The Fun of Writing “Retro-Cozies”

Sally Carpenter

An interviewer once referred to my stories as “retro-cozies.” I liked the term and use it to describe my work.

A retro-cozy is an amateur sleuth mystery with no graphic gore, violence, sex, or language, and occurs in the past. What defines “the past” is up for grabs—I’d say any time before the 21st century.  My Sandy Fairfax series is set in 1993. The protagonist, a former teen idol, often refers to his TV show, which was filmed in the 1970s.  My newer series, the Psychedelic Spy, takes place in 1967.

Beatlemaniac_final_ large_2500Why do I use a time machine when I write? For Sandy Fairfax, I had no choice. I wanted to write about a ‘70s teen idol because of the culture of that time when teen idols were promoted through TV shows. I like the melodic songs from the era, the cheesy clothes, and the drama that often took place behind the idols’ innocent façades.  \

Sandy was 18 when his TV show started, so if I set the books in today’s world, he would have aged up to 61 or so. But I wanted to write about a younger man who could still do his own stunts and would be making a comeback, not plans for retirement. The year 1993 places Sandy at age 38, still agile but facing a midlife crises.

For the second series, the ‘60s is a ripe era for storytelling: war protests, civil rights and women’s movements, the generation gap, influence of Eastern religions, and the Cold War.  I love the culture of the age, the bright colors, pop art, rock music, movies, mod clothes and hairstyles. Let’s face it, women’s clothing styles in 2018 are—dare I say it—drab and ugly.

I like the simplicity of past times. I use a computer, but I’m out of touch with today’s technology. I don’t even own a cell phone (gasp!). I gave up trying to figure out streaming services, podcasts, YouTube videos, Twitter, social media and whatnot.

If a contemporary protagonist gets in trouble, all she has to do is whip out her cell phone and call for help. Ho hum. But my protags have to think and fight their way out of their predicaments. If my protags need information, they can’t Google or ask Alexis; they have to put in the legwork. They need hard evidence, not just a DNA sample. With fewer crime fighting tools at their disposal, my heroes work harder.

People who stare at their phones or computers all day bore me. Characters who talk face-to-face are more interesting than those who send texts. Modern technology is helpful in real life, but it’s a story killer.  When I read for pleasure, I want to escape into another world, away from the commotion of modern times. Writing a retro-cozy lets me, at least in my mind, take a break from today.

Flower_Power_Fatality_jpg (1)In “Flower Power Fatality,” Noelle McNabb is an actress at a Christmas-theme park in Yuletide, Indiana. Her drab routine is interrupted when a stranger shows up on her porch with a bullet in his chest. Then, a super-secret spy agency recruits Noelle to find missing microdots along with veteran agent Destiny King. As Noelle goes undercover, she finds herself dancing in sleazy nightclubs and chasing bad guys at night while wondering who is going to feed her pet cat.

My next project is putting my first book, “The Baffled Beatlemaniac Caper,” back in print. Washed-up pop star Sandy Fairfax, in a desperate move to get his career back on track, takes his only job offer—a guest appearance at a disorganized Beatles fan convention in Evansville, Indiana. What look like an easy gig turns deadly when a member of the tribute band is killed and the police finger Sandy as the prime suspect.

“Beatlemaniac” will include a new cover art, new forward, updated author’s bio, re-edited text and a bonus short story, a brand new Sandy Fairfax adventure, “The Deadly Disco Caper,” in which the 1970s get skewered. Yowzah, yowzah, yowzah!

 

306141_347563052028408_642323995_n(2)Sally Carpenter was born and raised in southwest Indiana but now lives in Moorpark California, leaving the land of rain and snow for wildfires and earthquakes.  She has a master’s degree in theater from Indian State University. She also has a master’s degree in theology and a black belt in tae kwon do. She’s also “mom” to two black cats.

Her first book, “The Baffled Beatlemaniac Caper,” was named by Left Coast Crime as a 2012 Eureka! Award finalist for best first mystery novel.  She penned chapter three of “Chasing the Codex,” a group mystery written by 34 authors with Cozy Cat Press and has stories in three other anthologies.  She’s a member of Sisters in Crime/Los Angeles and blogs monthly at https://ladiesofmystery.com/ .

