publisher will spring for the book trailer and book tour later.

 

A Final Thought

You aren’t alone out there. There are plenty of people who are at the same level in their career as you. There are some a little further along, some even more of a newcomer than you are. Writers today are learning that they need to master these same silly skills in order to get themselves noticed. Why not you?

These bullet points are meant to give you a heads up in this business and to urge you learn them, try them, and to get your name plastered all over the Internet along with your terrific face. You have a vested interest in getting a book published and selling those books. You are also the best salesman of your work. Nobody knows you like you.

Use all these “platforms” to climb up to the top of the heap and shout your name from the rooftops. Each one will make you a better writer and more interesting to an agent or publisher.

All the best with your writing career.

If you found these various postings about Building a Platform helpful, you might like to know where they came from. These helpful hints as well as a bunch of other timely tips can be found in a little book called So You Want to be a Writer by Yours Truly. There are also a few short stories for your reading enjoyment in the rather thick book. It’s a companion piece to The Anatomy of a Short Story that came out several years ago. I do love to teach. Write On!

So You Want to be a Writer Amazon cover 2anatomy-book-cover

Genres and Generalities

by Linda O. Johnston

LINDA scott-broome-BcVvVvqiCGA-unsplashI love to write.  I love to write novels that contain romance.  I love to write novels that contain mystery or suspense.

Any surprise, then, that I write in multiple genres?

I’ve mentioned some of that before while blogging here.  At the moment, as with many people who do many things, my career seems to be changing a bit, yet staying the same.

And yours?

I’m currently writing romantic suspense novels for Harlequin Romantic Suspense.  I have a couple stories I’ve turned in that are my own plotting, and I’m currently working on another of HRS’s many, multiple stories about members of the Colton family, who always seem to be finding wonderful relationships and also dealing with a lot of crimes.

LINDA adult-1850704_640My kind of story, and I follow their bible and have my characters interact with the protagonists of other Colton stories in the various mini-series that are part of the Colton series.  When I write stories that are all my own I fit a lot of dogs into them, and occasionally have been able to slip one in to a Colton story.

I’ve also written a lot of cozy mysteries over time.  My most recent cozy publisher went out of business, so I don’t have any currently in progress–although I believe, and hope, that a publisher that’s new to me is going to buy one of my ideas.

So–yes.  I write in different genres, and often read in different genres to keep my ideas flowing.  Generalities–I guess I can say I love fiction, I love suspense and mystery, I love animals… and, as I said, I love to write.  Even these days, when there’s a lot going on in the world nearby and elsewhere.  My writing has slowed as a result, but it goes forward.

It’s always fascinating to me to see that some writers stick to their primary genres as long as they write.  Others are like me and have more than one favorite genre that they also  go back and forth among–or sometimes combine them, as I do. Of course my cozies contain a romantic interest, and all my romances also contain suspense or mystery.

So how about you?
What are your favorite genres?
If you’re a writer, which genre(s) do you prefer to write in?
Or read in?
What’s your general purpose for reading?
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Linda O Johnston
Linda O. Johnston, a former lawyer who is now a full-time writer, has written two mystery series for Midnight Ink involving dogs: the Barkery and Biscuits Mysteries, and the Superstition Mysteries.  She has also written the Pet Rescue Mystery Series, a spinoff from her Kendra Ballantyne, Pet-Sitter mysteries for Berkley Prime Crime.  Currently writes for Harlequin Romantic Suspense as well as the Alpha Force paranormal romance miniseries about shapeshifters for Harlequin Nocturne.
This article was posted for Linda O. Johnston by Jackie Houchin (Photojaq)

COMING CLEAN

by Rosemary Lord

 

Office clutter 1

Okay – so I’m all clean. That is, I have a very, very clean home now. I have newly washed the blinds, cleaned window screens and window sills, I have a scrubbed floor, laundry is done and my stove and microwave positively gleam.

Can you tell that I have started writing my next book?

