NaNoWriMo – No Never! or You Bet!

by Jackie Houchin

NaNo_2019_-_Poster_DesignNa-

NaNoWriMo is short for National Novel Writing Month. You knew that, right?  But did you know that it is the largest writing event in the world?  More than 300,000 writers sign up each November for a “simple but audacious” challenge: Write 50,000 words of a novel in a month. In the twenty years of NaNoWriMo, approximately 3 million writers have taken that challenge, including many bestselling authors.

Fifty thousand words in a month means 1,667 words per day. Doesn’t sound too hard, right?  Maybe an hour and a half at the keyboard? Two at most? A mere sliver out of your day.  HA!

I’ve entered NaNoWriMo five times since 2004 and it IS a heck of a lot of writing time; my bottom got numb, my fingers stiff, everything around me was out of my mind except “The Story.”  Sadly, I only completed the challenge once with my novel “Sister Secrets.” The novel was only 2/3 done at 50,000 words, but I never finished it (let alone edited it). It sits in a dusty file in my computer. (sigh)

So, if you plan to write the 50K words in a month, you’d better allow yourself a bit more time. Many NaNo veterans suggest bumping that word count up on the weekdays, in case your weekends get crazy. And remember, in the US, we have the Thanksgiving Holiday in November. (Eek! Can Aunt Sally do the turkey this year??)

Speaking of word count, why 50K? The staff of NaNo believe that this number is challenging, but doable, even for people with full-time jobs and children. It is definitely long enough to be called a novel. That’s about the length of F. Scott Fitzgerald’s The Great Gatsby.

-No-

A NaNo novel is defined as “a lengthy work of fiction.” Any genre of novel is okay.

Nonfiction, memoir, biography, essay, unrelated short stories, music, etc. do not qualify. But, if you want to write 50,000 words in any of those categories, there is a special group for you – NaNoRebels. Join that forum and you can chat with your fellow outlaws. You can also use the NaNo site to upload your 50K words and validate your work.

Here’s how one “rebel” couple did it:  Nanotunes-NaNoWriMo-NaNoMusicals

NaNo never questions a manuscript. “This is a self-challenge” say the moderators. “The real prize is accomplishment and a big new manuscript you have at the end. Everything beyond that is icing on the cake.”

-Wri-

There are only a few rules.

  1. Write a 50,000 word (or longer) novel, between November 1st and 30th.
  2. Only count words written during November. None of your previously written prose can be included (although outlines, character sketches, and research are all fine). If you choose to continue a previous work, ONLY count the words you write during November.
  3. Be the sole author.
  4. Upload your novel for word-count to our site during the winning period.
  5. Write more than one word repeated 50,000 times.

NaNoWRQI Mo tumblr_pynwv9HiLJ1qd8ab4o2_640“Traditionally, NaNoWriMo works best when you start a brand-new project. It may be an arbitrary distinction, but we’ve seen that novelists do better (and have more fun) when they’re free from the constraints of existing manuscripts. Give yourself the gift of a clean slate!

“That said, we welcome all writers at any stage. Outlines, character sketches, and other planning steps are encouraged, and you’re welcome to continue an old project. Just be sure to only count words written during November toward your goal.”

-Mo

So you decide to accept the month-long challenge, what kind of preparation can/should you do before NaNo begins?  Anything, from a vague idea of your story to one of the detailed outline structures found in the following blog sites.

 NaNoWriMo 6-week Prep.

  • Develop a story idea – September 9-13
  • Create Complex Characters – September 16-20
  • Construct a detailed plot or outline – September 23-27
  • Build a strong world – September 30-October 4
  • Organize your LIFE for writing – October 7-11
  • Find and manage your time – October 14-18

Writers Write – Countdown to NaNoWriMo 1 month Prep.

  • Week One – 1-8 October – Decide on your story idea, protagonist & antagonist, their names, the setting
  • Week Two – 9-16 October – Work out your plot. Give your novel title.
  • Week Three – 17-23 October – Flesh out your characters.
  • Week Four – 24-31 October – Create a timeline. Write a LIST of 60 scenes and sequels that you will include in your novel.

