I Write Romance and I’m Proud of It!

Hanna Rhys Barnes

I’m an author. I have books published by a publisher. “What an accomplishment,” you might say. But when I say “I write Romance,” I get this look like “Oh…how…nice.” As if the qualification “Romance” somehow diminishes the accomplishment.

Unfortunately, romance authors are subjected to this sort of backhanded treatment, especially by other authors. As if a #1 NYT or USA Today bestselling Romance title is not quite as worthy as some literary or memoir or inspirational author’s work!

As a romance author, I find this kind of behavior tiresome, especially since hands down, romance is the publishing industry’s largest, most profitable, steadiest genre.

Let me tell you, when the US economy was flagging, authors in the literary, poetry, and non-fiction section of the bookstore were happy the romance genre existed. While the bottom dropped out of many other categories, romance readers continued to buy one or more romance novels per month. The Romance imprints kept many-a-publisher afloat. And we still do today. Go into the book section at any big box store and see which fiction genre has the most shelf space. I’d be willing to bet a whole month’s salary it’s Romance. Per the Nielsen Books & Consumer Tracker, in 2014

  • Annual sales of Romance Novels were over $1 billion
  • Romance Novels were nearly 40% of e-book sales & over 30% of mass market
  • The Romance unit share of all adult fiction sold: 29%

Nearly 100 romance books are published every month. And publishers make sure they get on the shelf (whether brick & mortar or digital.) Why? Because romance readers are loyal buyers and always on the lookout for someone new to read. Because romance readers are prolific readers. Many read 4-8 books per month. And who’s buying billions of dollars’ worth of Romance?

  • 84% of romance book buyers are women 16% are men.
  • The U.S. romance book buyer tends to be aged 30-59 years.
  • Romance book buyers have an average income of $55,000.
  • More than 55% of Romance book buyers have read Romance for             more than 10 years

Romance fiction is smart, fresh and diverse. Whether you enjoy contemporary dialogue, historical settings, mystery, thrillers or any number of other themes, there’s a romance novel waiting for you! If you’re an author, next time someone says “I write Romance,” shake their hand and say “Thanks.”  Thanks for the hard work we do to help keep the lights on in the publishing world.

About the author

P1000920-230Hanna Rhys Barnes is one of those people with an evenly balanced right and left brain.  She has a BA in English but retired as a high school math teacher.

Hanna loves doing rewrites as much as she loves getting that first draft down and has been a freelance developmental editor and author coach for the last six years. She has worked on books for several well-known agents and published authors.

a Knights KissA member of RWA’s national organization and of several local chapters, she currently lives and works on Whidbey Island in the beautiful Pacific Northwest. Hanna’s historical romances, Widow’s Peak and A Knight’s Kiss are currently available from the Wild Rose Press.

 

 

 

This blog article is posted for Hanna Rhys Barnes by Jackie Houchin and Miko Johnston.

The Ins and Outs of Partnering

Janet Elizabeth Lynn and Will Zeilinger

When we are introduced as a married couple who write together we often get puzzled looks. When we announce we’ve written four mystery novels together, the first question is always, “How exactly does that work?”

LynnWill.1It has worked well for us. But many want to know exactly how this is done. Do we alternate chapters? Does one write and the other edit?  Do you write in the same room with one looking over the other person’s shoulder? One person even said, “I don’t see how this could work. Why haven’t you killed each other?”

The answer to those questions are unique to each set of writing partners. For us and others who’ve written solo before teaming up with another writer, the most important thing is to check your ego at the door. Remembering that can help your story in so many ways.  Your goal is to write a good story.

If you keep egos in check with one mind toward the goal, any discussion or editing session will be less dramatic. Since we were both published prior to our partnering this was a must before we even start to develop each character’s back-story or plot our first novel.

Writing is storytelling and the two of you must first agree what story you want to tell. What do you want to say?  Before you sit down to write, first you have to talk. The upside of this is that you’ll be on the same page when you begin.

LynnWill.3Writing with a partner is not for everyone.  A problem can arise if your writing styles are different. For instance, Janet is an “outliner” extraordinaire, while Will has always been a “seat of the pants” writer or “pantser.”