Yes, I know – I am still working on getting the first Lottie Topaz novel published. But this next volume is bursting out of my head just now. So….

Why do we writers have these odd work habits? For me I think it is part avoidance and part ‘my special writing method.’

You see, I recently wrote the key outline of this next book, ‘Seven for a Secret,’ the working title. Then I wrote parts of the first 5 chapters – by hand on legal pads. I typed up a few pages here and there. I know where they’re going and roughly what needs to be said. Next, I have to think it through before I sit down and solidly write from Page One to The End. That daunting – or exhilarating – task takes months.

Broom 1  That’s where the cleaning comes in. I find that as I scrub and clean and polish I run through all the scenes in my mind and have much more clarity away from the computer as I do ‘mindless things’ like cleaning. I get out of my own mental way. Yes, there is a bit of avoiding that commitment to sit down and write for the next however many months it takes to complete a first draft. What if it’s rubbish? What if it’s no good? At least, if I don’t start the typing part I can’t get scolded for writing rubbish or being boring. Well, that’s one of my little avoidance gremlin’s voice at work.

 

Broom 3 During the Covid 19 enforced solitary confinement, my writing methods have changed somewhat. Partly because, after all the Woman’s Club administrative work, I found time to declutter my office, move things around and re-arrange my filing system. (Possibly another unconscious avoidance technique?) Then I re-edited the first Lottie novel with fresh eyes on it, enabling me to take out over 20,000 words. I knew it was far too long and was able to keep most of the edited-out scenes to use in later books.

Computer filesSo now, sitting in my newly arranged office space, with smartly labeled files and clearly focused folders – I can’t find anything. I do a lot of research and have copious folders of notes, print-outs and clippings; now all neatly categorized. Normally, when I sit at my desk in my very small ‘office’ (in reality, a corner of the living room) I can reach my arm out and grab the stack of papers I need. Or reach the other arm out and grab the specific notebook. Everything’s at arms length and very convenient. Except now I have to stop and think “which arm?” “Is it to the left or to the right or behind me? My color-coded files are in upheaval because I have re-arranged them methodically. But my creative mind doesn’t work that way. Now I have to rethink my steps as to why I re-filed things and where my logic was going with the new system.

Or maybe it’s just another avoidance on my part?

My next step is to start my Story Board: a large notice board on which I stick post-its with the outline of each chapter and perhaps characters or incidents that need to fit in somewhere.  But with all my smart de-cluttering, where did I put my board? It’s a bit like shaking your head a lot and then waiting for all the bits of your brain to settle down again so you can see where things are.

Over these last locked-in months I worked really hard on trying to streamline my whole writing system. It’s just my brain hasn’t settled down enough yet to remember the new system. I know it will work much quicker than my old scatter logical system that was emotionally driven.

Readers  I resolved to be super organized, efficient and be a real smarty pants – so I could become a prolific novel writer, like many of my fellow writers.

But my mind hasn’t yet caught up. This is where the cleaning helps. I can see the fruits of my labor as I wash the Canyon grime off my white wood shutters. Yes: they’re white again. I accomplished something. Better than sitting in front of the computer typing and erasing the same sentence again and again as I await the muse to visit once more. But, as I mentioned, it’s often when I am distracted with the dusting, soaping, scrubbing and rinsing that words, sentences, scenes and whole conversations are visited upon me.

I hurriedly grab my writing pad and scribble down the dictated words – often forgetting to first dry my hands. My notepads tend to have water and soap-suds stains all over. Some tear-stains of frustration, too.

I know this is a change for the better. In my decluttering marathons I rediscovered several half-finished books and stories. And I was able to take time to re-evaluate my time and get out of old work-habits that didn’t serve me.

This year we all had the opportunity to re-think what we were doing and how we were doing it. Or to simply do something totally different. So, overall, as we slowly open up our lives again to regular business practices, social visiting, travel and family gatherings it will be a case of “So what did you do during your 2020 Shut-down?”