Angel Leigh McCoy on  AngelMcCoyBlog recommends the Milanote.com: “How to start your novel: 5 critical questions you must answer first” article. How to start a Novel

  • The Premise – In 20 words or less, what is this novel about at its core?
  • The Stakes – If the story ended in tragedy, what would that look like?
  • The Core Conflict – What are the opposing sides?
  • The Resolution – How does the core conflict resolve?
  • The Lesson – What is the moral of your story?

There are many more places you can Google to get a head start if you plan to join NaNoWriMo this year.  I know it’s late for most of the above now, but you can do a crash course over an upcoming weekend, or lay out a simple outline to show you a direction.

NOTE: Be sure to check out the blogs above, especially Writers Write which is packed full of writing advice. The daily blog also offers writing tips, writing comics, writing quotes, and writing prompts. They have a monthly Short Story Challenge. And they offer seven extensive online writing courses (fee).  

Speaking of costs, all of NaNoWriMo’s programs (including Camp NaNoWriMo and the Young Writers Program) are FREE.  They run on donations. (tax-deductible) Whether you are writing or not, you can donate here  NaNoWriMo – Donations

You bet!

Yes, I signed up this year. But 50K words? Probably not. But if I get 5K words and finish my children’s mystery “The Bible Thief,” I will jump for joy!

 

Give me a Na!

Give me a No!

Give me a Wri!

Give me a Mo!

Na-No-Wri-Mo!

Hooray!

My Declaration of Accountability

 

NOTE: The links to NaNoWriMo may be a little slow loading right now. They changed their hosting company (Yeah I know, dumb time, right?) but they promise all will be up to snuff in the next week or so.

 

 

Clothes Make the Character

By guest author,  Sally Carpenter

If you saw a stranger walking down the street, what can you tell from her clothes? Sherlock Holmes could determine the social standing, wealth, occupation, education and gender of persons by their clothes.

Authors use to spend much time in describing their characters’ garments, sometimes to a fault. Without TV or film, writers felt they needed many words to help readers depict the characters in their minds.

In the story “A Scandal in Bohemia,” Arthur Conan Doyle writes: “His dress was rich with a richness which would, in England, be looked upon as akin to bad taste. Heavy bands of astrakhan were slashed across the sleeves and fronts of his double-breasted coat, while the deep blue cloak which was thrown over his shoulders was lined with flame-colored silk and secured at the neck with a brooch which consisted of a single flaming beryl. Boots which extended halfway up to his calves, and which were trimmed at the tops with rich brown fur, completed the impression of barbaric opulence . . .” Sensory overload!

Nowadays writers limit their characters’ physical description, because readers often skip over lengthy sketches to get to the action, and also to encouraging readers to imagine their own selves in the story.

Nancy Ddrew 2The only physical description we have of Nancy Drew is her “titian hair” and “blue eyes.” However, we hear a lot about her chic wardrobe and apparently endless clothes closet. Beyond her stylish threads, Nancy often dresses in costumes and old garments found in attic trunks. When the books were originally released in the 1930s, low-income readers could imagine  wearing Nancy’s pretty outfits for themselves.

Cozy mysteries continue the trend of “less is more.” Clothes are mentioned briefly, if at all. With the modern heroine’s casual lifestyle, her wardrobe consists of tee-shirts, sweats and jeans. Readers want a quick and easy read without wading through mounds of description.

But when I started writing my Psychedelic Spy retro-cozy series, clothing was crucial.

Flower_Power_Fatality_jpg (1) (1)The books are set in 1967, an era of vibrant and varied clothes. Poodle skirts and bobby socks gave way to miniskirts and pillbox hats. East Indian garments were in style. The “British invasion” of roc

 

k music also brought English designers such as Mary Quant. African Americans adopted styles that expressed their ethnicity. The hippies had their own unique forms of dress.

Clothing of the 1960s differs so much from today’s styles that I had to describe nearly everything that people wore. I tried to keep such explanations to a minimum, yet the clothes were essential to place the reader into the era.

My protagonist, Noelle McNabb, is single and 25 years old. She apparently spends most of her income on clothes. In the first book, “Flower Power Fatality,” Noelle wears 14 different outfits! And her clothes are new, many purchased at the big city mall. She talks about how she loves shopping and checking out the latest fashions.