When it comes to writing a mystery, the process can be quite complicated. We have to keep track of timelines, alibis, names, character details, red herrings, which character is telling what lie, who said what to whom and details of each characters quirks and relationships.

Both writing partners need to understand that the story has a life of its own and the type of mystery/story can sometimes be determined by the outlook of the characters. This is when the partners have to let go and let the story be what it needs to be.

Amazingly enough, some of that ego checking has filtered into discussions of everyday life. We notice a decrease in misunderstandings and quieter discussions at home. This can be very rewarding.

LynnWill.2When editing, the challenge of giving up scenes one of us puts time, energy, sweat and blood into may have to be cut. The standard answer for each partner is: “It’s for the good of the story”, or “We want to write a good story, right?” It’s these reminders that help the partnership move forward rather than having arguments about whether or not one scene out of hundreds should stay in.

Our characters sometime remind us to stay on track and they are often more aware of what will make the story great than we are.

Throughout life people see their glass as half empty or half full, depending on the episode of life they are experiencing. But why see it as negative or positive?  Why not look at the journey of each book as being full of rewards and challenges? This process can make the co-writing journey a successful and enjoyable one.

Website:  Janet  Elizabeth Lynn   www.janetlynnauthor.com

Website:  Will Zeilinger  www.willzeilingerauthor.com

About the Authors  

BW Janet Bill 01 (1)Published authors Will Zeilinger and Janet Lynn write individually until they got together and created the Skylar Drake Mystery series. These hard-boiled tales are based in old Hollywood of 1955.  Janet has published seven mystery novels and two short stories. Will has published three novels plus three short stories. Their world travels have sparked several ideas for murder and crime stories. This creative couple is married and live in Southern California.

Slick Deal

 

SLICK DEAL, The fourth Skylar Drake Mystery in the series was released on  April 16, 2018.   And yes…we are still married!

 

 

 

This blog article was posted for Janet and Will by Jackie Houchin.

How To Earn $1 Million on Your First Book… or NOT!

Jackie Houchin

bag of moneyI was going to write this post on “how to make $1 million on your first book” and follow the story of paranormal-romance writer Amanda Hocking who actually sold 1.5 million eBooks in 2010 and made $2.5 million. “All by her lonesome self. Not a single book agent or publishing house or sales force or marketing manager or bookshop anywhere in sight.”

Following tips she’d gleaned from the blog of JA Konrath (an internet self-publishing pioneer, who boasted of making $100,000 in three weeks), she also uploaded to Smashwords to gain access to the Nook, Sony eReader and iBook markets.  “It wasn’t that difficult. A couple of hours of formatting, and it was done.”

Then… she got a $2 million contract from St Martin’s Press and… yada, yada, yada.   Here’sHerStory

Today the self-published book market is flooded with books, and unfortunately a lot of them are inferior in quality in one way or another.  Authors in a rush to publish don’t take time to write a quality story, edit, format, proofread, and design a cover professionally. And less than half of them make even $500.

So what’s a newbie author like me to do?

I’m currently working on a middle grade children’s book manuscript. It is a collection of twelve stories from the POV of seven kids who are the children of Missionaries in Africa. The kids take turns writing emails to their friends back home, telling of adventures, mishaps, mysteries, and lessons learned. In the process they reveal amazing bits of African culture, as well as showing how kids anywhere can use the Bible to help them in life.

Because it is unabashedly a Christian book and might be difficult to market, I decided to self-publish.  I’m also determined to make it the best possible book I can.

Okay. No problem.

I’m a journalist and a reviewer. I’ve written tons of stories for my granddaughters over the years. And these twelve stories have been “kid tested” to more than a dozen children at my church. (They loved them.)

So all I have to do is a minor rework so they fit together smoothly, check for typos and grammar errors, and ask a friend to help me upload it to Kindle and Createspace. Right?

WRONG!

IMG_3243As I began to read blogs about self-publishing and downloaded PDFs like “Checklist for Publishing Your Book” and “Which Format Should I Choose” and followed marketing blogs with tips on using  social media, launching your book, advertising, newsletters, and websites, I discovered there’s a lot more to consider.

How to self publish your bookI bought and read “How to Self Publish Your Book” by Craig Gibb, which details about titles, pen names, and blurbs, as well as editing, cover designs, formatting, promoting and marketing options.