For more about Sally Carpenter and her books, go to http://sandyfairfaxauthor.com/   Reach her on Facebook or email her at:  scwriter@earthlink.net .

 

 

This blog article is posted for Sally Carpenter by The Writers In Residence member, Jackie Houchin

 

BACKPACKING WITH A PITCHER

By Heather Ames, guest blogger

lemonade unbornWhoever coined the phrase “making lemonade out of lemons” must have had an acerbic wit. As a champion receiver of citrus, I’ve always tried to look at each situation as a challenge instead of a mountain of acidity, despite the after-taste.

51NyNyt9s8L._UY250_My most recent pitcher of lemonade appeared last year, when I finished Book 2 of the “Indelible” mystery/suspense series and contacted the publisher of Book 1 to find out how much of the completed manuscript they wanted to see. After two attempts, I was told to send “whatever you want.” I sent a partial and waited, then waited some more. Much more. Months.

I then emailed the editor-in-chief, who said she had just returned from an extended hiatus. She told me to send the entire manuscript immediately, which I did. The contract came. I signed it. The CEO signed it. I breathed a sigh of relief. Then the momentum, which had built to its normal level, ground to a halt as I waited for my editor to be assigned. And waited.

A sense of foreboding crept over me. Bushels of lemons rolled onto the horizon and waited, poised to roll into my lap. I tried to ignore them. After all, progress had slowed one time before. They were probably just running behind due to the EIC’s absence.

But then it came…an email from the publisher, returning my rights due to their poor quarterly returns for the second quarter in a row. I wasn’t their only author to receive that email, the EIC assured me. She said the staff was upset about the situation. I found little comfort in that knowledge.

There had been other signs that the publisher, despite its growth and a propensity to purchase smaller competitors, was itself in trouble. One huge misstep resulted in all titles from one of those buy-outs, including one of my own e-books, suddenly disappearing from Amazon. Apparently, when the old site was pinged without success, Amazon believed the publisher had closed, not that the titles were in the process of being moved to their new home. A year later, despite an email from the publisher that explained all the titles would be reloaded “in a lengthy process,” that still hasn’t happened. Perhaps they are busy making lemonade, too.

A Swift Brand Of justiceI couldn’t afford to sit around waiting for my two year contract on “Indelible” Book 1 to expire before offering both books in the series to another publisher. Readers had been asking when Book 2 would be available. Since it had already taken me close to 3 years to get Book 2 out of the starting blocks (including the 9 months wasted over that abortive contract,) I decided there was only one way out of my dilemma, and that was to self-publish “Indelible” Book 2, “A Swift Brand of Justice.”

Self-publishing has become more accepted during the last few years. Many popular authors have departed their small publishers, taken back their rights and chosen that route. Financially, it makes more sense for them. They already have a fan base, and their back-listed books have all been edited and formatted. All they need are new covers. They no longer have to share their profits with the small publishers, who find themselves, as a result of this exodus, left with newer and less well-known authors. Their piece of the pie has become much smaller, and their bottom line has suffered as a result. Many of them have folded and others are in financial trouble.

For those of us who find our books orphaned (and there are a growing number of us,) “DIY” has morphed into an acceptable solution. I know of several other writers who have had to move their series from the original publisher. I will be another. After I complete Book 3’s manuscript, I hope to find another home for my series. If I don’t, then I know I can continue self-publishing and growing my brand, instead of waiting months, even years for a contract.

Night ShadowsI just self-published a second book. This one is the stand-alone suspense, “Night Shadows,” I was working on when my rights were returned for “A Swift Brand of Justice.” In order to retain and grow my readership, I need to offer new material on a regular basis. That won’t happen if I’m marking time while I wait for responses to queries, partials and even full manuscripts, or unexpectedly have my rights returned again.

I would much prefer the support and expertise of a new publisher. But if that doesn’t happen, and I need to self-publish again, I know I can do it. I still need to build my support list. Finding reasonably-priced editors is one challenge I haven’t yet mastered. But I’m getting better at designing my own covers, and the learning curve isn’t as steep or as angled as it was before those lemons rolled into my lap.

