In Defense of Clichés (and Other ‘Adjusted’ Words)

 by Miko Johnston

william-james-booksellerI frequent a bookshop in a neighboring town that sells books for and about writers, along with writing-related merchandise (if you’ve been to Port Townsend Washington you know which store I mean). They carry postcards and T-shirts with writing slogans like “Avoid Clichés like the Plague”. Cute. Unfortunately, it denigrates clichés. The meaning of the word has been ‘adjusted’, and unfairly so, IMHO.

Hear me out. I’m not endorsing the constant use of ‘isms’ we now label as cliché. But the word has become synonymous with trite, and that’s unfair. While some clichés may be trite, most are merely unoriginal, though with good reason – they’re shorthand for knowledge that’s been established throughout the ages and shown to be generally true.

clicheWhen selectively used, a good cliché expresses wisdom through metaphor. A stitch in time figuratively saves nine. Actions often do speak louder than words. Sometimes it is a dark and stormy night, but since that opening line shows up more in humorous writing nowadays, we expect it to be funny, not dark. Like cliché, the expression’s meaning has been ‘adjusted’.

Not a unique situation in phrases or in words. So many words have been adjusted – either with new meanings added on, or by having their definition abridged to one exclusive meaning. In one of my older posts (see July 17, 2019) I mentioned how Clarity in writing must include weighing a word’s intended meaning against what it’s perceived to mean.

Also consider how even when the word’s meaning should be clear, many don’t understand what the word means. Take secret, for example. It’s supposed to mean confidential, not to be disclosed, but too many people seem to be unaware of that, otherwise they wouldn’t try to get you to reveal a secret. Isn’t the very meaning of that word to withhold information based on a vow?

Or take the word average. It’s a mathematical term, meant to express the value of a group of data by adding it up and dividing it by the total of their number, yet it’s taken on social connotations. We hear the expression, the average person, or man, or woman, and wonder what that could be. We equate average with falling straight down the middle of a ranking system, not being good or bad, not taking sides. Somehow average has become something to avoid, either as a person or as an opinion. And don’t get me started on how compromise has become synonymous with cowardice.

How about proud? According to my dictionary the noun proud means: feeling deep pleasure or satisfaction as a result of one’s own achievements, qualities, or possessions, or those of someone with whom one is closely associated. Have you heard anyone say they were proud of themselves, even without accomplishing an achievement (which I believe includes making the attempt, working hard and doing your best)? Or proud of a celebrity whom they’ve never met?

As a writer, knowing words – their meaning, and using them in the proper context to express thoughts – has become more challenging as the meaning of words have become ‘adjusted’. Have you noticed this trend? How have you ‘adjusted’ to it?

 

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Miko Johnston is the author of the A Petal In The Wind Series, available through Amazon and Barnes and Noble. Miko lives on Whidbey Island in Washington. Contact her at mikojohnstonauthor@gmail.com

 

 

This article was posted for Miko Johnston by Jackie Houchin

M.M. Gornell: One Of Our Own!

by Jill Amadio

madelineI had the pleasure of getting to know one of our Writers in Residence bloggers, M.M. Gornell, more in depth last month and decided to write up my talk with her for the monthly column I write for a UK magazine called Mystery People.

I thought you might like to know what I discovered about Madeline so herewith is the story. The magazine included a photo of her and one of her book covers.

***

U.S. Route 66

“The United States is such a whacking great country it encompasses every type of climate and terrain from deserts to glaciers, providing settings for crime writers in sand, mountains, seas, and snow.

Officially founded in 1776 and with archaeologists discovering tribes who lived here as long ago as seven millennia, America’s history of pioneers, gold miners, railway barons, and migrants continue to capture the imagination of writers. The push West from the East coast, where 100 or so Puritans from England disembarked from the Mayflower in 1620, has inspired books, movies, poetry, and songs, and created myths and legends.

How did these brave souls travel across the vast, undeveloped country?  One answer: Route 66.

route-66-2264400__340One of the most famous, nostalgic, fascinating and historic highways that wagon trains of homesteaders traveled, along with migrants seeking fortunes in gold mines, land, and new opportunities, U.S. Route 66 was originally a 2,500-mile dirt trail that ran from Chicago, Illinois to Santa Monica, California. It was eventually smothered in asphalt and became known as the Mother Road, and the Main Street of America, passing through a total of seven states.

