Cruises Can Be Murder**

by Jackie Houchin

(**See disclaimer at the end)

Ahoy there Maties! Have ye sailed the Seven Seas yet?  What’s stoppin’ ye?  Oh… murder!  That!

In January my Hubby and I went on the most amazing 15-day cruise from Florida to Los Angeles by way of the Panama Canal.

What made it amazing?

IMG_5504The Canal transit, of course!! (#1 on Hubby’s bucket list), But the perfect sunny weather, the deep blue sea(s), the small, uncrowded ship (just 670 passengers), the funny and very personable Captain, the amenities (food, lounges,  gorgeous library, spa, pool, Internet café, crafts & games, casino, theater), our beautiful cabin with a balcony (oh, the views!), breakfast in bed, the lack of crowds and lines, the cool excursions in Aruba, Costa Rica, and Chiapas and Cabo San Lucas in Mexico were all definitely fantastic.

IMG_5214(Yes, we are in our 70’s, but we had a blast zip-lining in the Rain Forest!)

If EVER you go on a sea cruise, be sure to book passage on a small ship (unless you have kids). The Princess line has only one, and the Oceania Line has just three. And yes, they can and do travel around the world in 111-195 days. (I’m still dreaming of that!)

 

IMG_5638Imagine, if you will, 4-6 months in luxury, with everything taken care of for you, the occasional excursion ashore, time spent in one of several lounges or the library or your room, even out on the balcony with a laptop, with a bunch of characters eager to do malice, and a twisted mystery plot to direct them!

Yep, I could write a book on a World Cruise.*  (sigh)  Oh, yeah, writing and books, that’s what this blog is about…

 

Since we’ve come home, I have noticed the abundance of mysteries aboard ships.  There are the dark ones like The Poseidon Adventure by Paul Gallico, Dangerous Crossing by Rachel Rhys, The Woman in Cabin 10 by Ruth Ware, Birds of Pray by J.A. Jance, and Death on The Nile by Agatha Christie.  (Perhaps you’ve read a few.)

On Goodreads, there is a list of 47 Cruise Ship mysteries/adventures for Young Adults and Kids, including some with the new Nancy Drew and Hardy Boys, and the Boxcar Kids.

And of course, the cozy and humorous mysteries; Killer Cruise by Laura Levine, Cruising for Love by Tami Cowden, Princess Charming by Jane Haller, and Murder on the Oceana by Elizabeth Martin.  Whew!!  With all that written murder, mystery, and danger, I can see why you might be hesitant to walk up a ship’s gangway.

 

IMG_5146But what about on OUR cruise ship, the Pacific Princess?  I asked the Capitan Paolo Ariggo several questions during our two weeks, but one of them was about this topic.

“I’m a part-time mystery writer, and I want to know, does the ship have a morgue and a brig?”

He grinned and in a very soft voice said, “Ahhh, yes. There are two refrigerators that could be used for that…” then in a normal voice, “but a brig, what is this?”

“A jail,” I said.

“No-o-o,” he said with that Italian accent and a quick shake of his head.

“So where would you keep a prisoner until the ship docks?”

Silence, then, with a laugh, “In the Captain’s quarters!”

(Yeah, right.)

 

The seasoned passengers were more forthright. One related this story.

“On the world cruise we took two years ago, there was a murder. Late one night on the pool deck (#10), a man and a woman, obviously drinking, had a loud argument. The man (he was quite large) back-handed the woman.  She fell to the deck and lay still.  He thought she was dead! (she wasn’t). So he picked her up and threw her overboard.  BUT she landed on top of one of the life boats. She did die that time.  They found her body the next day.

“They searched the ship. Everyone was called to their muster stations.  We had to wait there until he was found. It was two hours!  And when we docked in Aruba no one was allowed off the ship until the police had come and taken him away.”

Wow.

Another told of a husband being poisoned to death. They thought it was the wife.

I bet you writers are thinking of possible crimes now that could be set aboard a cruise ship. What would be YOUR angle?  How would it happen? Would it lead to other murders? Would a passenger become the sleuth, or would there be a retired/recovering detective aboard? And… who would be the killer?