I’m keeping the pitcher handy as I write the first draft of “Swift Retribution,” Book 3 of the “Indelible” series, but I’m not resigning myself to using it yet. Hope springs eternal, but this time it’s couched. The publishing industry as a whole is in a state of flux, and these days, writers need to be ready for anything. Even a fresh bushel of lemons.

ABOUT THE AUTHOR

my big picHeather Ames knew she was a writer from the time she won first prize in a high school novel contest. An unconventional upbringing gave her opportunities to travel extensively, leading to nomadic ways and an insatiable desire to see the world. She has made her home in 5 countries and 7 states, learning a couple of languages along the way. She is currently pitching her tents in Portland, Oregon, and after a long career in healthcare, made her dream of writing full-time come true.

Heather is a current board member of the Harriet Vane Chapter of Sisters in Crime and a member of Toastmasters International. She moderates an online critique group and a local book club.

Visit her website at www.heatherames.com 

 

 

Posted for Heather Ames by Jackie Houchin

What’s in a Name?

Bonnie_Schroeder-McCarthy-Photo-Studio-Los-Angeles-7187

Bonnie Schroeder started telling stories in the Fifth Grade and never stopped. After escaping from the business world, she began writing full-time and has authored novels, short stories and screenplays, as well as non-fiction articles and a newsletter for an American Red Cross chapter.

 

As I get older, I seem to be experiencing an odd form of dyslexia (I think) where my brain transposes letters in words so that I read something that’s not there. Only on second glance do the letters rearrange into what they’re supposed to be.

This has been a boon for me in one way: character names. For example, I came across the surname “Murdock,” but my eyes thought they saw “Mudrock,” and after my initial annoyance at myself, I thought, what a great name for a character.

I collect names because few things are as frustrating to a writer as creating a new character and not being able to name them, right? First names are easier to come by; I pop open 1001 Names for Baby and can usually find one that works. But surnames? The tone must be just right.

In my novel Mending Dreams, the main character’s last name is Krajewski [yeah, even now I have to look it up in the book to spell it correctly], and that was intentional. I knew a fellow with that last name, and he used to joke about how people mispronounced it. I wanted the character, Susan, to have willingly kept the name even after she and her husband divorced. Her maiden name was Stafford, and it says volumes about her and her feelings about her ex-husband that she kept his name despite the difficulties it could cause.

My list of unusual surnames fills several pages in my notebook. One I’m trying to find a story for is “Evilsizer.” Meaning no disrespect to real people with this name—and I found several via Google—I think it would be perfect for a scheming couturier. Or maybe someone who is really nice. . .

Strong first and last names are essential to me so I can paint a picture in my own mind of the character before I start writing. Names help me visualize characters—sometimes even more than physical descriptions. Names bring with them associations for me personally that color a character’s nature and behavior.

Take the name “Joan,” for example. What does this name conjure up for you? Joan of Arc? Joan Crawford? Joan Baez? For me, it brings back the memory of a woman named “Joanie,” the utterly helpless wife of a fellow I worked for. This woman would call my boss with every little challenge life presented her. If she locked her keys in the car, her first call wasn’t to Auto Club; it was to her husband. I haven’t found a role for Joan or Joanie in my stories yet, but some day I will.

Names and the way they are used in a story also reveal behavior and sometimes emotion.  The main character in my novel Write My Name on the Sky goes by “Kate,” but when she exasperates her mother, she becomes “Kathryn Ann.” How many of you remember hearing the sound of your first and middle name as a cue that you were in big trouble with a parent? And if they added your last name—run for cover!

Sometimes the way a name is mis-used in a story can affect the outcome, too. For example, my flash fiction piece “What’s in a Name?” answers that question with one word at the end of the narrator’s date with the man of her dreams. If you want to check it out (it’s only 532 words), follow the link on my website: http://bit.ly/2En7TJw

Yes, names are important to writers, and to readers. And not just the human characters. The animals in our stories need particular names, too. After all, none other than the masterful poet T.S. Eliot admonishes us to give thought to the naming of cats:  http://bit.ly/2mZ47xQ

How about you writers: do you struggle as much as I do to come up with suitable character names? And, readers: any favorites among your literary heroes and heroines? Any tips for good name sources?