In finding clothes for Noelle, I’ve used a few costumes that I’ve seen in 1960s TV shows. I also have a great reference book, “Fashionable Clothing from the Sears catalogs: Mid 1960s.” The book has actual photos (and prices) from the era’s Sears mail order catalogs. I’d love to see those clothes come back into style, as they’re more beautiful and feminine than the women’s tee-shirts and leggings sold today.

Clothes also express the generation gap. When Noelle wears a miniskirt to church, her mother complains that the dress is too short. Mom is clad old, fussy dresses with below-the-knee skirts. Mom wears stockings and garter belts; Noelle is in pantyhose and colored tights.

In the 1960s, women wore dresses more frequently than today. I put Noelle in dresses most of the time. Even when she wears pants at her record store job, she’s in nice slacks and pant suits. The only time she’s in dungarees is when lounging around home.

Jeans are reserved for my “bad boy” characters, a group of young males who spend their time racing their choppers, shooting craps and smoking Marlboro cigarettes. In the mid 1960s denim was only slowing becoming acceptable as a fashion choice.

afro in orangeDestiny King is an African American agent who takes Noelle on her spy missions. Destiny sports a trimmed Afro and frequently wears jumpsuits. Her clothes are functional in more ways than one way. For example, she has a pair of earrings that are really plastic explosives.

My hippie couple, Rambler and Moonbaby, are the most fun to cloth. Hippies wore an eclectic style, often put together from castaways and thrift store finds. Styles, patterns and colors did not need to match. One useful reference book is “The Hippie Handbook” by Chelsea Cain, which has a chapter on “How to Dress Like a Hippie” and information on making skirts out of old jeans and how to tie-dye a shirt.

Trevor Spellman is a newspaper reporter on the prowl for a big scoop. He rebels against the small-town norms by wearing his hair long—below his ears—and he never puts on a tie. In the 1960s the collarless shirt became appropriate for formal/dress wear.

The clothing of Mr. Baldwin, the audio-visual technician at the high school, describes him well: white shirts, skinny dark ties, dark pants, plastic-rim glasses and a “dorky haircut.” Did “geek” and “nerd” pop into your head?

What the retired Army colonel wears also paints a picture. He’s in an Army bomber jacket over a khaki shirt. “His voice was as crisp and sharp as the creases pressed into his khaki pants.” Even in retirement he runs his life with military precision.

Clothes can describe a character more efficiently than a long list of traits, helping a reader to visualize a person more so that relying on the reader’s imagination alone.

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NEW Carpenter photoSally Carpenter is native Hoosier living in southern California.  She has a master’s degree in theater, a Master of Divinity and a black belt in tae kwon do.

Her Sandy Fairfax Teen Idol books are: The Baffled Beatlemaniac Caper (2012 Eureka! Award finalist), The Sinister Sitcom Caper, The Cunning Cruise Ship Caper and The Quirky Quiz Show Caper.

Her Psychedelic Spy series has Flower Power Fatality and the upcoming Hippie Haven Homicide (2020).  Sally has stories in three anthologies and a chapter in the group mystery Chasing the Codex.

She’s a member of Sisters in Crime/Los Angeles. Reach her her at Facebook or  http://sandyfairfaxauthor.com or scwriter@earthlink.net.

 

This article was posted for Sally Carpenter by Jackie Houchin

 

Deadlines–The Good, the Bad and… any Ugly?

By Linda O. Johnston

 

calendar and writingI’m a writer.

Writers have deadlines.

If we’re traditionally published, they’re set by the publisher, with our agreement.  If we’re self published, they’re largely set by ourselves.

I’ve been doing this for a while and generally consider deadlines my friends.  They certainly keep me moving.

Recently I’ve been under deadlines for four Harlequin Romantic Suspense novels.  I met the first two with no problem, but I’d agreed to the third being shorter than usual thinking I could meet it anyway–but I had to ask for an extension.

I just turned in that manuscript.

DEADLINE1Now I’m working on the fourth of those books. I’m first doing a synopsis and three chapters to turn in, then finishing the rest of the manuscript.  I have a few months, so I should be fine. But right now I’m looking at all the weekend events, panels and more, that I’ve agreed to in the near future. Then there will be a visit from some dear family members that will probably use up a week. And an annual trip that has been extended to see those family members at their home. So… well, I’m worried about meeting that deadline.

After I do?  Well, I’m not sure what I’m writing next.  I’m hoping to do more mysteries, but I’m not under any contracts.  And I’d enjoy writing more romantic suspense books as well.