John Steinbeck memorialized Route 66 in his masterpiece, THE GRAPES OF WRATH, in which he described sharecroppers’ gritty hardships and hopes. It is said that there was no symbol more loaded with meaning in Steinbeck’s novel than Route 66.

Many over the years have jumped on the bandwagon (forgive the pun) from the Rolling Stones, the Shakers, and other British bands who wrote hits about Route 66. Currently the BBC is preparing to launch another “The Hairy Bikers” show starring the popular cooks who will be riding their motorbikes along the renowned U.S. highway; no doubt pausing at the famed old diners along the way.

Crime writer M.M. Gornell

One author who actually lives smack on Route 66 in a small community called Newberry Springs in the western Mojave Desert is crime writer M.M. Gornell, Madeline to her friends. A typical oasis in the desert, the small town’s surrounding area boasts man-made lakes, farms, and ranches, and is about 100 miles south of Death Valley.

perfectAlthough her former residences have included other towns and the Sierra Nevada with its rich palette of Red Rock Canyon (the setting for her thriller, DEATH OF A PERFECT MAN), Madeline’s move to Newberry Springs inspired her to set the majority of her eight crime novels, including two series, along the famed highway. “For me, setting definitely comes first, then the story,” she said.

“Through some serendipitous miracle, probably springing from tiredness, the cost, and most importantly the feel of the place, we ended up in Newberry Springs. I come from Chicago, where Route 66 starts, and now I live at the end of it in California. I’m nowhere near to being an expert on the Road, not like real ‘roadies,’ and I’ve never driven the entire route, but in my mind, heart, and emotions the act of crossing this vast country has taken hold of my mind as a symbol for the hardiness and determination of the people who took it on, especially in those early days.”

As it proved for Steinbeck, Madeline said the name itself – Route 66 – is a pretty awesome beacon, leading the way in her writing adventures. “It is a constant writing inspiration.”

The multi-award-winning author’s first published work, including an Honorary Mention at the London Book Festival, was a short story in Alfred Hitchcock Magazine, which led to her debut crime novel, UNCLE SI’S SECRET. “It’s set in the majestic Cascade Mountain range where the seas of evergreen forests and the seemingly boundless waterways all combined to send my creative juices continually a-whirring”.

California and Route 66 beckoned…

liesBut California and Route 66 beckoned in the 1990s, due to mental pictures and expectations she had of the Mother Road twenty years earlier. It was not as easy as she had imagined, but new settings presented themselves and the majestic Sierra Nevada Mountains provided magnificent, magical scenery, inspiring her “Raven” mystery series, then LIES OF CONVENIENCE, and more recently her “Rhodes” mystery series.

dead.route-66-1238115__340Although the romance of the route was a fixed American landmark, it was soon bypassed by the new Interstate Highway System which either paralleled it, resurfaced portions, or went elsewhere, leaving Route 66 abandoned and lined with ghost gas stations and tiny deserted communities. Eventually, it was officially designated as “ceasing to exist.” But you can’t keep an icon like the Mother Road down. It was rediscovered by musicians, hippies, artists, movie makers, and writers.

Madeline is an avid fan of British novelists P.D. James, Ngaio Marsh, Margery Allingham, Marion Chesney, and others of the Golden Age.  She is published by Aberdeen Bay which describes her books as literary mysteries. “My intent is usually to write a murder mystery but they’ve all somehow gotten out of hand and ended up more what I call ‘character studies’.

Why ravens?

r.ravensAsked if any of her life experiences have crept into her stories, and what exactly was her attractions to ravens, Madeline responds with a smile. Those two things fit together in perfect harmony.

c.ravens“Ravens are indeed a prime example of life experiences creeping into my story-lines, even into the titles, RETICENCE OF RAVENS  and COUNSEL OF RAVENS. 

The ravens love our backyard, most likely because of the bird seed we set out. They seem to be intelligent and even fanciful. For reasons I can’t articulate, ravens seem rather mystical and mysterious. My writing mind went on from there.

“None of my stories carry “messages” but occasionally it can happen, especially after I select a title, and especially with the Rhodes series. I regard the Mojave and Route 66 as a sanctuary where no-longer-needed pasts are blown away in the dust.”