 

Creating Seasonal Articles*

Christmas sugar plumsby Jackie Houchin

Does reading all those December magazines with their holiday stories, recipes, tips, traditions, and inspirations make visions of sugar plums, er, I mean, ideas for articles to dance on your head?

“Oh dear! I so wanted to write an article about those fun games we play for identifying Grandma’s tag-less gifts under the tree!” (Family Circle Magazine?)

“And how I wished I’d shared my Mom’s Christmas fruitcake recipe from her recipe box (that I inherited this year when she died), and told all who read the article why they really should try fruitcake again.”  (Reminiscence Magazine?)

But, I forgot to write them.

And now it’s too late – WAY too late.

At least for this year.

But not for next year, if I plan ahead.  Many magazines need seasonal articles. But they need them long before the pub date. Articles with a “time-tag” are a good way for new writers to break into print (or seasoned writers to pick up some pocket money).

It’s all in the timing

Start by picking up Chase’s Calendar Of Events and look ahead to see what holidays will be celebrated in six months to a year. Or you can check the guidelines in the new The Writers Market Guide for specific publications you hope to write for.

Send a query letter with your idea ahead of the suggested time. If you get a go-ahead, be sure to deliver your article on time. And be patient. If it isn’t used in 2018, it may be held till 2019.

Low-profile holidays

Brain storm ideas for the less popular holidays, such as Arbor Day, Grandparents’ Day, Flag Day, Patriot Day, Friendship Day, Bastille Day, Poppy Day, or even…. Cookie Baking Day! (December 18)  Also think about back-to-school and summer vacation themes.

Your special “slant”

If those “sugar plum” ideas aren’t already dancing away up there, then:

  • Leaf through old magazines (yours or at the library).
  • Think about experiences you’ve had during holidays.
  • Write a short biography of a person linked to a holiday.
  • Research a holiday custom.
  • Remember anniversaries. (What happened 5, 10, 500 years ago?)
  • Interview a teacher, a parent, a coach, a Macy’s clerk.
  • Write a holiday short story or poem. (Some magazines are still open to them.)

Christmas funny poem

Before and After Tips

Start an idea folder with clipped articles from magazines or newspapers. Jot notes about ideas on each. Not all will be usable, but many will work. When you’re looking for a certain seasonal theme, these may trigger an idea.

After the original-rights sale, look for reprint markets for next season. Make a list of potential ones and their lead times, and keep your original article with them.

Open a new bank account!

Christmas bank accountJust kidding!  You won’t get rich from these sales, but you will get “writing clips.”  And when magazine editors discover your timely, well-written articles/stories etc., they will approach YOU with their needs.

Okay… do you need some ideas for NEXT Christmas?  Check out these:

  • Favorite Christmas books, movies, musicals/plays (pastiche or true likes)
  • Christmas mishaps (humorous, or coping skills)
  • Christmas trees: cutting your own, uniquely decorating (we knew friends who lit live candles on their tree!), a special nostalgia ornament
  • Family traditions (oldies, or how to start your own)
  • How to make homemade gifts (food, ornaments, clothes, home decor)
  • Holiday baking (how-to, tastes & smells, shipping)
  • Holiday traditions from other countries (foods, decorations, activities)
  • Or…. interview someone with over 3,500 Santa Claus decorations (Hint: I can give you her name.)

Take away

After all the gifts are opened, the holiday meal is eaten (and cleaned up), the kids are playing with new toys (or the boxes), and the older “boys” are watching football, go grab a piece of crumpled wrapping paper, smooth it out, flick open that new expensive gold-plated pen, and start writing up your holiday impressions, experiences, and ideas while they are still “dancing in your head.”

Christmas garland

Merry Christmas &  Happy New Year !

