The Importance of Setting

By Patricia Smiley*

michael-discenza-331452-unsplashYears ago I bought a novel written by a well-known author because it took place in Seattle, a city where I’d lived, went to school, and worked for many years. A few chapters in, I was dismayed that the descriptions of setting were so generic that the story could have taken place anywhere. It was almost as if that the author had never set foot in the city.

Setting matters. The place of your novel includes the broader vistas into which you set the story, such as the culture and customs of the people who live there, history, land, floral and fauna, and even the shape of the clouds. It’s also where each scene takes place, be it the backseat of a Mini Cooper, an English garden, a Federal prison cell, or a home kitchen.

We were given five senses for a reason. Detail specificity enriches your writing. Don’t just say the kitchen was messy; describe the smell of spaghetti sauce oozing down the wall, the feel of that sticky green substance puddled on the floor next to the baby highchair, and the tick tock of the antique grandfather clock in an otherwise silent room. Descriptions should not just be an inventory of the space. Each one must illuminate an element of plot, theme, or character and, in the case of this kitchen, raise a myriad of dramatic questions about what happened there and to whom.

Description as fine sauce. Descriptions need not be long and rambling, but a writer must persuade the reader that the story is real. Even people who’ve never been to a location should feel as though they’re experiencing it firsthand. This also applies to imaginary settings. To prevent long passages of boring prose, take Elmore Leonard’s advice, ”Don’t write the parts people skip.” Instead, distill the essence of a place into a fine sauce. Below is an example of reporter Jeffrey Fleishman’s brilliant and evocative description of Port Said, Egypt, from the Los Angeles Times:

“This shipping city of factory men, with its whispers of colonial-era architecture, was once a crossroads for intellectuals, spies and wanderers who conspired in cafes while the Suez Canal was dug and Egypt’s storied cotton was exported around the globe. Rising on a slender cusp in the Mediterranean Sea, the town exuded cosmopolitan allure amid the slap of fishing nets and the creak of trawlers.”

Don’t trust your memory—verify. Get the specifics right. Nothing takes a reader out of the story faster than getting hung up on inaccurate details. If you can’t visit the location, read travel blogs, talk to friends with knowledge of the area, consult Google Maps, online photos, and YouTube videos.

People like to “travel” when they read. Effective use of description creates atmosphere and mood, and stimulates emotions. Anyone who is familiar with the cold, bleak settings in Scandinavian crime novels or films knows how integral “place” is to every part of those stories. So, give your readers a compelling setting and then wish them a bon voyage.

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patty-smiley-250-shadow

Patricia Smiley is the author of four novels featuring amateur sleuth Tucker Sinclair. Her new Pacific Homicide series profiles LAPD homicide detective Davie Richards and is based on her fifteen years as a volunteer and a Specialist Reserve Officer for the Los Angeles Police Department.

The third in that series, The Second Goodbye, is set for release on December 8, 2018.

Patty’s short fiction has appeared in Ellery Queen Mystery Magazine and Two of the Deadliest, an anthology edited by Elizabeth George. She has taught writing at various conferences in the U.S. and Canada and also served as vice president for the Southern California chapter of Mystery Writers of America and as president of Sisters in Crime/Los Angeles.

PatriciaSmiley.com

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Photo by Michael Discenza on Unsplash
*This blog article is posted for Patricia Smiley by The Writers In Residence member, Jackie Houchin

 

Writing a Murder

by Jackie Houchin

 

I began feeding the crows one morning when my Hubby told me that his Cheerios were too stale to eat. I carried the box outside and dumped about a half cup of the O’s in the middle of the street. A friend occasionally throws out stale crackers for birds, so perhaps a few would show up for the cereal.

Halfway to my front door, I turned to look.  A half dozen jet black birds were enjoying breakfast, compliments of moi. I smiled, pleased

IMG_4568A few days later I threw out some stale bread crusts that I’d cut into tiny squares. (I’d hesitated only briefly as the thought of making croutons crossed my mind.) Too much trouble, and besides, maybe my new feathered friends would come again.