Word by Word Editing“Word by Word, An Editor Guides Writers in the Self-Editing Process” by Linda Taylor describes in detail the process of content and copy editing, proofreading, formatting, and all the front and back matter I would need to write for a complete “up-loadable manuscript package.”

 

My take away, if I am determined enough to do it:

  1. Write/rewrite my stories so they are polished to a mirror shine and have a kid-compelling first chapter.
  2. Get my manuscript professionally edited. (I sent in a sample 750 words to be edited free to one publisher, and was aghast at all the track changes suggested!) A proofreader is also high on my list.
  3. Get professional help in formatting my manuscript for the various eBook and print options. (There are just too many things that can go wrong, and I know from a dear friend on this blog that the learning curve is steep.) This is especially important because I want to include photos or illustrations.
  4. Get a cover designer/illustrator who can format for both eBook and Print, and who can portray the vision I have for the stories.

How much is this going to cost me?  A lot.

Can a middle grade children’s book with a Bible slant recoup that in sales?  Only God knows. I’m really NOT out to earn $millions. Any profit I make will be channeled back into the Africa ministries that I love.

But… I DO have a person who has promised to read the book and write a foreward for it. He’s worked with Wycliffe Bible Translators and travels the world as a Partnership Facilitator. He’s been to Malawi many times.  Who knows where THAT contact might lead.

And YOU might even know a 7-12-year-old who thinks it would be fun to grow up in deepest, darkest Africa!  And want to read my book.

IMG_3208

Ghostwriter

Jill Amadio, guest blogger

Ghostwriting2Many authors need a day job until our books earn enough royalties and renown to quit working for someone else. One day job that grew and grew into an almost full-blown career for me began with a ghostwriting stint. It also led to writing my own mystery series.

I first turned into several alternate personae when a magazine editor informed me that a reader was looking for a ghostwriter to churn out a business book.

“A whole book? Impossible,” I said. “Too many words.”

“Imagine each chapter as an article,” she suggested. After she told me the average payment I was hooked.

Since then, I’ve ghostwritten more than a dozen memoirs, autobiographies, and business books that required transforming myself into a U.S. ambassador, a Las Vegas croupier, a Texas oilman, a Las Vegas taxicab fleet owner, a motivational speaker, a triathlete, and sundry others. I also ghosted two true crimes. For two of the books I was promoted to co-author half-way though.

Eventually a friend referred Jonathan to me to ghostwrite a crime novel. It turned out during my initial visit to his Beverly Hills mansion that he had always wanted a book with his name on it to display “right here,” he said, patting an enormous Italian marble coffee table. His dilemma was that he had no idea how to write. Reminded me of the time I was at an airport shop in Indonesia and picked up President Sukarno’s biography, a heavy red leather hardcover akin to a family Bible only to find it full of blank pages (he was still living at the time).

Initially, Jonathan envisioned a family drama about a typical insurance scam of which his father had been a victim. A little tame, I said, and persuaded him we should add a couple of murders to spice up the story. He agreed and said the characters must include his parents, two brothers, six ex-wives, four mistresses, and three daughters. I told him, No, no, far too many. I would take three wives, two mistresses, and two daughters, all the while struggling to explain to him that in the book they’d be fictional and would not resemble the real people. He stopped complaining when I asked which of his family he’d like to be the killer.

Occasionally during the writing my client threw a spanner into the works such as calling from Belize or Paris and asking me to add even more murders to the mix now he’d got into the swing of things. Luckily, he was pleased with the various twists and turns, especially when I included thugs from a Bel Air branch of the Russian Mafia (honestly, it really exists) as part of the plot.  I gave the murderer my great-grandfather’s revered Scottish name for some inexplicable reason, honored Keats by sprinkling quotes throughout, and withheld adding Cornish cuss words although sorely tempted. Instead, I saved them for my mystery series that features a younger Miss Marple from Cornwall.

I enjoyed creating a fictional forensic accountant on someone else’s generous dime and planned to develop the book into a series. I had grown fond of the sleuth but Jonathan owns copyright so my brilliant idea died an early death.