Like many authors, Madeline chafes at having to spend time promoting and publicizing her mysteries. But she enjoys talking to people in person where she can present them with bookmarks or even a few small samples of the stoneware pottery she creates when not writing.  She attends a few writers conferences and loves England but her favorite celebration is the annual Newberry Springs Pistachio Festival on Route 66. It attracts many Europeans, as well as locals, who are “doing the Route” and exploring its ramshackle old cafes, rental cabins, and trading posts.

It is a sure bet author M.M. Gornell will never run out of inspiration for her mysteries thanks to her choosing to live along this fixture of historic and popular culture.

***

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M.M. GORNELL

Madeline (M.M.) Gornell is the author of six award-winning mystery novels. Her current literary focus is Route 66 as it traverses California’s Mojave Desert. Madeline is a lifetime lover of mysteries, and besides reading and writing, is also a potter. She lives with her husband and assorted canines in the High Desert. Visit her Her Amazon Page

 

sign.route-66-868967__340

 

 

This article was posted for Jill Amadio by Jackie Houchin

 

 

Metaphorical Tapestries…

 

My post today is about “depth and richness.” [i] And as usual, the road winding roadgetting here is twisting and curving. This particular writing thought path started for me this last August, with a Jackie Zortman post on her blog, Jackie’s Mountain Memos. It is the most lovely post, and the link is provided below[ii]. Besides Jackie sharing her past memories and her present day touchstone to her family, there are several lovely oil lamps pictured in “This Little Light of Mine.” I’ve collected a couple lamps myself from antique stores, and I find the unknown memories and possible past family events associated with the lamps, intriguing and compelling when it comes to story-imaginings.

Then recently at a High Desert Book Festival discussion on what inspires authors to write about the desert, I talked about those courageous and tough individuals that came before us, how tough it must have been, and how lucky we are to have benefited from their pioneering efforts. (Such as in my current Rhodes series.)

Then from another direction,[iii]—there are past discussion I’d read orrug participated in—on whether pottery was Art versus craft. I always sided with art, and now as I move more down my writing road, once again I’m siding with art. So, how can we  make our writing-tapestry[iv], more alive, more colorful, and more textured?  More artful? Fancy flowery talk I know—but at the core, I think, a true and solid goal.

In a nutshell, the key here for me is how the past is influencing, determining, and controlling how our characters are experiencing their present. And on all levels, physically, emotionally, and proactively even–such as in determining what they do in the action part of our story. Indeed, I very much think our metaphorical writing tapestries then become more colorful, more textured–more a work of art.

In my reading, I love it when the author brings the past into a current story; which for me, not only brings an emotional touch of nostalgia to the tale, but also a richness to the current world happenings–as they are layered upon past events–and the contrasts between those two worlds. The past is no longer just background for what’s about to happen—but key to understanding current world character’s thoughts, emotions, and motivations. Why the heck they’re doing what they’re doing.

My bottom line point is, past events need to come through on a personal level through our characters eyes and heart. Not cardboard characters with simply narrative pasts, but living, breathing pasts that are part of their being, and make them full-flushed-alive as they experience their present. I know, I’m talking about characters as if they are actually alive. They are, aren’t they?

Happy writing trails.


[i] From Webster online–Tapestry: A piece of thick textile fabric with pictures or designs formed by weaving colored weft threads or by embroidering on canvas, used as a wall hanging or furniture covering. Used in reference to an intricate or complex combination of things or sequence of events.

[ii] https://jtzortman.wordpress.com/2019/08/25/this-little-light-of-mine/

[iii] Trying to figure out if and how to get back into pottery.

[iv] I know the picture is not a tapestry, but a rug–but it is the closest visual I have.

NaNoWriMo – No Never! or You Bet!

by Jackie Houchin

NaNo_2019_-_Poster_DesignNa-

NaNoWriMo is short for National Novel Writing Month. You knew that, right?  But did you know that it is the largest writing event in the world?  More than 300,000 writers sign up each November for a “simple but audacious” challenge: Write 50,000 words of a novel in a month. In the twenty years of NaNoWriMo, approximately 3 million writers have taken that challenge, including many bestselling authors.

Fifty thousand words in a month means 1,667 words per day. Doesn’t sound too hard, right?  Maybe an hour and a half at the keyboard? Two at most? A mere sliver out of your day.  HA!