They did. Plus a few more.

I bought a cheap 3# bag of kitty kibble and began casting a handful or two out in the street each day. Soon I had eight or nine pecking away. Thinking they needed a bit of protein, I added a bag of raw, unsalted, shelled sunflower seeds to the next kibble bag.  After a month there was a growing murder* of crows waiting patiently for my handout each morning between 6:30 and 7:00.

It was fun.

My actions were not altogether altruistic, however. I’m not a bird lover.  I’d read in several articles that crows often show their gratitude by bringing small gifts for “their” humans. See what a young girl received from “her” crows here. They can also recognize faces (friendly or not) and react to them. For six scary things these cunning creatures can do, click here.

I had visions of coins, golden rings or pins, and yes, even a diamond tennis bracelet.  HA!  Okay, I did get a few Macadamia Nut shells, a small piece of ½ -inch plastic pipe, and – now this is pretty cool – a rose made out of a red pipe cleaner! But no gold and no diamonds.

Once, out of nowhere a flock of seagulls arrived and started eating, pushing the crows to the perimeter.  (Seagulls  are TWICE the size of crows! Seriously!)  I marched out to my driveway and raised my hands to shoo them away.  The sea birds flew off while the crows stayed, unafraid. Casually they walked back to eat what was left. Two came to within three feet of me and cocked their heads this way and that before going back to eat. A thank you?  A closer look at a “friendly” face?

When OSH went out of business I picked up a 5# bag of wild bird seed at a good price and added that to the next two kibble bags.  They really loved that… and told their friends.

IMG_4571 (Edited)Now I have twenty-four black birds each morning. And they are beginning to make a lot of noise if I’m late.  A man down the street came out with hands on hips and frowned at me. Dog walkers give my house that “look” as their dogs pull on their leashes towards the kibble mix.

This has got to stop, I thought one morning.  I will not feed them today. Maybe if  I skip a few days, then a week they’ll stop coming.

The first day they were cool with that. Occasionally I do have to go away early before I can feed them. But the next day, they were pretty loud.  They sit in my Magnolia tree, on the street lamp, and the rooftops of  my and my neighbors’ houses. Some boldly strut on my lawn, close to the porch. When I walk into the street with the kibble others come cruising out of nowhere.

It’s beginning to feel a little creepy.  I worry about stopping the food altogether. So far none have been aggressive, just noisy, but I’ve heard they can swoop and peck. Have a created a monster? Will I experience another kind of murder?

Oh dear! Excuse me, I have to go feed the crows now. I can count well over thirty of them through my window, all eyeing me as I look at them.

Yikes, the bag is getting nearly empty. I must go shopping today!  What would happen if I ran out of kibble!!

 

Writer thinking

Where do writers get their ideas? 

From lots of places, including researching curious facts and from their own experiences. All it takes is a touch of imagination.

To read the “murder” mystery I wrote from my research and experience with these inky birds (and my own imagination), follow this link to my personal blog and the story titled, THE CROW:   https://jackiehouchin2.wordpress.com/2018/09/25/the-crow/

 

*a flock of crows is called a “murder.”

Never a “Sense”less Moment – Writing the Big FIVE.

What is your favorite sense to write with?  Use the senses God gave you to SHOW your readers how you feel.  They’ll love you for it.

Jackie Houchin

I just returned home from a two-week trip to Torino (Turin) Italy.  If you want to experience your five senses with GUSTO, this is one of the countries you should visit.

IMG_3496 (Edited)I TASTED the cool creamy sweetness of real Italian Gelato, bit into crusty (salt-free) Tuscan bread piled high with fresh-made tomato Bruschetta and drizzled with first-press virgin olive oil from an orchard that covered the nearby rolling hills.  I sipped a frosty pale green menta (mint) icy that tingled my taste buds and sent shivers of coolness through my mouth and throat…on a baking-hot humid day.