But after that deadline is over, I have some trips planned, so I’ll have to be careful.

Okay, I’m not the only one with deadlines. And I had all kinds of other deadlines when I was also a practicing attorney. Nearly everyone has deadlines in their lives. Do you? Writing deadlines? Work deadlines? Family deadlines?

calendar for deadlineYes, deadlines are a part of life.

What do you think of the ones in your life? Do you face them down and stare at them and meet them? Or do you cringe when you think of them?

Or do you want more of them, as I do?

 

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lindaphotoLinda O. Johnston, a former lawyer who is now a full-time writer, currently writes two mystery series for Midnight Ink involving dogs: the Barkery and Biscuits Mysteries, and the Superstition Mysteries.  She has also written the Pet Rescue Mystery Series, a spinoff from her Kendra Ballantyne, Pet-Sitter mysteries for Berkley Prime Crime and also currently writes for Harlequin Romantic Suspense as well as the Alpha Force paranormal romance miniseries about shapeshifters for Harlequin Nocturne.

 

 

This article was posted for Linda O. Johnston by Jackie Houchin

 

 

 

Web Site Ads, Anyone?

by Jill Amadio

How many of us buy site ads to promote our books?

Grinding my teeth at low sales in August I was able to ask a couple of successful authors how they manage to keep their titles before the public. Brenda Novak, who writes the Dr. Evelyn Talbot thrillers, said that one of the publicity tools she uses are book marketing sites.  Although her wallet is somewhat fatter than those of many of us with four million copies of her books sold, Brenda still sends some of her personal advertising dollars to these sites.

business close up commerce computer

Among her tactics: Organize your own book group on Facebook. It’s free. Offer inexpensive swag such as commemorative pins in exchange for downloading only your book titles from her web site – not the books themselves.

Add a shopping page to your own website to sell T-shirts, mini-totes, Christmas ornaments, etc. Brenda said that it cost her $2,000 initially to set up her online shop and now it is hugely successful. 

Another tactic she uses is to create a Foodie Friday recipe which she cooks and posts on her Facebook and Instagram accounts, including a video.

Book trailers are one of her favorite ways to attract attention although she cautions that changing it regularly is key. To keep costs low (still expensive!!), the video company she contracts with uses stock video for much of the content.

Another tip: offer giveaways – one of her most popular was on Facebook Live in which she read from her books.  

Find a company that sells “scrap” advertising which are spots in major magazines discounted at the last minute. But don’t let the “scrap” description fool you. Brenda says that even discounted, it can cost a bundle. Nevertheless, one she found available was in People magazine, and she is always on the lookout for deadline deals with women’s magazines. 

“Not all marketing endeavors achieve the same goal. Some are more about brand building,” she told me. “I look at marketing my books like a farmer might his fields – it’s what I put into the soil before planting that makes the biggest difference in the end.”

*

Away from Brenda’s heady, enterprising and pricey ads are the less expensive and free methods used by some of us Writers in Residence and by our colleague, psychological thriller writer Sheila Lowe. Like Brenda, Sheila subscribes to www.BookBub.com, a web site that sends out daily emails advertising books to millions of readers, although costs can be high.

Here’s how it works: you set a maximum price you’ll pay for the exposure, say $100. When someone clicks on your book cover you get charged a certain amount of money for the impression. After your stated maximum budget, the $100, is reached, BookBub takes down your ad. You can choose which readers and audiences you want to target by genre, interests, retailers, and location, and you can monitor your campaign on the site’s dashboard.  Extremely popular, the site has a waiting list of authors eager to sign up. 

While Sheila takes advantage of the benefits Facebook offers including its Authors Page, she likes affordable subscription sites such as www.BargainBooksy.com and www.RobinReads.com. The latter is a free author promotion service affiliated with Amazon and you don’t have to be part of Amazon’s Prime/Kindle Unlimited yourself to use it.  The site focuses on promoting eBooks which are now enjoying a massive surge. RobinReads buyers pay for discounted books if they choose to buy them only on Amazon. However, the deals are swift, lasting only 24 hours before they are retired for fresh offers.

man wearing pink polo shirt with text overlay

At BargainBooksy with around 3,000 subscribers, advertising for eBooks is also king along with print books. After a buyer clicks on a link to a specific book they are taken to Amazon’s web site, where the book can cost 0.99 cents or less, while pricing is based on your genre. This, of course, affects your royalties, so unless you are only targeting publicity you might want to reconsider. However, the site also links to your books at Kobo, Apple, and Nook, and to your own web site.