I’ve entered NaNoWriMo five times since 2004 and it IS a heck of a lot of writing time; my bottom got numb, my fingers stiff, everything around me was out of my mind except “The Story.”  Sadly, I only completed the challenge once with my novel “Sister Secrets.” The novel was only 2/3 done at 50,000 words, but I never finished it (let alone edited it). It sits in a dusty file in my computer. (sigh)

So, if you plan to write the 50K words in a month, you’d better allow yourself a bit more time. Many NaNo veterans suggest bumping that word count up on the weekdays, in case your weekends get crazy. And remember, in the US, we have the Thanksgiving Holiday in November. (Eek! Can Aunt Sally do the turkey this year??)

Speaking of word count, why 50K? The staff of NaNo believe that this number is challenging, but doable, even for people with full-time jobs and children. It is definitely long enough to be called a novel. That’s about the length of F. Scott Fitzgerald’s The Great Gatsby.

-No-

A NaNo novel is defined as “a lengthy work of fiction.” Any genre of novel is okay.

Nonfiction, memoir, biography, essay, unrelated short stories, music, etc. do not qualify. But, if you want to write 50,000 words in any of those categories, there is a special group for you – NaNoRebels. Join that forum and you can chat with your fellow outlaws. You can also use the NaNo site to upload your 50K words and validate your work.

Here’s how one “rebel” couple did it:  Nanotunes-NaNoWriMo-NaNoMusicals

NaNo never questions a manuscript. “This is a self-challenge” say the moderators. “The real prize is accomplishment and a big new manuscript you have at the end. Everything beyond that is icing on the cake.”

-Wri-

There are only a few rules.

  1. Write a 50,000 word (or longer) novel, between November 1st and 30th.
  2. Only count words written during November. None of your previously written prose can be included (although outlines, character sketches, and research are all fine). If you choose to continue a previous work, ONLY count the words you write during November.
  3. Be the sole author.
  4. Upload your novel for word-count to our site during the winning period.
  5. Write more than one word repeated 50,000 times.

NaNoWRQI Mo tumblr_pynwv9HiLJ1qd8ab4o2_640“Traditionally, NaNoWriMo works best when you start a brand-new project. It may be an arbitrary distinction, but we’ve seen that novelists do better (and have more fun) when they’re free from the constraints of existing manuscripts. Give yourself the gift of a clean slate!

“That said, we welcome all writers at any stage. Outlines, character sketches, and other planning steps are encouraged, and you’re welcome to continue an old project. Just be sure to only count words written during November toward your goal.”

-Mo

So you decide to accept the month-long challenge, what kind of preparation can/should you do before NaNo begins?  Anything, from a vague idea of your story to one of the detailed outline structures found in the following blog sites.

 NaNoWriMo 6-week Prep.

  • Develop a story idea – September 9-13
  • Create Complex Characters – September 16-20
  • Construct a detailed plot or outline – September 23-27
  • Build a strong world – September 30-October 4
  • Organize your LIFE for writing – October 7-11
  • Find and manage your time – October 14-18

Writers Write – Countdown to NaNoWriMo 1 month Prep.

  • Week One – 1-8 October – Decide on your story idea, protagonist & antagonist, their names, the setting
  • Week Two – 9-16 October – Work out your plot. Give your novel title.
  • Week Three – 17-23 October – Flesh out your characters.
  • Week Four – 24-31 October – Create a timeline. Write a LIST of 60 scenes and sequels that you will include in your novel.

Angel Leigh McCoy on  AngelMcCoyBlog recommends the Milanote.com: “How to start your novel: 5 critical questions you must answer first” article. How to start a Novel

  • The Premise – In 20 words or less, what is this novel about at its core?
  • The Stakes – If the story ended in tragedy, what would that look like?
  • The Core Conflict – What are the opposing sides?
  • The Resolution – How does the core conflict resolve?
  • The Lesson – What is the moral of your story?

There are many more places you can Google to get a head start if you plan to join NaNoWriMo this year.  I know it’s late for most of the above now, but you can do a crash course over an upcoming weekend, or lay out a simple outline to show you a direction.

NOTE: Be sure to check out the blogs above, especially Writers Write which is packed full of writing advice. The daily blog also offers writing tips, writing comics, writing quotes, and writing prompts. They have a monthly Short Story Challenge. And they offer seven extensive online writing courses (fee).  