IMG_1367I sampled an vast array of Italian cheeses (said to outshine France’s), from wedges of soft, creamy whites, protected by powdery rinds, to the mellow, medium-soft, large-holed varieties (not Swiss), that were delicious in a salty-sweet way with a dollop of apricot jam on top, to the hard, net-wrapped aged cheeses that take a good strong knife to slice, and a hunk of soft Italian bread to eat it with to even out the sharpness.

An expensive treat reserved for special occasions are the tiny balls of fresh Mozzarella floating in whey and filled with rich sweet cream that oozes into your mouth when you eat them. Magnifico!

What of the pastas (hardly ever spaghetti) in rich tomato sauces with melted cheese (and occasionally chopped hard boiled eggs), or made with basil-green home-made pesto?

Italy18 Hot Choc. Fresh whip cream What about a decadent hot chocolate so thick and rich that it looks like Hershey’s Chocolate Topping, but more delicious, served with a scoop of freshly whipped cream so thick you could eat it with a fork.Italy18 Hot Choc.

Aromas tease your nose when you walk past pizzerias or pastry shops. Sweets and Savories. Or sniff the meaty goodness of rows of whole chickens roasting on a rotisserie, dripping their goodness onto large chunks of peeled potatoes below.

Old Roman style streets of small cobblestones or large rectangle blocks make for uneven walking and leg strain…but offer a “rubbery warbling” from the tires of cars passing by…if you listen.  Horns honk continuously as Italian drivers in tiny cars dart in front of you, whiz by you, or fume impatiently behind you. “Romantic” Italian is spoken everywhere, quickly, rolling from the tongue with unfamiliar consonant and vowel endings, sometimes staccato, sometimes lyrical.

Italy18 Torino fountainMove through wet heat that causes limp hair, sticky skin, and clothes that cling. And then come upon an arched metal fountain in a park or piazza in the shape of a bull’s head (honoring “Torino”) that flows with cool sweet entirely drinkable water from its mouth. Hold out an empty water bottle, or cup your hands to catch the coolness, or even bend your head and drink freely.

Italian greetings surprise you, not with impersonal nods or stodgy handshakes, but with full frontal hugs, kissing (or air-kissing) on each side of the cheeks (always beginning on the right side!), a hearty pat or two on the back and a warm smile and verbal “Ciao.”

Italy18 Sibling hugsKids walk down the streets holding hands and they hug their siblings freely, unembarrassed.

You will see women (entirely “straight”) strolling arm in arm or hand in hand.

Sometimes men too. (Seriously!)

Ah, Italy.

 

Vibrant with the five senses!

What about your writing? Are you taking advantage of the “Big Five?”

SMELL

Exercise: Smell is the only sense that has a direct pathway to the memory center of your brain. What smells brings up unexpected memories for you? (Grandma’s house, your husband’s pajamas, Plumaria flowers, frying bacon, a certain spiced tea, wood polish, month-old laundry, cinnamon rolls warm out of the oven….a dead rat?  Describe a few of these using your sense of smell.

Hint: Read wine or perfume sites to build your smell vocabulary.

SOUND

Exercise: How would you describe the sounds around you right now? Pause and listen! Describe how fire sounds in a fireplace… in a forest fire. What’s the sound of water in a pool, a creek, an ocean? Make up a few new onomatopoeia sounds.

TOUCH

Exercise: Describe something fluffy, icy, pliable, jagged, papery, leathery, or slick. What do things vibrating or painful feel like?

TASTE

Exercise: Describe what something tastes like using a metaphor. (Comedian, Tim Hawkins, compares the taste and texture of a Krispy Kreme donut to “eating a baby angel.”  Think about that!)  What makes your mouth “water?” What makes you gag?  What does blood taste like when you bite the inside of your cheek? Have you tasted tears? Mother’s milk? Can you describe them?