To splurge, you can buy a $50 BargainBooksy Deal of the Day promotion on FreeBooksy, a specialized-genre readers’ site designed to boost your click-through rates and purchases with free books that are not available on the main site.  

So, there you have it. A few costly as well as reasonably-priced ideas. Raid your piggy bank!

money pink coins pig

 

JillAmadioHeadJill Amadio is from Cornwall, UK, but unlike her amateur sleuth, Tosca Trevant, she is far less grumpy. Jill began her career as a reporter in London (UK), then Madrid (Spain), Bogota (Colombia), Bangkok (Thailand), Hong Kong, and New York. She is the ghostwriter of 14 memoirs, and wrote the Rudy Valle biography, “My Vagabond Lover,” with his wife, Ellie. Jill writes a column for a British mystery magazine, and is an audio book narrator. She is the author of the award-winning mystery, “Digging Too Deep.” The second book in the series, “Digging Up the Dead,” was released this year. The books are based in Newport http://www.jillamadio.com

Books: Digging Too Deep, Digging Up the Dead

Non-Fiction: My Vagabond Lover: An Intimate Biography of Rudy Vallee; Gunther Rall: A Memoire, Luftwaffe Ace and NATO General

 

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This article was posted for Jill Amadio by Jackie Houchin

 

Improve Your Introductions and Conclusions in Non-fiction Writing

by Jeanette F. Chaplin

I recently discovered I’m a cruciverbalist. It’s chronic, incurable, and inoperable. Don’t worry, it’s not contagious. But it’s probably terminal. And it has absolutely nothing to do with the subject of this blog post, which is the whole point.

The purpose of this somewhat puzzling introduction was to get your attention. Using a word that is probably unfamiliar is one way of doing that. I “hooked” you in one of two ways: either you didn’t know the word and read on to learn the meaning, or you know the term because you are one. In that case, you decided to keep reading to see what I have to say about a topic that already interests you. Or, I may have lost you while you left to look up the word.

For your enlightenment:

cruciverbalist [ kroo-suh-vur-buh-list ] noun.  a person skillful in creating or solving crossword puzzles

Two of the most challenging aspects of writing non-fiction are effectively introducing the topic and wrapping it up satisfactorily when you’re done. The trick is to find a natural and interesting way to lead into the topic in the beginning and close it off at the end.

Movies do this quite well. A classic example is The Princess Bride. The opening and closing scenes have nothing to do with the actual story (although some might challenge that statement). The well-meaning grandfather comes to read to his ailing grandson. After watching the story that’s enacted, the viewer is returned to the modern-day scene and Peter Falk excuses himself with, “As you wish.”

Using a narrator to tell the story can be useful, but it has been overdone and doesn’t lend itself too well to non-fiction. One way to make this “bookending” happen is to connect a seemingly unrelated idea with the theme of your essay, article, or blog post. Then weave it in seamlessly from beginning to end.

To accomplish this, come up with an idea, a concept, or premise that seems far removed from your topic, as I did with crossword puzzles and introductions and conclusions. Nothing is off limits: waterfalls, RV life, grandkids, politics. Well, maybe not politics.

Make a list or a cluster chart of your ideas and think of any connections between those random concepts and the topic of your essay or article. Let’s try waterfalls as an example. Waterfalls flow, they are refreshing, it may be difficult to reach them, they could present a danger, are challenging to cross, and they can be inspiring—or frightening. Those descriptions could apply to any number of topics. Do any of them spark a connection? If not, keep playing with ideas until you find a comparison that works. Brainstorming with a friend or family member may help.

So, back to my off-the-wall, totally irrelevant introduction. What connection could crossword puzzles possibly have to with writing non-fiction?

crossword-146860_960_720For one thing, both follow a very specific set of rules. Crosswords must be square, they contain a specific number of squares and answers, they must be symmetrical, and they can’t duplicate clues in the grid. Clues and answers must match grammatically. Puzzles must have a theme. Now we’re getting closer to something writers can relate to: themes and grammar. For crossword creators, that means their answers must support the theme. Writers, on the other hand, must develop a theme that carries readers logically from beginning to end. Do I even need to mention that writing should be grammatically correct?