 

*Inspiration for this post came from Jewell Johnson’s article, Writing Seasonal Articles in the Christian Communicator, Nov-Dec, 2017.

(RE)STARTING YOUR ENGINE

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Bonnie Schroeder started telling stories in the Fifth Grade and never stopped. After escaping from the business world, she began writing full-time and has authored novels, short stories and screenplays, as well as non-fiction articles and a newsletter for an American Red Cross chapter.

 

 

(RE)STARTING YOUR ENGINE

I was on an author panel recently, and a member of the audience asked us if we wrote every day. The other panelists confirmed that they did, and I had to confess that I do not. I know, call me Slacker.

 
It’s not like I don’t enjoy writing—most of the time. I usually have plenty of ideas of what to write, I know where my work in progress is heading, and I WANT to sit down and write, but there are days when it just doesn’t happen. The phone rings—Caller ID tells me it’s a friend I haven’t heard from in weeks, so of course I must answer. Or the computer goes on the fritz and I spend an hour in Help Desk Hell, listening to a robovoice assure me that my call is very important, so please stay on the line for the next available representative. Or the dog begs me for a walk with an irresistible, pleading expression on her furry face.

 
And there go my good intentions right out the window.

 
Generally, I make up for lost time, sooner or later. I turn off the phone, let the dog amuse herself in the yard for a while, and swear off Facebook until I’ve done at least 1000 words or put in an hour of writing, whichever comes first.

 
Recently, however, everything ground to a screeching halt—not for a day, or even a week.

 
For a month.

 
I had a good excuse: hip surgery. The surgery itself was uncomplicated and successful, and I’m making a rapid recovery. But in the days leading up to it, I had too many things to think about besides my current work in progress, where I was a little over the halfway point.

 
Post-surgery, there were many more distractions: follow-up doctor appointments, physical therapy, and fatigue that demanded frequent naps. Additionally, for a while I needed heavy-duty prescription pain meds—a creativity-killer if ever there was one. The opioid fog began to clear, but I still felt apathetic about writing. I’d abandoned the unfinished novel at a point where I wasn’t sure exactly what should happen next, which was a huge tactical error, but by then it was too late to remedy it.

 
I stared at the pile of pages on my writing table, overwhelmed with hopelessness. The novel reminded me of a car with a dead battery; the parts were all there, but the battery was drained and the vehicle was just a cold, unresponsive lump of metal—or, in this case, paper. Stalled car

At that point, I gave in to despair. Why bother? Who cares? Does the world even need another book from me?

 
Then I remembered that some people did care: my writers’ critique group. I soon would owe them 30 pages of new work. With that deadline looming, I sighed. How could I let them down? I must at least try to produce something for them. So I picked up the pages and re-read what I’d written before I went under the knife, all the while laughing at my foolish assumption that I would “catch up on my writing” while I was recuperating.

 
The pages I’d already written weren’t bad, and I’d gotten some positive feedback from my fellow writers. I started writing down words, reminding myself that if  I simply put them on paper, I’d have something to work on, something to build on and edit. I remembered a valuable saying: You can’t fix what’s not on the page.

 
I knew this approach as surely as I knew my own name, so I gritted my teeth and ground out five pages. They seemed flat and pointless. But at least I had something to show for my time and effort. And as I read over what I’d written, I had an idea for how to make them better. A flicker of hope beckoned. Hey, maybe this wasn’t a lost cause.

 

I wrote a few additional pages, and the more I wrote, the more ideas started to flow. First a trickle, then a stream. I lost track of time as I scribbled the outline of what needed to happen next, and a delicious enthusiasm flowed over me, that feeling I’d begun to fear was lost for good. That poor old dead engine had finally turned over. It sputtered a few times, but then it started chugging along.

 
I still have a long way to go to “The End,” but if I hadn’t sat down and made myself pretend to be a writer again, the muse would not have whispered in my ear. Why try and talk to someone who’s not listening?

 
So you see, magic can still happen. Believe in it. You may think the game is lost, but there’s always the chance it isn’t over yet. There may be a tiny spark of life left in that engine after all, but you won’t know unless you fiddle around with it a while.