Extra Credit Exercise. Buy a Bean Boozled Spinner Game and play several rounds with a friend. Describe the tastes of the Jelly Belly beans your pointer chooses for you. Flavors include Buttered Popcorn, Peach, Carmel Corn, Chocolate Fudge, and Rotten Egg, Dead Fish, Lawn Clippings and Barf.  I DARE YOU!!  Find a game here: https://amzn.to/2v4snUc

SIGHT

Exercise: Describe places you love. Describes different kinds of light, different shapes, perspective, illusion. Truly see a person passing by and tell what each aspect of his clothing, skin hue, walk, manner, and speed could mean. Use metaphors to describe a few of your favorite colors.

Italy18 checkered hall  Italy18 Castle shapes

Italy18 Lucky clover  IMG_3828 (Edited)

Close your eyes. Imagine one of your favorite places: a local coffee shop, the beach, a small bakery in Paris… anywhere. Take a few minutes to describe this place.

What is your favorite sense to write with?  Use the senses God gave you to SHOW your readers how you feel.  They’ll love you for it.

The Fun of Writing “Retro-Cozies”

Sally Carpenter

An interviewer once referred to my stories as “retro-cozies.” I liked the term and use it to describe my work.

A retro-cozy is an amateur sleuth mystery with no graphic gore, violence, sex, or language, and occurs in the past. What defines “the past” is up for grabs—I’d say any time before the 21st century.  My Sandy Fairfax series is set in 1993. The protagonist, a former teen idol, often refers to his TV show, which was filmed in the 1970s.  My newer series, the Psychedelic Spy, takes place in 1967.

Beatlemaniac_final_ large_2500Why do I use a time machine when I write? For Sandy Fairfax, I had no choice. I wanted to write about a ‘70s teen idol because of the culture of that time when teen idols were promoted through TV shows. I like the melodic songs from the era, the cheesy clothes, and the drama that often took place behind the idols’ innocent façades.  \

Sandy was 18 when his TV show started, so if I set the books in today’s world, he would have aged up to 61 or so. But I wanted to write about a younger man who could still do his own stunts and would be making a comeback, not plans for retirement. The year 1993 places Sandy at age 38, still agile but facing a midlife crises.

For the second series, the ‘60s is a ripe era for storytelling: war protests, civil rights and women’s movements, the generation gap, influence of Eastern religions, and the Cold War.  I love the culture of the age, the bright colors, pop art, rock music, movies, mod clothes and hairstyles. Let’s face it, women’s clothing styles in 2018 are—dare I say it—drab and ugly.

I like the simplicity of past times. I use a computer, but I’m out of touch with today’s technology. I don’t even own a cell phone (gasp!). I gave up trying to figure out streaming services, podcasts, YouTube videos, Twitter, social media and whatnot.

If a contemporary protagonist gets in trouble, all she has to do is whip out her cell phone and call for help. Ho hum. But my protags have to think and fight their way out of their predicaments. If my protags need information, they can’t Google or ask Alexis; they have to put in the legwork. They need hard evidence, not just a DNA sample. With fewer crime fighting tools at their disposal, my heroes work harder.

People who stare at their phones or computers all day bore me. Characters who talk face-to-face are more interesting than those who send texts. Modern technology is helpful in real life, but it’s a story killer.  When I read for pleasure, I want to escape into another world, away from the commotion of modern times. Writing a retro-cozy lets me, at least in my mind, take a break from today.

Flower_Power_Fatality_jpg (1)In “Flower Power Fatality,” Noelle McNabb is an actress at a Christmas-theme park in Yuletide, Indiana. Her drab routine is interrupted when a stranger shows up on her porch with a bullet in his chest. Then, a super-secret spy agency recruits Noelle to find missing microdots along with veteran agent Destiny King. As Noelle goes undercover, she finds herself dancing in sleazy nightclubs and chasing bad guys at night while wondering who is going to feed her pet cat.