Non-fiction also needs an attention-getting beginning and an introduction to the topic, which may include why it is important to the reader. The author has to explain the concept in a way that is understandable to the reader, preferably in an interesting way, and conclude with a reminder of what was discussed.

In the crossword puzzle, the creator may attempt to misdirect the solver to make it more challenging. In the really difficult puzzles, generally scheduled for Saturday, creators often turn to wordplay, slang, unusual punctuation, or the ultimate twist of the knife: heteronyms (words that are spelled the same but have different pronunciations and meaning, Polish and polish, for example). 1

But ultimately, the creator wants the solver to succeed. According to crossword expert David Kwong, a New York Times puzzle constructor, “A good enigmatist makes the solver feel smart.” 2

newspaper-news-media-spectacles-53209But solving a crossword puzzle is far removed from the experience of reading an article. The solver of the former is looking for entertainment and a challenge. The reader of the latter wants to be informed, inspired, or educated. Or, at times, to be entertained.

The crossword challenge ends when the cruciverbalist either a.) solves the complete puzzle unaided, b.)  resorts to subterfuge to find answers, or c.) tears it up and tosses it into the trash.

In written work, the writers’ goals are accomplished when they convey the ideas to the reader as clearly and convincingly as possible and possibly even stir them to action. A good ending helps to achieve the desired result.

A satisfying conclusion should in some way reflect the introduction. It can be a restatement, an echo, a contrasting statement, or an illustration of the point. Or as in our example in this blog post—a bookend. Which means, at this point, I’m expected to return to the original crossword puzzle illustration.

Just as puzzle solvers come to a crossword with certain expectations, so do readers. Construct your non-fiction writing to smoothly lead them into your topic, cover the main point clearly, and tie it up neatly at the end. Make your reader feel smart.

Unlike the crossword creator, your goal is not to bewilder or stump your reader. You want to skillfully lead them from the hook to the denouement. Directly from 1. Across to 31. Down.

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JFC_RomyBestSemi-retired college English and Spanish instructor. Self-publisher, editor, and entrepreneur. Jeanette has been writing, teaching, editing, mentoring, and publishing for the past four decades. Now she is available online to help writers around the world with their writing ventures.  When she’s not writing, she enjoys enjoys traveling to visit family and friends, especially her two grown daughters and her two young grandchildren.

Jeanette F. Chaplin, Ed.D.


Look for Jeanette Chaplin on Facebook, LinkedIn, & Twitter

Sign up at http://www.WordsAreForever.com

Chaplain-esque      https://chaplainesquethoughts.wordpress.com/

 

 

1 Amlen, Deb. “How to Solve The New York Times Crossword.” n.d. https://www.nytimes.com/guides/crosswords/how-to-solve-a-crossword-puzzle?module=inline

2 Kwong, David. “How to Create a Crossword Puzzle.” WIRED MASTERMINDS  S1  E3. n.d. https://youtu.be/aAqQnXHd7qk

 

This article was posted for Jeanette Chaplain by Jackie Houchin

Conferences and Writing

by Linda O. Johnston

RWA2019_FINAL LOGOI attended the Romance Writers of America National Conference last week in New York City.  Am I glad I did?  Yes, mostly because of the wonderful people I saw, meeting up with those I knew professionally and as friends–or both.  I’ve been attending RWA conferences for many years and for different reasons, but that’s the most important.

I also attended three other conferences this year, some of which I have mentioned here.  One of the others, California Dreamin’, was a local romance writers’ conference.  Two of the others were mystery writers’ conferences: Malice Domestic, and the California Crime Writers Conference.  Yep, that’s a lot of conferences.

So why do I do it?  Yes, to meet up with those kinds of people I mentioned.  And that’s the most important reason for me these days.  But I also attend workshops and meals and other related events.

Do they help my writing career?  I think so, or I wouldn’t go.

But if you’re a writer, should you attend conferences?  Why not?  At least those for the genres you write in.  I always tell other writers, especially those just starting out, to join writers’ organizations in their genres and attend local meeting of their chapters.  Conferences help you meet others in different stages of writing and sales, which can also help your career.