 

Bonbon voyageRight now, I’m reading an ARC (Advanced Reader’s Copy) of a cozy mystery for review, Bonbon Voyage by Katherine H. Brown about the Chef being murdered. (Oh, no!!)

And I’ve recently reviewed Death on the Danube by Jennifer S. Alderson which you can read here.  Review on my Here’s How It Happened blog This one was a river cruise.

After the BonBon book, I’m looking forward to reading The Cunning Cruise Ship Caper by Sally Carpenter, and the humorous “geezer-lit” mystery,  Cruising in Your Eighties is Murder by Mike Befeler.

How about you? What is on your TBR pile? Have you got a mystery or memoir set on a cruise ship?  Or… perhaps you know a dark true tale that could be made into a short story or book?

Well, dive right in!  Launch that story! All aboard!

 

(Disclaimer: First of all, this seems like a very untimely post. I am so sorry about the unfortunate cruise ship in Asia and the number of sick people on it. I pray all those among the 3,500 passengers plus crew will recover soon. But please don’t let that stop you from an ocean voyage in the future!)

*A 111-day cruise on the Pacific Princes in a balcony cabin like ours begins at $60,000 double-occupancy.

 

 

 

Time-Tripping to 1902: The Mary MacDougall Mysteries

By Richard Audry

When I first saw the movie adaptation of E.M. Forster’s Room with a View, I immediately fell in love with the passionate, rebellious Lucy Honeychurch character.  At that same time, my wife and I had become big fans of Masterpiece Mystery’s Sherlock Holmes series, with Jeremy Brett playing the coldly logical, unemotional detective. I had been toying with the idea of writing a mystery for a while, and I had an inspiration: What would you get if you mashed up Lucy Honeychurch with Sherlock Holmes? And that is the origin story of Mary MacDougall.

My Mary MacDougall series takes place in the Upper Midwest c. 1900 and stars the eponymous 18-year-old heiress, whose unlikely and socially inappropriate dream is to become a consulting detective. I wrote the first book a number of years ago, in period style. And that’s when I stumbled across my first principle of historical mystery writing:

Begin with primary historical source material, if it’s available.

For that original Mary MacDougall novel, I spent weeks in a university library hunched over a microfilm machine, reading newspapers from that period. I immersed myself in the real news and life of the early 1900s. I learned what people were thinking back then, how they were behaving, what the news of the day was at a granular level. Occasionally, serendipity struck, such as the time I stumbled across a full-page feature story titled “Women As Detectives.” The thousands of advertisements were another valuable window on that era.

I also obtained two sources from the period that have proven to be vital. One, which I found in the back recesses of a used bookstore, is a world almanac from 1904, packed with general information—nearly a thousand tissuey pages. Another is my reproduction copy of the 1902 Sears & Roebuck catalog, now close to falling to pieces.

(Wishbook Web.com is a great source for writers who need details about clothing and products from the mid-20th century and later. It has every Sears catalog of that era. Even if you don’t need it for research, it can also be nostalgic trip back in time. Project Gutenberg is a great place to find thousands of free public domain books from the 19th and early 20th century, including travelogs and non-fiction.)

Doing research for a historical mytery can actually be quite enjoyable, especially if you’re a history buff. We booked a trip to Michigan’s Mackinac Island a couple years ago, to flesh out scenes for Mary’s vacation there in A Daughter’s Doubt (Book 3 in the series). The island was a popular tourist destination at the turn of the 20th century, with notables such as Mark Twain booked in for lectures and presentations.

More difficult than doing the research, I think, is deciding what to use. How much is too much? Some readers love rich immersion in historical detail. This seems especially true if you’re writing straight historical fiction. But I think with the historical mystery genre, readers’ expectations are a bit different. When I decide what to include, I have one clear guideline:

The research has to serve my characters and their stories, not the other way around.