Anybody out there who had to abandon a project and then fought to resurrect it after some time had passed? How did you get going again, or did you? Or perhaps now you’re thinking, maybe you will . . .?

 

Writing Advice: Better Done than Perfect

Complete confidence is not a common trait among writers. I assume that statement applies to people who work in any creative field. It’s not that we’re neurotic. Usually. We are often charming people if you can drag us out into public. Did I mention that we are typically introverts who prefer the company of animals?

So, why the lack of confidence?

When a writer brings a character to life, builds a world, and plots out an entire novel, it’s personal. The character’s thoughts, words, and actions are driven by the author, so they are a peek into that person’s mind. Not necessarily an expression of his or her own thoughts on a subject, but what he or she is capable of thinking about a subject. Writing is an act of exposure, and there is always the fear that someone will—wittingly or unwittingly—cause harm.

When a wolf exposes its belly to the pack, no other wolf will touch it, not even a pup. The same can’t be said of the reading public. Once that short story, essay or novel is out there, it becomes fair game for comments, criticism, and the dreaded internet trolls.

Sometimes the criticism is correct.

I’ve looked up the spelling of names and words when writing only to find they are spelled wrong in the final draft. How does this happen??? It’s a mystery, but it does happen. And I once referred to a shoe string necktie tie as a bolero rather than a bolo. Never mind that an editor and four proof readers missed it as well. When the book came out, a sharp-eyed reader caught it and left a scathing review on Amazon. I immediately corrected it, and I would have reached out and thanked the reviewer had it been possible to contact him.

Sometimes people will simply disagree with you.

In my second pet psychic mystery, A Bird’s Eye View of Murder, Frankie Chandler’s Aunt Gertrude is visiting from Arizona. Auntie can be overbearing at times, which made for some funny situations. Don’t we all have relatives who test our patience? A reader commented that Frankie was just another weak female character because she put up with her aunt and didn’t tell the old lady off. I don’t think self-control and respecting one’s elders are signs of weakness, so I moved on.

The natural response to a fear of making mistakes is to never, ever publish, and this may be why completed manuscripts still languish on some writers’ computers.

Recently, I was lamenting the results of a new jewelry technique I wanted to master. An artist friend told me Better done than perfect.

What a freeing thought.

This doesn’t mean an author should send out a submission or post a book on Kindle without a thorough proofread. (Note: You are your own worst proofreader, because you will fill in the blanks as you read with what you wanted to say. Find an expert if you can afford it. If not, remain friends with former classmates who delighted in comma usage.) It also doesn’t mean that half-baked efforts are okay. It’s only a first draft, but I really want to get it published. Someone will like it.

What it does mean is that after you’ve done your best, after you’ve taken all necessary steps to ensure mistakes are fixed and formatting meets industry standards, you need to let it go and move on to the next project.

Every time you reread a page, you will think of a new and—possibly–better way to say it. Know that and decide to end the loop.  You will never stop learning new techniques and tips. Your style will develop, and you will become a better writer, but only if you keep writing. (And not the same thing over and over.)

Once you complete a few projects and let them go, you may even see an increase in confidence. It’s not a guarantee. Those niggling thoughts may always follow you around. Is the finished product perfect? Are the clues too obvious? Did I misspell mononucleosis? Just remember, you’re in charge. You can ignore those thoughts, do your best, and move on.

Do you suffer from paralysis by analysis? Give us some examples. Sharing your demons and having a laugh over them destroys their power!

 

 

A Boost Up!

By Jackie Houchin

Boost up2“A boost up”….when someone holds their clasped hands together next to a horse, and you put your foot in like a stirrup, and they propel you upward into the saddle.

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Sometimes a beginner (or lazy) writer needs a boost up into the writing saddle.  That’s where The Write Practice came into the picture for me. (I’m one of those lazy ones!)

The Write Practice

”If you want to become a better writer, you need to practice,” says Joe Bunting, creator of The Write Practice organization and blog. What’s involved? Fifteen minutes a day, five days a week, practicing with fresh writing prompts, unique lessons on technique, and getting feedback from a supportive community.