Speaking of costs, all of NaNoWriMo’s programs (including Camp NaNoWriMo and the Young Writers Program) are FREE.  They run on donations. (tax-deductible) Whether you are writing or not, you can donate here  NaNoWriMo – Donations

You bet!

Yes, I signed up this year. But 50K words? Probably not. But if I get 5K words and finish my children’s mystery “The Bible Thief,” I will jump for joy!

 

Give me a Na!

Give me a No!

Give me a Wri!

Give me a Mo!

Na-No-Wri-Mo!

Hooray!

My Declaration of Accountability

 

NOTE: The links to NaNoWriMo may be a little slow loading right now. They changed their hosting company (Yeah I know, dumb time, right?) but they promise all will be up to snuff in the next week or so.

 

 

Polishing the Gem

Jewel 6by Gayle Bartos-Pool

Part Five – Finding the Right Word

 

Stephen King said “Any word you have to hunt for in a Thesaurus is the wrong word.”

I beg to differ, Mr. King. Here’s why. If I have used the same word ad nauseam in several close paragraphs, I just gotta find another word. Your computer writing software usually has a few suggestions when you Right Click on Synonyms. And I have a really nice Thesaurus that I will turn to if the computer doesn’t come through.

But, come on, guys. We’re writers, authors, novelists, playwrights, wordsmiths for crying out loud. Words are our life. Personally, I like adding a few new words to my vocabulary every so often. And I definitely want to use some fresh, innovative, new-fangled words when writing just to shake things up a bit.

I’ll stumble over a boring, colorless, lackluster word when doing one of the many edits I complete before sending out a book for publication. The troublesome word will be sitting there like a wilted piece of lettuce, limp and begging to be tossed into the garbage…. (And, yes, I did use the Thesaurus on a few of the words in this recent paragraph just to make the point.)

So why not use the sources available and pick another word so you don’t sound tedious, uninteresting or just plain _____________. (You fill in the blank.)

 

Jewel 7Polishing the Gem

Part SixPicky Picky

 

Last, but not least, be picky about your work. Agonize over a word or sentence or paragraph until you think (or even feel) that it’s the right choice. Feeling’s okay, too. Your name is going to be on the work, so why not do your best?

Something I have mentioned before might be of help when doing that last slog through those thousands of words you have put on paper. Ask yourself three things:

 

Does it Advance the story?

Does it Enhance the story?

Is it Redundant?

 

These questions make you re-think aspects of your work. If you have a long section of dialogue that doesn’t add anything to the plot and it doesn’t get your characters any closer to their goals, cut it or rework it.

Idle chatter between characters about the weather or their latest boyfriend over tea or yet another lunch at the local tearoom can become stale especially if the weather doesn’t change, no storm is brewing, and the boyfriend’s body isn’t buried in their backyard. Make sure most of what your characters talk about actually has something to do with the story.

As for enhancing the plot or even who your characters are, take note: If a long section of great descriptive passages doesn’t set the stage, but rather clutters it up, trim it or make sure you don’t keep piling on more and more of the same thing every few pages. You might like all your great descriptions of period furniture or sweeping landscapes, but after a while it stops the action. When it’s done well, it is a joy. Too much detail starts sounding like a boring college lecture course. You know, the class you fell asleep in when the teacher droned on for an hour about one more Roman army siege of yet another small village in ZZZZZZZZZ.

Wake up!

Here’s another point: Enhancing your characters personality or description or painting a beautiful picture of the scenery in your story is great as long as you don’t keep putting too much makeup on the characters or clutter the scenery with too many trees so you can’t see the forest. You want a stunning image, not layers of paint.

As for the redundancy part, during your final read-through as you are editing your work, check to see if you have said the same thing twice. During your final read-through as you are editing your work, check to see if you have said the same thing twice. (See how redundancy gets to be a problem? That sentence was in there twice.) Whether you repeat yourself in the same paragraph or page or chapter or throughout the book, it gets old and your reader will think you are either padding your word count or not paying attention.

As you polish your gem, remember another thing: if you file off the rough edges, sharpen the angles, and buff out the dull areas, the reader will come back for more. Everybody admires a beautiful jewel. Write On!  (And Read On Below)

Jewel 8

Let me add one more little tidbit. Several years ago I published The Anatomy of a Short Story Workbook. It was to accompany a class I taught by the same name. It is a quick reference to writers as to how to get those few chosen words on a page in a short story as well as a novel, screenplay, or even an article you might be writing. As a member of The Writers-in-Residence group, I have also written many blogs on the art of writing. Many times I just expanded on the points I made in the Anatomy book. Recently I compiled those many blogs into a new book: So You Want to be a Writer. It gives some history to my own career and some expanded thoughts on writing. You might find it helpful in your writing journey.