In other words, I don’t want to be showing off my research and bogging down the plot. I’ve seen it happen too often. By oversharing research, you run the risk of boring readers and losing them. But determining what to include and what to exclude isn’t easy. For my mysteries, I find that watercolor brush strokes of history work better than photographic specificity. Still, on my second or third reads through the manuscripts, I’ll end up cutting descriptive sections that I know are slowing down the tempo of the narrative.

When I finished my first Mary MacDougall, I received compliments about its authentic voice but the book failed to sell—to agents, publishers, or readers. Discouraged, I set it aside and concentrated on a couple of new contemporary mysteries and an alternative history sci-fi ghost trilogy. A few years back, I revisited that first Mary MacDougall story. I realized my main character was not very likable—more Sherlock Holmes than Lucy Honeychurch.

I decided to give her a personality makeover. And to loosen the restraints that would have actually been put on a young, wealthy woman back in 1901. Which leads me to my next rule of thumb:

I am willing to fudge some historical outlooks and prejudices for the sake of a good story.

That meant, for example, that Mary’s father, a wealthy businessman, needed to be a bit more accepting than might be expected when his headstrong daughter seeks a career in detecting. True, he disapproves and complains and threatens a lot. But he allows Mary to set up shop with her cousin Jeanette, as secretary/chaperone—trusting that the daily grind of business will wear her down. Then, he hopes, she’ll see the sense in marrying some solid man of business. He even grudgingly tolerates Mary’s infatuation with an unsuitable fellow who happens to be an artist—trusting she’ll grow out of it.

And what about Mary’s corset? Where is the lady’s maid to help her put it on? My heiress/sleuth is no hoity-toity duke’s daughter or snooty Manhattan debutante. She’s a practical Midwestern girl who can take care of herself. And she’s also something else that I think is essential in a historical mystery.

Mary is the modern reader’s agent in a tale from the past. Her point of view is closer to ours than to that of a real heiress of 1902.

I want to be able to identify with any protagonist I write, and I want the reader to feel the same. That requires Mary to be kind of a version of you or me. If you or I were in her shoes, we might attempt the same things, which would be in tune with modern sensibilities.

For instance, in the new book, Mary takes up the cause of a street urchin whose most prized possession, a valuable pocket watch, has been stolen. The matter seems trivial, on its face. But her concern is an expression of her awakening notion that homeless children are deserving of justice just as much as anyone. In fact, it’s this particular epiphany that gets Mary in the gravest peril of her career. I believe it’s that sort of thing that makes her resonate with readers in 2020. She is our champion.

Writing about the bawdy, brilliant historical comedy The Favourite, New Yorker film critic Anthony Lane put his finger right on it: “…all historical reconstruction is a game, and to pretend otherwise—to nourish the illusion that we can know another epoch as intimately as we do our own—is merest folly, so why not relish the sport?”

I certainly have relished putting Mary through her paces in her first four adventures. And I have many more plots in mind than time to write them. I’d love to bring her out to the Carmel/Monterey artist colony to try and talk some sense into Edmond Roy, the man she loves who refuses to follow her advice and stay in Duluth. And then there’s the possibility she may go spying in Europe for the State Department—imagine how much fun that story would be to research. There could even be some cloak and dagger during the Atlantic crossing. (A tip of the hat to Jackie for that idea.)

 

RichardAudry (1)In closing, I have a request for writers in this group.

I’m starting work on a non-mystery novel about two young nurses who travel from the Midwest to work in California right after WWII. I’m looking for sources that would give me a flavor of what life in Santa Barbara was like in that period. Any suggestions for books (fiction or nonfiction), articles, websites, or libraries would be much appreciated. You can contact me at drmar120@netscape.net.

 

Here are the Mary MacDougall Mysteries in order, in their Kindle editions. The first three titles are currently available from other booksellers such as Barnes and Noble, Kobo, and Smashwords. A Fatal Fondness will be available in Epub versions later in February.

A Pretty Plot  A Pretty Little Plot

Stolen Star  The Stolen Star

DaughtersDoubt  A Daughter’s Doubt

A FATAL FONDNESS   A Fatal Fondness

Also, please consider visiting my website  and liking my Facebook author page.