Did I enjoy the RWA conference this year?  Yes, but I had some issues with it, too–one of which was the hotel we were in and its horrible elevator service. But I did get to visit the AKC Dog Museum.

Plus, this year, I hardly attended any conference workshops. No time, thanks to the various Harlequin meetings and workshops. I also had less interest in most of the topics than in the past, although the ones I did attend were helpful for research purposes. My favorites were, one on creating  series, where I got some other people’s takes on how they do it, another workshop on forensics in fiction, and another on twists in stories.

Will I attend RWA next year?  Most likely.  I’m under contract for four new Harlequin Romantic Suspense books, some of which will be published by then, and it’s always good to make contact with the editors and others at a publishing house in person like that.  Plus, it’s in San Francisco, which is a lot closer to LA than New York is.

Maybe I’ll see you there!

lindaphotoLinda O. Johnston, a former lawyer who is now a full-time writer, currently writes two mystery series for Midnight Ink involving dogs: the Barkery and Biscuits Mysteries, and the Superstition Mysteries.  She has also written the Pet Rescue Mystery Series, a spinoff from her Kendra Ballantyne, Pet-Sitter mysteries for Berkley Prime Crime and also currently writes for Harlequin Romantic Suspense as well as the Alpha Force paranormal romance miniseries about shapeshifters for Harlequin Nocturne.

 

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This article was posted for Linda O. Johnston by Jackie Houchin. 

 

What Did You Say?

By Miko Johnston

I’ve been thinking a great deal about words lately. Part of the reason is that I recently pitched a story I’d written almost two decades ago to a producer who’s shown some interest in the project. It contains language that would be inappropriate for this blog, but while the comic murder mystery at the heart of the story is meant to entertain, its satirical backdrop illustrates society’s relationship with certain words over the last half-century.

Anyone who’s lived more than a few decades has seen a loosening of standards in the media as well as in general life. While this blog – and  I suspect some of you – may eschew using certain words, I’ll bet your standards have changed along with the rest of our world. I’ve seen words in newspaper articles I’d never expect to see in print. I rarely watch TV except when I travel, but even with my limited exposure I’ve heard language in television programs – and I’m talking network TV, not cable – that wouldn’t have been permitted in the past.

Do you recall George Carlin’s Seven Words you can’t say on TV? Lately a few have slipped by. I recently heard a TV news anchor say a word I never expected to hear, having to do with bovine excrement, without a peep from the network or FCC. One of the Democratic candidates uttered another Carlin no-no during the first debate. A few words are still off-limits, and by my account we’ve added a new one to the list (hint: it starts with an N).

I’m not only thinking about obscenities. I’ve also noticed how many ‘ordinary’ words have been redefined or had their meaning augmented. Take the word average. It’s a mathematical term, yet it’s taken on social connotations. We hear about the average person and equate it with falling straight down the middle of a ranking system, not being good or bad. No one aspires to be average anymore; it has become something to avoid, either as a person or as an opinion.

As a writer, I find I must be more precise in my usage of certain words because of this. It concerns me that something I say or write could be misinterpreted. As a former journalist, my goals in reporting were ABC: Accuracy, Brevity, Clarity. Let’s not get into accuracy in news. Brevity translates into sound bites – catch phrases and such, or interrupting a speaker who takes more than a microsecond to get a point across. These days Clarity must include weighing a word’s intended meaning against what it’s perceived to mean. Social shifts, political correctness, and cultural rebranding have all contributed to this landscape, opening up new possibilities for writers as well as new dangers.

On occasion I’ve read lines of writing that could be misinterpreted. In each case I had close ties to the author, so I knew better than to take offense at what they wrote. However, readers who lack that personal advantage might not see it that way. I also worry a great deal about doing that myself and have on more than one occasion censored my work rather than risk the possibility of having someone take my words to mean something I never intended.

Have you thought about this as well? Are you concerned with the possibility that something you’ve written could be taken as insulting or offensive even if that wasn’t your intent?

 

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Miko Johnston is the author of the A Petal In The Wind Series, available through Amazon and Barnes and Noble. Miko lives on Whidbey Island in Washington. Contact her at mikojohnstonauthor@gmail.com

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(Posted for Miko Johnston by Jackie Houchin)