My next project is putting my first book, “The Baffled Beatlemaniac Caper,” back in print. Washed-up pop star Sandy Fairfax, in a desperate move to get his career back on track, takes his only job offer—a guest appearance at a disorganized Beatles fan convention in Evansville, Indiana. What look like an easy gig turns deadly when a member of the tribute band is killed and the police finger Sandy as the prime suspect.

“Beatlemaniac” will include a new cover art, new forward, updated author’s bio, re-edited text and a bonus short story, a brand new Sandy Fairfax adventure, “The Deadly Disco Caper,” in which the 1970s get skewered. Yowzah, yowzah, yowzah!

 

306141_347563052028408_642323995_n(2)Sally Carpenter was born and raised in southwest Indiana but now lives in Moorpark California, leaving the land of rain and snow for wildfires and earthquakes.  She has a master’s degree in theater from Indian State University. She also has a master’s degree in theology and a black belt in tae kwon do. She’s also “mom” to two black cats.

Her first book, “The Baffled Beatlemaniac Caper,” was named by Left Coast Crime as a 2012 Eureka! Award finalist for best first mystery novel.  She penned chapter three of “Chasing the Codex,” a group mystery written by 34 authors with Cozy Cat Press and has stories in three other anthologies.  She’s a member of Sisters in Crime/Los Angeles and blogs monthly at https://ladiesofmystery.com/ .

For more about Sally Carpenter and her books, go to http://sandyfairfaxauthor.com/   Reach her on Facebook or email her at:  scwriter@earthlink.net .

 

 

This blog article is posted for Sally Carpenter by The Writers In Residence member, Jackie Houchin

 

I Write Romance and I’m Proud of It!

Hanna Rhys Barnes

I’m an author. I have books published by a publisher. “What an accomplishment,” you might say. But when I say “I write Romance,” I get this look like “Oh…how…nice.” As if the qualification “Romance” somehow diminishes the accomplishment.

Unfortunately, romance authors are subjected to this sort of backhanded treatment, especially by other authors. As if a #1 NYT or USA Today bestselling Romance title is not quite as worthy as some literary or memoir or inspirational author’s work!

As a romance author, I find this kind of behavior tiresome, especially since hands down, romance is the publishing industry’s largest, most profitable, steadiest genre.

Let me tell you, when the US economy was flagging, authors in the literary, poetry, and non-fiction section of the bookstore were happy the romance genre existed. While the bottom dropped out of many other categories, romance readers continued to buy one or more romance novels per month. The Romance imprints kept many-a-publisher afloat. And we still do today. Go into the book section at any big box store and see which fiction genre has the most shelf space. I’d be willing to bet a whole month’s salary it’s Romance. Per the Nielsen Books & Consumer Tracker, in 2014

  • Annual sales of Romance Novels were over $1 billion
  • Romance Novels were nearly 40% of e-book sales & over 30% of mass market
  • The Romance unit share of all adult fiction sold: 29%

Nearly 100 romance books are published every month. And publishers make sure they get on the shelf (whether brick & mortar or digital.) Why? Because romance readers are loyal buyers and always on the lookout for someone new to read. Because romance readers are prolific readers. Many read 4-8 books per month. And who’s buying billions of dollars’ worth of Romance?

  • 84% of romance book buyers are women 16% are men.
  • The U.S. romance book buyer tends to be aged 30-59 years.
  • Romance book buyers have an average income of $55,000.
  • More than 55% of Romance book buyers have read Romance for             more than 10 years

Romance fiction is smart, fresh and diverse. Whether you enjoy contemporary dialogue, historical settings, mystery, thrillers or any number of other themes, there’s a romance novel waiting for you! If you’re an author, next time someone says “I write Romance,” shake their hand and say “Thanks.”  Thanks for the hard work we do to help keep the lights on in the publishing world.