An inveterate traveler on both business and pleasure, Jonathan was absent a lot. In fact, most of the time. He told me to basically just carry on, and he’d read the book after it was finished. As it turned out, he preferred me to read it aloud to him, which I did, leading to another unexpected part-time career in voice-over and narrating audiobooks.

Jonathan pronounced himself satisfied. But then he said his third daughter was going to be very upset that I’d left her out. He insisted on her inclusion. Fearing my final fee in jeopardy I had her join the Peace Corps in Chapter One and whisked her off to Somalia, never to be heard from again.

However, when it came time to querying agents Jonathan refused to spend longer than two weeks on the search and quickly self-published with an expensive hardcover POD press. For which I was grateful, nevertheless. Even though I had to watch him signing my book, my bank balance was healthy,

We soon had a book signing at Dutton’s. Jonathan was having a grand old time chatting to the two hundred or so friends and neighbors he’d invited to congratulate him. As his eyes kept darting to the door to see who was arriving I just knew he was hoping for a Hollywood producer, a director or an actor who’d slap an option offer on the table within the next three days. He’d begun to like this author thing. I decided to phone a film producer friend and invite him over to put Jonathan out of his misery.

“Hi, Brandon, how about coming along to a book signing right now? It’s not far from your place”.

“Who’s the author?”

“Oh, no one you know”.

“So why would I come?”

“Well, I wrote it”.

“Why didn’t you say it’s your book signing?”

“It isn’t”.

He snorted and hung up.

Since then I have continued to ghostwrite books, present how-to workshops, and assist other writers in entering the field. In fact, Kelly James-Enger wrote a book on ghostwriting and spent weeks interviewing me. Happily, she credits me for each quote spread over five pages, and thanked me in the Acknowledgements.

I like helping someone realize their dream of creating a family history so that their descendants can learn of their heritage. The joy on their faces when they hold that published book in their hands almost matches my own.

 

gunther (1)My biography of a World War II pilot, “Gunther Rall: Fighter Ace and NATO General” was a bestseller and is an eBook on Amazon and Smashwords. I have ghostwritten 14 memoirs and other books for clients including a true crime and a thriller.  jill valle book

I co-authored the Rudy Vallee memoir, “My Vagabond Lover”

 

 

 

Capture (1)About the Author

Like Tosca Trevant, the amateur sleuth in her crime series, DIGGING TOO DEEP and DIGGING UP THE DEAD, Jill Amadio hails from Cornwall, UK. But she is nowhere near as grumpy or unwittingly hilarious as her main character, a younger Miss Marple. Jill wrote two true crimes, and ghostwrote a crime novel. She has written 14 biographies.  She was a reporter in Spain, Thailand, Colombia and the United States.  She wrote for Rolls-Royce Magazine, the London Sunday Dispatch, Conde Nast, the Los Angeles Times, the Westport News, and was a reporter and syndicated columnist for Gannett Newspapers in New York. For 12 years she wrote a column for Entrepreneur magazine. Jill writes a monthly column for the UK-based MysteryPeople ezine, and freelances for My Cornwall magazine.

Visit Jill Amadio at:  jillamadiomysteries.com

Mystery books by Jill Amadio:

Digging too deep_533x800-e1383673499772   Digging Too Deep

DiggingDeadCover-375x600  Digging Up The Dead

~~~~~~~~~~~~~~~~~~~~~~~~~

This article by Jill Amadia was posted by Jackie Houchin.

BACKPACKING WITH A PITCHER

By Heather Ames, guest blogger

lemonade unbornWhoever coined the phrase “making lemonade out of lemons” must have had an acerbic wit. As a champion receiver of citrus, I’ve always tried to look at each situation as a challenge instead of a mountain of acidity, despite the after-taste.

51NyNyt9s8L._UY250_My most recent pitcher of lemonade appeared last year, when I finished Book 2 of the “Indelible” mystery/suspense series and contacted the publisher of Book 1 to find out how much of the completed manuscript they wanted to see. After two attempts, I was told to send “whatever you want.” I sent a partial and waited, then waited some more. Much more. Months.

I then emailed the editor-in-chief, who said she had just returned from an extended hiatus. She told me to send the entire manuscript immediately, which I did. The contract came. I signed it. The CEO signed it. I breathed a sigh of relief. Then the momentum, which had built to its normal level, ground to a halt as I waited for my editor to be assigned. And waited.

A sense of foreboding crept over me. Bushels of lemons rolled onto the horizon and waited, poised to roll into my lap. I tried to ignore them. After all, progress had slowed one time before. They were probably just running behind due to the EIC’s absence.

But then it came…an email from the publisher, returning my rights due to their poor quarterly returns for the second quarter in a row. I wasn’t their only author to receive that email, the EIC assured me. She said the staff was upset about the situation. I found little comfort in that knowledge.

There had been other signs that the publisher, despite its growth and a propensity to purchase smaller competitors, was itself in trouble. One huge misstep resulted in all titles from one of those buy-outs, including one of my own e-books, suddenly disappearing from Amazon. Apparently, when the old site was pinged without success, Amazon believed the publisher had closed, not that the titles were in the process of being moved to their new home. A year later, despite an email from the publisher that explained all the titles would be reloaded “in a lengthy process,” that still hasn’t happened. Perhaps they are busy making lemonade, too.

A Swift Brand Of justiceI couldn’t afford to sit around waiting for my two year contract on “Indelible” Book 1 to expire before offering both books in the series to another publisher. Readers had been asking when Book 2 would be available. Since it had already taken me close to 3 years to get Book 2 out of the starting blocks (including the 9 months wasted over that abortive contract,) I decided there was only one way out of my dilemma, and that was to self-publish “Indelible” Book 2, “A Swift Brand of Justice.”

Self-publishing has become more accepted during the last few years. Many popular authors have departed their small publishers, taken back their rights and chosen that route. Financially, it makes more sense for them. They already have a fan base, and their back-listed books have all been edited and formatted. All they need are new covers. They no longer have to share their profits with the small publishers, who find themselves, as a result of this exodus, left with newer and less well-known authors. Their piece of the pie has become much smaller, and their bottom line has suffered as a result. Many of them have folded and others are in financial trouble.

For those of us who find our books orphaned (and there are a growing number of us,) “DIY” has morphed into an acceptable solution. I know of several other writers who have had to move their series from the original publisher. I will be another. After I complete Book 3’s manuscript, I hope to find another home for my series. If I don’t, then I know I can continue self-publishing and growing my brand, instead of waiting months, even years for a contract.

Night ShadowsI just self-published a second book. This one is the stand-alone suspense, “Night Shadows,” I was working on when my rights were returned for “A Swift Brand of Justice.” In order to retain and grow my readership, I need to offer new material on a regular basis. That won’t happen if I’m marking time while I wait for responses to queries, partials and even full manuscripts, or unexpectedly have my rights returned again.

I would much prefer the support and expertise of a new publisher. But if that doesn’t happen, and I need to self-publish again, I know I can do it. I still need to build my support list. Finding reasonably-priced editors is one challenge I haven’t yet mastered. But I’m getting better at designing my own covers, and the learning curve isn’t as steep or as angled as it was before those lemons rolled into my lap.

I’m keeping the pitcher handy as I write the first draft of “Swift Retribution,” Book 3 of the “Indelible” series, but I’m not resigning myself to using it yet. Hope springs eternal, but this time it’s couched. The publishing industry as a whole is in a state of flux, and these days, writers need to be ready for anything. Even a fresh bushel of lemons.