 

This article was posted for Richard Audry by Jackie Houchin (Photojaq)

 

For a preview of Richard Audry’s A Fatal Fondness, please check out my FIVE STAR REVIEW on my:  Here’s How It Happened – A Fatal Fondness

 

Changes

by Linda O. Johnston

Linda O Johnston

Everyone’s careers, everyone’s lives, can change.  And does change.

Once upon a time I was a practicing real estate attorney.  I loved what I did, working in-house for a major oil company… that eventually had to sell off its assets, so that job ultimately ended.  My last work for that company consisted of doing project work for the law department’s remaining real estate group for a while, and I used that to continue my practice by doing real estate project work for other attorneys.

Till the economy tanked and I was unable to grab onto any other projects, or even full-time jobs.

I’d already been published by then, in paranormal romance, romantic suspense and cozy mysteries.  Writing then became my main career, and it remains that way today–although which genre I’m writing in does… change.  You guessed it.  I’m currently concentrating on Harlequin Romantic Suspense, which I love, but I’d also love to do some cozy mysteries as well and still remain traditionally published.

Then there are other things that change, like how to connect with other authors and readers, and how to promote my work.  Last year, I attended four conferences, two focusing on romance and two focusing on mystery: Romance Writers of America National Conference,  California Dreamin’, Malice Domestic, and California Crime Writers.  Loved them all.  But two of them, California Dreamin’  and  California Crime Writers, are held by local organizations, and they’re both held every other year, the same year.  Therefore, this is the off year.

I won’t be attending Malice Domestic this year even though I enjoy it, but its focus is cozy mysteries and I don’t have any new ones currently pending.

rwalogoThen there’s Romance Writers of America.  It’s in San Francisco this year, and I’d certainly planned to go there, only…  Well, things have changed in the entire organization.  It’s been rocked by a scandal involving discrimination issues.  I haven’t entirely followed all the changes and nuances, but a lot of people in charge have been ousted from their positions or resigned, and even a lot of members have decided not to renew their membership, even though the discrimination issues will hopefully all be addressed–and eliminated.

I’ve been a member for a long time, and I’m hopeful it will survive–including the local chapters I belong to–so I did renew.  I’d hoped also to still attend the national conference.  But even if it’s held this year, a lot of major traditional publishers have said they won’t participate, and that includes my romance publisher, Harlequin.

Colton First Resp So, instead of four conferences this year, I doubt I’ll attend any.

But will I keep on writing, and possibly in different genres?  Oh, yeah.   That’s who I am.

And by the way, my next published book will be available in about a week. It’s COLTON FIRST RESPONDER, a Harlequin Romantic Suspense novel that’s a February release.

 

 

 

 

This article was posted for Linda O. Johnston by Jackie Houchin (Photojaq)

 

 

 

Keeping It Real: Developing Characters Throughout a Series

by Miko Johnston

I became an author when I finished the first in my series of fiction novels – my first book, period. Interestingly, Lala, the character I inaugurated thirty years ago, recently turned thirty herself. Is that a coincidence?

Maybe not.

Petal InTheWindMy writing has matured over those thirty years, as has my heroine. Granted, when introduced in my first book, she was “almost eight”, so her voice and thoughts had to reflect her age. However, the book was meant for adults, therefore it had to present the story at a more mature level. Much of the storyline and the tension springs from a child who’s unable to fully understand her situation and an adult audience who clearly can.

As the story develops, and Lala ages, she had grown up in the eyes of my readers as well as my own. I sometimes feel like thirty years ago I gave birth to this young girl, though I’m thrilled not to have actually given birth to an eight-year-old! Still, having lived with these characters for almost half my life and four books, they’ve become very familiar, and I’ve grown close to them. I sense a greater intimacy between the characters with each novel, in part because of my growing familiarity with them.