There are over 1000 practice exercises and lessons on the blog in such categories as; better writing, genre & format, characterization, grammar, journalism, plot & story, writers block, inspirational writing, publishing, and blogging. And it’s free.  http://thewritepractice.com/about/

I’ve attempted two lessons so far in the Short Story category. The first lesson was to read at least six short stories from the many magazine links supplied. The second lesson was to free-write for at least 15 minutes, post what you wrote in the comments section, read three of what other people wrote, and give them brief feedback.  Simple as that; practice writing and give feedback. It’s really the basis for everything Bunting does.

I wrote a short ditty on ‘Pig, Porcupine & Pineapple.’  It was totally fun!  Now to see with my fellow writers say about it

The Becoming Writer Community & Challenge

 If you are ready to go to the next level and start writing finished pieces (and get published), then the Becoming Writer community is the next step. Bunting compares this with what the “Inklings were for Tolkien and C.S. Lewis, the expats in Paris were for Hemingway, and the Bloomsbury group was for Woolf.”

I discovered Becoming Writer because membership in it (yes, it does cost a little) was a requirement to submit to The Write Practice’s quarterly short story writing contest. But what you get with membership is a lot more than the contest.

Like the free practice lessons above, you share your writing with a community of writers to get and give feedback.  Actually giving feedback on another’s work helps you when it comes time to edit your own piece.

The Challenge is to write ONE piece EACH WEEK, submitted on Fridays.  It can be a short story, blog post, poem, essay, or a chapter in a book.  This is what us “lazy” writers call accountability.

And finally, besides actually finishing your pieces (Yay!), you get opportunities to submit to magazines like Short Fiction Break, Wordhaus and others.

The feedback on my first piece, an essay I wrote about Africa, brought a suggestion for submission to a specific online magazine. I submitted it and am waiting to hear.  http://thewritepractice.com/members/join

The Fall Contest

This is what caught my attention at first, a writing contest that promised cash prizes, free books, and publication. The theme was “Let’s Fall in Love.” Stories had to contain the two elements FALL and LOVE and be no longer than 1,500 words.  I told myself, “I can do that.”

The name “Autumn Gold” sprang to my mind and I quizzed my writer friends on Facebook as to how a girl with that name might look. The first answer – a stripper – caused me to cringe because that’s not what I had in mind. But when another person confirmed what he said, it left no doubt.

The story I eventually wrote keeps the title “Autumn Gold,” but the girl’s name is Audrey Gould.  I wrote an outline of sorts, showed it to a friend for her opinion, and then pounded out a story about LOVE that takes place in AUTUMN. It was 1,948 words. Lots of cuts and edits later, I submitted it to the Becoming Writer Contest community.

For the contest (548 entrants) the community is divided into ten groups, A–J, with about 40-50 writers in each. I landed in Group D. There are 46 of us, and we’ve become a close-knit group.

I’ve gotten about nine feedbacks on “Autumn Gold,” and I’ve given at least many more on other stories.  Some are VERY good! Others will need some work.  Reading my story’s feedback and the feedback on the other stories has opened my eyes to what works and what doesn’t, and what readers “get” from what you write, even if it’s not what you intended.

Invaluable!

I’m considering rewriting the ending and running it past them one more time. The final deadline to submit the story to the judges is September 4.

Other Programs

The Write Practice offers other programs for writers and authors on building a platform, publishing & marketing, Twitter, and the 100 Day Book challenge.  http://thewritepractice.com/products

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Now I’m up in the saddle. I’m trotting around and loving it. I can’t wait to press my calves against my steed’s sides and rise into a canter.  I needed that boost up.  Do you?  Perhaps you should consider a writing community.

I suggest The Writing Practice. Take advantage of the discipline and the getting and giving of feedback.  Pick the lessons you are interested in and go for it. They are free! You might also consider Becoming Writer.

Or join a critique group and begin giving your work over to new eyes and opinions.

Get up there and get galloping!

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Currently the Becoming Writer and the 100 Day Book programs are closed until next semester.  Future contests in Becoming Writer will be on Flash Fiction, Essay writing, Novels, and Poetry.