About the author

P1000920-230Hanna Rhys Barnes is one of those people with an evenly balanced right and left brain.  She has a BA in English but retired as a high school math teacher.

Hanna loves doing rewrites as much as she loves getting that first draft down and has been a freelance developmental editor and author coach for the last six years. She has worked on books for several well-known agents and published authors.

a Knights KissA member of RWA’s national organization and of several local chapters, she currently lives and works on Whidbey Island in the beautiful Pacific Northwest. Hanna’s historical romances, Widow’s Peak and A Knight’s Kiss are currently available from the Wild Rose Press.

 

 

 

This blog article is posted for Hanna Rhys Barnes by Jackie Houchin and Miko Johnston.

The Ins and Outs of Partnering

Janet Elizabeth Lynn and Will Zeilinger

When we are introduced as a married couple who write together we often get puzzled looks. When we announce we’ve written four mystery novels together, the first question is always, “How exactly does that work?”

LynnWill.1It has worked well for us. But many want to know exactly how this is done. Do we alternate chapters? Does one write and the other edit?  Do you write in the same room with one looking over the other person’s shoulder? One person even said, “I don’t see how this could work. Why haven’t you killed each other?”

The answer to those questions are unique to each set of writing partners. For us and others who’ve written solo before teaming up with another writer, the most important thing is to check your ego at the door. Remembering that can help your story in so many ways.  Your goal is to write a good story.

If you keep egos in check with one mind toward the goal, any discussion or editing session will be less dramatic. Since we were both published prior to our partnering this was a must before we even start to develop each character’s back-story or plot our first novel.

Writing is storytelling and the two of you must first agree what story you want to tell. What do you want to say?  Before you sit down to write, first you have to talk. The upside of this is that you’ll be on the same page when you begin.

LynnWill.3Writing with a partner is not for everyone.  A problem can arise if your writing styles are different. For instance, Janet is an “outliner” extraordinaire, while Will has always been a “seat of the pants” writer or “pantser.”

When it comes to writing a mystery, the process can be quite complicated. We have to keep track of timelines, alibis, names, character details, red herrings, which character is telling what lie, who said what to whom and details of each characters quirks and relationships.

Both writing partners need to understand that the story has a life of its own and the type of mystery/story can sometimes be determined by the outlook of the characters. This is when the partners have to let go and let the story be what it needs to be.

Amazingly enough, some of that ego checking has filtered into discussions of everyday life. We notice a decrease in misunderstandings and quieter discussions at home. This can be very rewarding.

LynnWill.2When editing, the challenge of giving up scenes one of us puts time, energy, sweat and blood into may have to be cut. The standard answer for each partner is: “It’s for the good of the story”, or “We want to write a good story, right?” It’s these reminders that help the partnership move forward rather than having arguments about whether or not one scene out of hundreds should stay in.

Our characters sometime remind us to stay on track and they are often more aware of what will make the story great than we are.

Throughout life people see their glass as half empty or half full, depending on the episode of life they are experiencing. But why see it as negative or positive?  Why not look at the journey of each book as being full of rewards and challenges? This process can make the co-writing journey a successful and enjoyable one.

Website:  Janet  Elizabeth Lynn   www.janetlynnauthor.com

Website:  Will Zeilinger  www.willzeilingerauthor.com

About the Authors  

BW Janet Bill 01 (1)Published authors Will Zeilinger and Janet Lynn write individually until they got together and created the Skylar Drake Mystery series. These hard-boiled tales are based in old Hollywood of 1955.  Janet has published seven mystery novels and two short stories. Will has published three novels plus three short stories. Their world travels have sparked several ideas for murder and crime stories. This creative couple is married and live in Southern California.

Slick Deal

 

SLICK DEAL, The fourth Skylar Drake Mystery in the series was released on  April 16, 2018.   And yes…we are still married!

 

 

 

This blog article was posted for Janet and Will by Jackie Houchin.