I feel the same way about characters in the series I still read. I’ve become invested in their lives, curious to see how they play out. It’s become an even more important aspect of pleasure in reading than the storyline. I’ve stuck with a few series with formulaic plots because of my attachment to the people who populate the stories.  I’ve also dropped a few series from my must-read list and always for the same reason – stagnant characters.

I asked several writers of serialized fiction about how their relationship with their characters – and their characters’ relationships with each other – has changed with each book, and each passing year.

51pZwz0PBbL GOTUMike McNeff introduced his hero Robin Marlette in GOTU (pronounced Got-U, it’s short for Guardians of the Universe). His action/adventure series features a covert ops team that has to balance work with home life. Mike’s currently writing the fourth book in the series. When I asked him how his characters have evolved over time, he decided to let Robin speak for himself:

“We were once cops who tried not to hurt anyone, including suspects. Now we kill just to survive and it has reached the point where killing has become a mere afterthought. I’ve killed sleeping men, men who didn’t know I was near them and men who were simply doing an assigned task at a particular moment. They were all involved in acts threatening innocent people, but I gave them no warning…no chance to surrender. I just killed them.” Robin’s eyes met the admiral’s. “My men and I have become dark and dangerous shadows moving through the night grappling with a squirming underworld. I’ve become unsure of just what and who the enemy really is…I just react to threats to the innocent people on this earth.”

I’ll add that the series has grown darker, but as Mike’s characters have developed into a close-knit team, they’re more comfortable teasing each other, and their humorous banter provides comic relief that lightens up the action.

*

41SMl8rQs0L IndelibleWhat began for Heather Ames as a stand-alone novel turned into a deftly blended mystery, suspense and romance series featuring Detective Brian Swift and socialite/club owner Kaylen Roberts (due in part to encouragement from some members of this blog). Ames says, “My characters have evolved from two people who didn’t even trust each other enough to share confidences into two people who have been trying to work through various challenges. They weren’t sure they could work things out by the end of Book one, but they both wanted to try.”

In each subsequent novel she balances the suspense between solving the mystery and navigating their evolving romance. Readers root for the couple, but Ames keeps us wondering as we follow their emotional roller coaster ride. “Being mismatched soulmates isn’t an easy gig. Brian’s profession is a huge stumbling block for Kaylen (while) Brian feels like a fish out of water in Kaylen’s world, and isn’t so sure he wants to try fitting in.”

The couple has progressed with each book. “Kaylen has evolved into a much stronger character than she was at the beginning of the series, while Brian has developed chinks in his armor that make him more vulnerable.”

*

41SMgxyg59L Last ConfessionPat Kelley Brunjes traveled a similar route with her characters as I, opening her series with a story loosely based on her family history. In her first novel, The Last Confession,  her protagonist serves as a stand-in for Brunjes. “Maggie was me seeking to find the truth about my grandmother’s relationship to the Catholic Church.” Although based on her research, she fictionalized the story, which allowed her to take Maggie in a non-biographical – and more dangerous – direction. In the sequel she’s writing, her heroine gets entangled in a cold-case murder and human trafficking. “In the second novel, Maggie has evolved into her own person dealing with what fate has thrown her, and how her personal beliefs guide her decision to help others.” Having given herself the freedom to step away from semi-autobiography, Brunjes will have much flexibility in plotting future entries in the series.

*

51sKIWU-ULL._SX322_BO1,204,203,200_ PaulineAvis Rector faces a unique challenge in writing her historical fiction series, based on the early life of her family on Whidbey Island. In her first book, Pauline, the heroine and her husband settle on the island during the Depression. “So much of the first Pauline was based on my memories of the stories I heard as a child from my father who loved to tell stories—usually real happenings, but many embellished.” However, in her sequel, the story moves into the 1940’s, a time Rector lived through. She’s having to reinterpret her childhood memories through an adult’s perspective. “Actually, I’m having a hard time writing how the adults felt about the time. Pauline has changed.”

Part of that involves Pauline’s maturing. Rector admits she struggles to find the right balance between the irrepressible gal readers meet in the first novel and the responsible parent she becomes after adopting two children. “It was difficult for her to become a mother. She’s no longer the fun-loving young wife (as in the first book), but a serious, not so much fun, mother. I’m sorry about this, and feel I should…try to soften her personality, to enjoy the experience of being a mother like she always wanted to be.”