ABOUT THE AUTHOR

my big picHeather Ames knew she was a writer from the time she won first prize in a high school novel contest. An unconventional upbringing gave her opportunities to travel extensively, leading to nomadic ways and an insatiable desire to see the world. She has made her home in 5 countries and 7 states, learning a couple of languages along the way. She is currently pitching her tents in Portland, Oregon, and after a long career in healthcare, made her dream of writing full-time come true.

Heather is a current board member of the Harriet Vane Chapter of Sisters in Crime and a member of Toastmasters International. She moderates an online critique group and a local book club.

Visit her website at www.heatherames.com 

 

 

Posted for Heather Ames by Jackie Houchin

A Library By Any Other Name…

by Jackie Houchin

Mention “Valentine’s Day,” and instantly visions of  cute or sentimental greeting cards, heart-shaped boxes of chocolates, and bouquets of red roses come to mind. You may even dream of romantic dinners or diamond bracelets.

But it was none of these things that Kristin Molloy of Mission Viejo, California, wished for last year for Valentine’s Day.

“I love books and libraries,” she said with a smile. “So do my kids. We love to go to our Mission Viejo library to check out books. Growing up, everyone in my family had a book to read around the dining room table. I wanted my own library!”

oaxze7-b88760174z.120160726144933000gjmhqss4.10
From left to right: Jenna Brown, Kaitlyn Schisler and Astha Parmar take a photo with the Little Free Library, a book kiosk at the Lake Forest Sports Park designed by the three from Cadette Girl Scout Troop 1859. Contractor Bradlee Rodecker helped in building the house-like kiosk.

Her husband, Kevin Molloy, a fireman, knew exactly what she meant. Earlier that year while visiting the Lake Forest Sports Park and Rec. Center they spotted an amazing tiny wooden library on a pole. Designed and built by three Girl Scouts with help from the Park staff, the cheery blue and white painted Little Free Library is a house-like box of books. Visible through two Plexiglas doors are perhaps 30-40 books for all ages. Anyone can take a book to read…free. After reading it, they can return it or bring back a different one. The organization’s motto is “Take a Book, Return a Book.”

Kristen thought her own Little Free Library would be great for their neighborhood.

IMG_2702Kevin drew plans and constructed his Valentine’s Day gift, painting it to match their house. He checked with city regulations (though not all the Libraries I visited did) and sunk a post into their front lawn three feet from the side walk and about 24 inches from the ground. Three small flagstone steps invite kids to visit. He attached a mailbox flag which is extended when new books are added.

Kristin loved it!

(The height of the Libraries is a personal preference. I saw ones sitting on a base at 3 and 4 feet high.)

The family says they have quite a few kids & teens stopping to choose books on their way to/from a nearby park. The couple’s children, Georgia and Ryan, enjoy sharing their own books as well.

Check out the organization for information on buying or building your own library, and to see an amazing variety of Little Free Libraries, including some that look like a church, schoolhouse, caboose, or English telephone booth! https://littlefreelibrary.org/faqs/

Of course, right away, I had my hubby build a Little FREE Library for ME for THIS Valentine’s Day, and paint it to match our house. (I’ll let you know how it goes in a later post, if you are interested.)

Other Little Free Libraries in Mission Viejo.

IMG_2676      IMG_2705

 

Now let me tell you about some other things to LOVE and to GIVE on February 14th, and these are especially meaningful to us writers of books.

I love a libraryThe 14th of February is also LIBRARY LOVERS DAY.

Here are some things you can do to celebrate:

  • Visit your local library and check out a book or film.
  • If you know someone who doesn’t have a library card, encourage/help them to get one.
  • Volunteer time at the library (shelving, tutoring, reading to kids), or donate money and/or a few of your books.

Without the library, you have no civilization.” ― Ray Bradbury

“Libraries really are wonderful. They’re better than bookshops, even. I mean bookshops make a profit on selling you books, but libraries just sit there lending you books quietly out of the goodness of their hearts.” ― Jo Walton

“The library is like a candy store where everything is free.” ― Jamie Ford

“Libraries made me – as a reader, as a writer, and as a human being.”  –Laurie R. King

 

book-giving-day-bookmark-original-copyThe 14th of February is also INTERNATIONAL BOOK GIVING DAY.

Here are some ways to participate:

  • Share your favorite book with a friend.
  • Give books as gifts to your own children or to those of friends.
  • Donate books to children’s libraries, schools or charities.
  • Leave books in places where they’ll be found, such as doctors’ waiting rooms, train or bus stations, or airports.