How To Earn $1 Million on Your First Book… or NOT!

Jackie Houchin

bag of moneyI was going to write this post on “how to make $1 million on your first book” and follow the story of paranormal-romance writer Amanda Hocking who actually sold 1.5 million eBooks in 2010 and made $2.5 million. “All by her lonesome self. Not a single book agent or publishing house or sales force or marketing manager or bookshop anywhere in sight.”

Following tips she’d gleaned from the blog of JA Konrath (an internet self-publishing pioneer, who boasted of making $100,000 in three weeks), she also uploaded to Smashwords to gain access to the Nook, Sony eReader and iBook markets.  “It wasn’t that difficult. A couple of hours of formatting, and it was done.”

Then… she got a $2 million contract from St Martin’s Press and… yada, yada, yada.   Here’sHerStory

Today the self-published book market is flooded with books, and unfortunately a lot of them are inferior in quality in one way or another.  Authors in a rush to publish don’t take time to write a quality story, edit, format, proofread, and design a cover professionally. And less than half of them make even $500.

So what’s a newbie author like me to do?

I’m currently working on a middle grade children’s book manuscript. It is a collection of twelve stories from the POV of seven kids who are the children of Missionaries in Africa. The kids take turns writing emails to their friends back home, telling of adventures, mishaps, mysteries, and lessons learned. In the process they reveal amazing bits of African culture, as well as showing how kids anywhere can use the Bible to help them in life.

Because it is unabashedly a Christian book and might be difficult to market, I decided to self-publish.  I’m also determined to make it the best possible book I can.

Okay. No problem.

I’m a journalist and a reviewer. I’ve written tons of stories for my granddaughters over the years. And these twelve stories have been “kid tested” to more than a dozen children at my church. (They loved them.)

So all I have to do is a minor rework so they fit together smoothly, check for typos and grammar errors, and ask a friend to help me upload it to Kindle and Createspace. Right?

WRONG!

IMG_3243As I began to read blogs about self-publishing and downloaded PDFs like “Checklist for Publishing Your Book” and “Which Format Should I Choose” and followed marketing blogs with tips on using  social media, launching your book, advertising, newsletters, and websites, I discovered there’s a lot more to consider.

How to self publish your bookI bought and read “How to Self Publish Your Book” by Craig Gibb, which details about titles, pen names, and blurbs, as well as editing, cover designs, formatting, promoting and marketing options.

Word by Word Editing“Word by Word, An Editor Guides Writers in the Self-Editing Process” by Linda Taylor describes in detail the process of content and copy editing, proofreading, formatting, and all the front and back matter I would need to write for a complete “up-loadable manuscript package.”

 

My take away, if I am determined enough to do it:

  1. Write/rewrite my stories so they are polished to a mirror shine and have a kid-compelling first chapter.
  2. Get my manuscript professionally edited. (I sent in a sample 750 words to be edited free to one publisher, and was aghast at all the track changes suggested!) A proofreader is also high on my list.
  3. Get professional help in formatting my manuscript for the various eBook and print options. (There are just too many things that can go wrong, and I know from a dear friend on this blog that the learning curve is steep.) This is especially important because I want to include photos or illustrations.
  4. Get a cover designer/illustrator who can format for both eBook and Print, and who can portray the vision I have for the stories.

How much is this going to cost me?  A lot.

Can a middle grade children’s book with a Bible slant recoup that in sales?  Only God knows. I’m really NOT out to earn $millions. Any profit I make will be channeled back into the Africa ministries that I love.

But… I DO have a person who has promised to read the book and write a foreward for it. He’s worked with Wycliffe Bible Translators and travels the world as a Partnership Facilitator. He’s been to Malawi many times.  Who knows where THAT contact might lead.

And YOU might even know a 7-12-year-old who thinks it would be fun to grow up in deepest, darkest Africa!  And want to read my book.

IMG_3208