***

Most of us in WInRs have written, or are writing, series – I’m interested in hearing their take on this. I also know some of you reading this post write serialized fiction. What challenges have you faced moving your characters through the years, either in ‘book-time’ or real time? Have they evolved over the course of your series, and if so, how?

 

mikoj-photo1

Miko Johnston is the author of the A Petal In The Wind Series, available through Amazon and Barnes and Noble. Miko lives on Whidbey Island in Washington. Contact her at mikojohnstonauthor@gmail.com

#

 

 

This article was posted for Miko Johnston by Jackie Houchin (Photojaq)

A Writer’s Resolutions on Social Media

by Jill Amadio

note notebook notes page

New Year resolutions?

I have known mine for many, many months, as had a writer friend. Bombarded and burned out by social media ‘noise’ last month, she left her computer and iPad at home and fled to the forest and her grandpa’s cabin in Oregon, Bigfoot be damned. Alas, Hazel was unable to escape her addiction to Facebook and Twitter and she drove miles into town each day to find an Internet café where she continued to pollute the airwaves.

apps blur button close up

Linked In, Pinterest, Tumblr, Fomo, Reddit, WikiHow, Instagram and others jam our lives with clamorous demands to log on, read posts, share photos, and comment. The more timid of us comply.

No Escape.

I know dozens of writers who complain about the time it takes to respond to cute comments yet day after day we find ourselves enslaved to the practice, afraid to miss something someone has written. Did they see my latest awards photo on my FB site?  Have they followed my Tweet link to my new mystery web site? While grateful for congratulatory messages online, and helpful tips on feeding hippos, how about admirers sending a snail-mail card instead or a basket of premium wine?

One can barely escape social media even without going to the sites. I receive email messages daily that someone has commented on my status (whatever that means – single, poverty-stricken?) or wants me to Like them.

Procrastination.

We seem to be obsessed with spending hours online replying to friends’ remarks posted on social media sites, laughing at cartoons and jokes when we should be writing the next chapter or polishing an article. For some, it’s procrastination, an excuse not to tackle that elusive plot point, or figure out the murderer’s true motive; for others, perhaps, a means to make a mark upon the vast Internet audience.

Do the networking benefits outweigh the negatives? Many around the world have found long-lost school friends and relatives.  Others bemoan the lack of privacy. I still haven’t figured out how to send a private FB message to my daughter.

Guest Blogging

blog icon information internet

Then there are the invitations to be a guest blogger. I was asked if I’d like to join a Blog Hop whereby ten mystery authors answered a series of questions about their books and their writing life.  First, it had to be explained to me how the process worked, then I answered the host blogger’s eight questions, after which I was told to wait my turn for the right day. I was nudged the day before with three emails reminding me, and finally, I was asked to promote the entire Hop through social media for several days beforehand, and several days afterwards: “I am guest-blogging today on Santa’s site.”

It was fun but time-consuming. The new idea prompted other friends who were not included in the Hop to ask me if I’d invite them to be a guest blogger on my own site.   After agreeing to two of them, I realized that probably no one checked out the blog page on my site anyway. More time lost.

An addiction?

How do we escape the trap and refuse to be manipulated? There are plenty of advice columns and seminars on how to overcome the addiction, even a 10-step program on how to recognize the symptoms and treat them.  You can Google the subject and dozens of sites show up. Even the Times of India newspaper has an article on how to handle the problem.

person using typewriter

Kim Fay, author of “the Map of Lost Memories,” was making a deliberate effort to stay “clean.  She said that Facebook terrified her, and she wasn’t sure what to do with Linked In.

Longing for peace and quiet aside from social media noise and actual noise of traffic and sirens outside her home in Los Angeles, she accepted her parent’s offer to holiday in their house in the mountains of Arizona while they went out of town. Once there, she covered all the clocks, researched, napped, and wrote 50 pages of her next thriller without once logging on anywhere.