“Give a Book” is a UK based charity with the sole aim of giving books where they will be of particular benefit including prisons.  http://giveabook.org.uk/

“Give a Book” works with Ellie’s Friends, a charity who helps women who are recovering from Cancer. They send a monthly mixed selection of light reading to be enjoyed. Each bundle contains ten titles and is delivered to a different recipient each month.  https://elliesfriends.org

“Give a Book” also works with First Story, a registered charity which places published authors in schools to hold weekly workshops on creative writing. At the end of the program, the students’ pieces are published in their own anthology.  https://firststory.org.uk/

*****

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TWEETABLES: 

What else can you do for your Sweetheart on February 14th? (Click to Tweet)

Library Lovers Day & International Book Giving Day share February 14 with Valentine’s Day. (Click to Tweet)

Creating Seasonal Articles*

Christmas sugar plumsby Jackie Houchin

Does reading all those December magazines with their holiday stories, recipes, tips, traditions, and inspirations make visions of sugar plums, er, I mean, ideas for articles to dance on your head?

“Oh dear! I so wanted to write an article about those fun games we play for identifying Grandma’s tag-less gifts under the tree!” (Family Circle Magazine?)

“And how I wished I’d shared my Mom’s Christmas fruitcake recipe from her recipe box (that I inherited this year when she died), and told all who read the article why they really should try fruitcake again.”  (Reminiscence Magazine?)

But, I forgot to write them.

And now it’s too late – WAY too late.

At least for this year.

But not for next year, if I plan ahead.  Many magazines need seasonal articles. But they need them long before the pub date. Articles with a “time-tag” are a good way for new writers to break into print (or seasoned writers to pick up some pocket money).

It’s all in the timing

Start by picking up Chase’s Calendar Of Events and look ahead to see what holidays will be celebrated in six months to a year. Or you can check the guidelines in the new The Writers Market Guide for specific publications you hope to write for.

Send a query letter with your idea ahead of the suggested time. If you get a go-ahead, be sure to deliver your article on time. And be patient. If it isn’t used in 2018, it may be held till 2019.

Low-profile holidays

Brain storm ideas for the less popular holidays, such as Arbor Day, Grandparents’ Day, Flag Day, Patriot Day, Friendship Day, Bastille Day, Poppy Day, or even…. Cookie Baking Day! (December 18)  Also think about back-to-school and summer vacation themes.

Your special “slant”

If those “sugar plum” ideas aren’t already dancing away up there, then:

  • Leaf through old magazines (yours or at the library).
  • Think about experiences you’ve had during holidays.
  • Write a short biography of a person linked to a holiday.
  • Research a holiday custom.
  • Remember anniversaries. (What happened 5, 10, 500 years ago?)
  • Interview a teacher, a parent, a coach, a Macy’s clerk.
  • Write a holiday short story or poem. (Some magazines are still open to them.)

Christmas funny poem

Before and After Tips

Start an idea folder with clipped articles from magazines or newspapers. Jot notes about ideas on each. Not all will be usable, but many will work. When you’re looking for a certain seasonal theme, these may trigger an idea.

After the original-rights sale, look for reprint markets for next season. Make a list of potential ones and their lead times, and keep your original article with them.

Open a new bank account!

Christmas bank accountJust kidding!  You won’t get rich from these sales, but you will get “writing clips.”  And when magazine editors discover your timely, well-written articles/stories etc., they will approach YOU with their needs.

Okay… do you need some ideas for NEXT Christmas?  Check out these:

  • Favorite Christmas books, movies, musicals/plays (pastiche or true likes)
  • Christmas mishaps (humorous, or coping skills)
  • Christmas trees: cutting your own, uniquely decorating (we knew friends who lit live candles on their tree!), a special nostalgia ornament
  • Family traditions (oldies, or how to start your own)
  • How to make homemade gifts (food, ornaments, clothes, home decor)
  • Holiday baking (how-to, tastes & smells, shipping)
  • Holiday traditions from other countries (foods, decorations, activities)
  • Or…. interview someone with over 3,500 Santa Claus decorations (Hint: I can give you her name.)

Take away

After all the gifts are opened, the holiday meal is eaten (and cleaned up), the kids are playing with new toys (or the boxes), and the older “boys” are watching football, go grab a piece of crumpled wrapping paper, smooth it out, flick open that new expensive gold-plated pen, and start writing up your holiday impressions, experiences, and ideas while they are still “dancing in your head.”

Christmas garland

Merry Christmas &  Happy New Year !

 

*Inspiration for this post came from Jewell Johnson’s article, Writing Seasonal Articles in the Christian Communicator, Nov-Dec, 2017.