So You Want to be a Writer Amazon cover 2  anatomy-book-cover

Clothes Make the Character

By guest author,  Sally Carpenter

If you saw a stranger walking down the street, what can you tell from her clothes? Sherlock Holmes could determine the social standing, wealth, occupation, education and gender of persons by their clothes.

Authors use to spend much time in describing their characters’ garments, sometimes to a fault. Without TV or film, writers felt they needed many words to help readers depict the characters in their minds.

In the story “A Scandal in Bohemia,” Arthur Conan Doyle writes: “His dress was rich with a richness which would, in England, be looked upon as akin to bad taste. Heavy bands of astrakhan were slashed across the sleeves and fronts of his double-breasted coat, while the deep blue cloak which was thrown over his shoulders was lined with flame-colored silk and secured at the neck with a brooch which consisted of a single flaming beryl. Boots which extended halfway up to his calves, and which were trimmed at the tops with rich brown fur, completed the impression of barbaric opulence . . .” Sensory overload!

Nowadays writers limit their characters’ physical description, because readers often skip over lengthy sketches to get to the action, and also to encouraging readers to imagine their own selves in the story.

Nancy Ddrew 2The only physical description we have of Nancy Drew is her “titian hair” and “blue eyes.” However, we hear a lot about her chic wardrobe and apparently endless clothes closet. Beyond her stylish threads, Nancy often dresses in costumes and old garments found in attic trunks. When the books were originally released in the 1930s, low-income readers could imagine  wearing Nancy’s pretty outfits for themselves.

Cozy mysteries continue the trend of “less is more.” Clothes are mentioned briefly, if at all. With the modern heroine’s casual lifestyle, her wardrobe consists of tee-shirts, sweats and jeans. Readers want a quick and easy read without wading through mounds of description.

But when I started writing my Psychedelic Spy retro-cozy series, clothing was crucial.

Flower_Power_Fatality_jpg (1) (1)The books are set in 1967, an era of vibrant and varied clothes. Poodle skirts and bobby socks gave way to miniskirts and pillbox hats. East Indian garments were in style. The “British invasion” of roc

 

k music also brought English designers such as Mary Quant. African Americans adopted styles that expressed their ethnicity. The hippies had their own unique forms of dress.

Clothing of the 1960s differs so much from today’s styles that I had to describe nearly everything that people wore. I tried to keep such explanations to a minimum, yet the clothes were essential to place the reader into the era.

My protagonist, Noelle McNabb, is single and 25 years old. She apparently spends most of her income on clothes. In the first book, “Flower Power Fatality,” Noelle wears 14 different outfits! And her clothes are new, many purchased at the big city mall. She talks about how she loves shopping and checking out the latest fashions.

In finding clothes for Noelle, I’ve used a few costumes that I’ve seen in 1960s TV shows. I also have a great reference book, “Fashionable Clothing from the Sears catalogs: Mid 1960s.” The book has actual photos (and prices) from the era’s Sears mail order catalogs. I’d love to see those clothes come back into style, as they’re more beautiful and feminine than the women’s tee-shirts and leggings sold today.

Clothes also express the generation gap. When Noelle wears a miniskirt to church, her mother complains that the dress is too short. Mom is clad old, fussy dresses with below-the-knee skirts. Mom wears stockings and garter belts; Noelle is in pantyhose and colored tights.

In the 1960s, women wore dresses more frequently than today. I put Noelle in dresses most of the time. Even when she wears pants at her record store job, she’s in nice slacks and pant suits. The only time she’s in dungarees is when lounging around home.

Jeans are reserved for my “bad boy” characters, a group of young males who spend their time racing their choppers, shooting craps and smoking Marlboro cigarettes. In the mid 1960s denim was only slowing becoming acceptable as a fashion choice.

afro in orangeDestiny King is an African American agent who takes Noelle on her spy missions. Destiny sports a trimmed Afro and frequently wears jumpsuits. Her clothes are functional in more ways than one way. For example, she has a pair of earrings that are really plastic explosives.