Me?  I got clean.  What did you do?

Typewriter and desk

How Will YOU Tell The Story? Part II

 by Miko Johnston

In my last post I asked, How will we write about this? There has to be a moment when the reality of the new normal hits you in a unique way.

This is my moment:

May 20, before the tragedies we’ve witnessed in the past weeks occurred, when we focused on the pandemic and its effects on our health, our economy and our lives 24/7:

Mikos Garden1aIMG_1530After ordering restaurant take-out, my husband drove there to pick up dinner. It would take him almost an hour, leaving me time to explore a newly bloomed section of our garden, planted with rhododendrons. If you’re not familiar with the plant, they’re like azaleas on steroids, with flower clusters, some as big as your face, nestled against dark green leaves. Some grow as tall as trees; others have been pruned knee- or chest-high, their blossoms a riot of pinks, fuchsias, purples and reds.

Mikos Garden2In the shelter of the garden, hidden beneath a canopy of lavender and laurel trees, I sauntered the path that wends through the rhododendrons. As I neared the end of the path, where it rejoins the lawn, I spotted something crescent-shaped sparkling on a branch. A closer look revealed a young bird, judging by its downy feathers of gray, which blended in with the bark. She (as I later discovered) had a curved beak, bright yellow, which stood out like a slice of sunlight in the darkness of the overgrowth.

I think the bird spotted me but didn’t fly away; she seemed to accept my presence without fear. I froze and observed in silence as she returned her attention to her surroundings.

She stared at the bees hopping into flower melheads, gathering their pollen, and buzzing into the next blossom. At the sound and movement of the leaves whenever a breeze rustled them. At sunbeams that danced across branches overhead. At a pair of energetic bunnies as they frolicked on the lawn, oblivious to our presence. Many minutes passed.

Mikos Garden3IMG_1555I so wanted to hear her sing, but she didn’t. Silently she sat there, occasionally darting her head, watching everything around her as I watched her, delighting in her curiosity, her seeming amazement with the world she’d recently entered. She hadn’t mastered flying yet. Her wings fluttered to help her balance on the branches as she hopped along, taking in the sights and sounds all around her. I’d been feeling blue awhile, in a rut. All that changed with my encounter with this fledgling. I found myself transfixed by her utter joy, and that joy flowed through me for the first time in months.

Soon her mama showed up for feeding time. Mama didn’t take kindly to my presence, so I backed away and fetched my binoculars to watch her offspring from a non-threatening distance. I continued to observe her until hubby returned with dinner – fortunately, fish that night. My spirits revived, I left her and went inside to eat. Later I searched through my bird book for a picture to identify her. She resembled a female European starling, except the juveniles don’t have golden beaks.

*          *          *          *          *

Two days later, as I walked toward my rhodie garden, I noticed a rock centered on a bare spot in the lawn. Nothing unusual about that, but a tiny light stripe along the top made me look closer. I found the little bird’s body lying there, her once vibrant beak now a dull tan, and I broke down.

My husband took her away and buried her, noting she had a peck wound on her chest, likely from a crow. I cried uncontrollably, then berated myself for crying over a dead bird when the tears didn’t come for much bigger tragedies.  How could I be so shallow?

Was I, though?

That little bird reminded me of how quickly melancholy can turn to joy, and joy to sorrow. How the magnitude of what’s been happening to so many, for so long, can be hard to process. By wrangling it down to its essence, finding a small representative to a larger picture – a symbol – we can better grasp how it affects us, better articulate what it means to us. And isn’t that what writers do?

So now I can answer the question I posed in my last post.

What about you? Have you begun your story yet?

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Miko Johnston is the author of the A Petal In The Wind Series, available through Amazon and Barnes and Noble. Miko lives on Whidbey Island in Washington. Contact her at mikojohnstonauthor@gmail.com

 

 

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This article was posted for Miko Johnston by Jackie Houchin (Photojaq)