Kim-Fay“Ideas had space to roll around in my head,” she said. “My thoughts were uninterrupted. It was divine. These days the life of a 21st century writer are frantic, a pressure cooker requiring one to write reviews, connect with fans and friends, and try to stay in the game. ”

 

Well, I gotta go. Time to check my FB page, and wish everyone a Happy New Year.

Capture (1)Jill Amadio is from Cornwall, UK, but unlike her amateur sleuth, Tosca Trevant, she is far less grumpy. Jill began her career as a reporter in London (UK), then Madrid (Spain), Bogota (Colombia), Bangkok (Thailand), Hong Kong, and New York. She is the ghostwriter of 14 memoirs, and wrote the Rudy Valle biography, “My Vagabond Lover,” with his wife, Ellie. Jill writes a column for a British mystery magazine, and is an audio book narrator. She is the author of the award-winning mystery, “Digging Too Deep.” The second book in the series, “Digging Up the Dead,” was released this year. The books are based in Newport http://www.jillamadio.com

***

 

 

This article was posted for Jill Amadio by Jackie Houchin (Photojaq)

2020 Visions For The New Year!

Read. Learn. Enjoy.

by Gayle Bartos-Pool

girl-reading 1423501_960_720Try the classics. Try some older writers. Try a new writer and hope they have something clever or interesting to say.

We are losing the language and our sense of humor and even our sense of right and wrong by leaving those books on the shelf. People are afraid to tell a joke for fear of offending somebody. Hey! The joke’s on them. They don’t realize they ARE the joke… and the joke isn’t funny. Suggest a book for them to read.

Some are eye-opening like Orwell’s 1984. Some are riveting like E. Phillips Oppenheim’s spy novels. Some are clever like Mary Roberts Rinehart’s mysteries. Some will stun you like Edgar Rice Burroughs Tarzan or the Barsoom series. Read. Learn. Enjoy.

What is your reading pleasure in 2020? Will you share a few titles on your TBR list?  Who are your favorite authors? What genre do you like to read?

 

2020 Reading Challenges

 by Jackie Houchin

And, if you’d like some direction, I have several reading plans for you for 2020. They range from DYR20 (Diversify Your Reading) which lists just ONE BOOK PER MONTH, but in categories that may make you “stretch” a bit, especially if you’ve been reading books in just one genre.  Here’s the link:  Diversify Your Reading Challenge – 12 categories  (Follow another link in this site, for the blogger’s 3-book recommendations for each category.)

Could you read ONE BOOK PER WEEK? (Whew!)  New mom, Mommy Mannegren, has a list of 52 categories for you to read in. You can interpret a category any way you choose (“a book with a senior character” could be an elderly woman, or a teenager in 12th grade), and you can read them in any order.  The 2020 52-book Reading Challenge

And…. how about TWO BOOKS PER WEEK??  This site is for the light reader (13 books), avid reader (26 books), committed reader (52 books)  and the obsessed reader (104 books).   About 25% of the book categories at this site are suggested reading for Christians.  (Read in them, or not.)   Multi-level Reading Challenges

And last, but no way least, if you are interested in reading the Bible in 2020, here are  23 Bible Reading Plans to Satisfy everyone.

 

 Wishing you the best health, success, happiness, and reading throughout the New Year!

new-years-eve-4652544_640

Happy Holiday Greetings from Us!

OLYMPUS DIGITAL CAMERA

December 25th post – by Gayle Bartos-Pool

People celebrate Christmas in many ways. Some decorate their homes like a Macy’s window on steroids, others keep a lower profile and enjoy the colors, sounds, and smells in their own quiet way. Some can’t wait for the season to be over. As for me, any time people make an effort to make others happy and to enjoy life themselves is a holiday. Christmas is and should be a time to reflect on the Gift of Life we have all been given. You can’t return it to the store if you don’t like it, but you can make it fit by being the very best you can be and showing others their gift is pretty special as well. Then you will realize Christmas is every day.

Merry Christmas.