My hippie couple, Rambler and Moonbaby, are the most fun to cloth. Hippies wore an eclectic style, often put together from castaways and thrift store finds. Styles, patterns and colors did not need to match. One useful reference book is “The Hippie Handbook” by Chelsea Cain, which has a chapter on “How to Dress Like a Hippie” and information on making skirts out of old jeans and how to tie-dye a shirt.

Trevor Spellman is a newspaper reporter on the prowl for a big scoop. He rebels against the small-town norms by wearing his hair long—below his ears—and he never puts on a tie. In the 1960s the collarless shirt became appropriate for formal/dress wear.

The clothing of Mr. Baldwin, the audio-visual technician at the high school, describes him well: white shirts, skinny dark ties, dark pants, plastic-rim glasses and a “dorky haircut.” Did “geek” and “nerd” pop into your head?

What the retired Army colonel wears also paints a picture. He’s in an Army bomber jacket over a khaki shirt. “His voice was as crisp and sharp as the creases pressed into his khaki pants.” Even in retirement he runs his life with military precision.

Clothes can describe a character more efficiently than a long list of traits, helping a reader to visualize a person more so that relying on the reader’s imagination alone.

###

 

NEW Carpenter photoSally Carpenter is native Hoosier living in southern California.  She has a master’s degree in theater, a Master of Divinity and a black belt in tae kwon do.

Her Sandy Fairfax Teen Idol books are: The Baffled Beatlemaniac Caper (2012 Eureka! Award finalist), The Sinister Sitcom Caper, The Cunning Cruise Ship Caper and The Quirky Quiz Show Caper.

Her Psychedelic Spy series has Flower Power Fatality and the upcoming Hippie Haven Homicide (2020).  Sally has stories in three anthologies and a chapter in the group mystery Chasing the Codex.

She’s a member of Sisters in Crime/Los Angeles. Reach her her at Facebook or  http://sandyfairfaxauthor.com or scwriter@earthlink.net.

 

This article was posted for Sally Carpenter by Jackie Houchin

 

Deadlines–The Good, the Bad and… any Ugly?

By Linda O. Johnston

 

calendar and writingI’m a writer.

Writers have deadlines.

If we’re traditionally published, they’re set by the publisher, with our agreement.  If we’re self published, they’re largely set by ourselves.

I’ve been doing this for a while and generally consider deadlines my friends.  They certainly keep me moving.

Recently I’ve been under deadlines for four Harlequin Romantic Suspense novels.  I met the first two with no problem, but I’d agreed to the third being shorter than usual thinking I could meet it anyway–but I had to ask for an extension.

I just turned in that manuscript.

DEADLINE1Now I’m working on the fourth of those books. I’m first doing a synopsis and three chapters to turn in, then finishing the rest of the manuscript.  I have a few months, so I should be fine. But right now I’m looking at all the weekend events, panels and more, that I’ve agreed to in the near future. Then there will be a visit from some dear family members that will probably use up a week. And an annual trip that has been extended to see those family members at their home. So… well, I’m worried about meeting that deadline.

After I do?  Well, I’m not sure what I’m writing next.  I’m hoping to do more mysteries, but I’m not under any contracts.  And I’d enjoy writing more romantic suspense books as well.

But after that deadline is over, I have some trips planned, so I’ll have to be careful.

Okay, I’m not the only one with deadlines. And I had all kinds of other deadlines when I was also a practicing attorney. Nearly everyone has deadlines in their lives. Do you? Writing deadlines? Work deadlines? Family deadlines?

calendar for deadlineYes, deadlines are a part of life.

What do you think of the ones in your life? Do you face them down and stare at them and meet them? Or do you cringe when you think of them?

Or do you want more of them, as I do?

 

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lindaphotoLinda O. Johnston, a former lawyer who is now a full-time writer, currently writes two mystery series for Midnight Ink involving dogs: the Barkery and Biscuits Mysteries, and the Superstition Mysteries.  She has also written the Pet Rescue Mystery Series, a spinoff from her Kendra Ballantyne, Pet-Sitter mysteries for Berkley Prime Crime and also currently writes for Harlequin Romantic Suspense as well as the Alpha Force paranormal romance miniseries about shapeshifters for Harlequin Nocturne.

 

 

This article was posted for Linda O. Johnston by Jackie Houchin