IT’S A SMALL WORLD – OR IS IT…?

 

By Rosemary Lord

Did you notice how small our world became during the Covid-19 lock-down?

For those of us in California it’s been over eighteen months of confinement, and it’s not over yet. We were prohibited from travelling, other than for emergency/essential needs. We were discouraged from meeting anyone, other than those we lived with. For those of us who live alone – too bad!  In case we caught or spread the Dreaded Disease. 

Our in-person Writers’ Conferences were cancelled. First the Left Coast Crime Conference in San Diego was cancelled March 2020, just after I’d checked in!

Even last month’s ‘Blood on the Bayou’ Bouchercon Writers’ Conference in New Orleans, was cancelled at the last minute.

Our hardworking conference organizers must have wept as years of planning were wiped away. But you can’t keep writers down for long. We always find a way… They came up with various creative online offerings.

There was no travelling to meet other writers or to research places for our stories. We stayed home, becoming ‘shut-ins,’ locked in our own little castles – be it one room or a whole rambling house. We were still ‘confined to barracks.’ We didn’t drive – there was nowhere to go. People had everything delivered. (Cardboard box-makers must be making a fortune!)

Lives the world over changed. We became resourceful. We helped relatives, friends and neighbors. We re-evaluated our world. But the fear the Media shared, became pervasive. It was – and still is – difficult to escape.

But, as writers, we had our own escape – into our  private, isolated writing world. Some writers flourished, with no distractions, completing novels, articles, scripts – all sorts. Other writers struggled, unable to concentrate. I wrote some, but not as much as I wanted.

I read a lot more. Most of us did. Unable to get the creative juices flowing and seeking diversion, I found something quick and easy, re-reading  “Eats, shoots and leaves” – which I’ve written about before. It’s Lynn Truss’s witty book on sloppy punctuation. It still made me laugh. Just what I needed. Lynn Truss bemoaned the fate of proper punctuation, claiming that it was an endangered species, due to low standards on the internet, email communication and “txt msgs”  She explained, “Eats shoots and leaves” is a joke about pandas. They eat (bamboo) shoots and leaves – and not, by the simple addition of an errant comma, a comment about a violent criminal act. (Although pandas can give a very nasty bite.)

Then there’s Michael Caine’s interpretation of a line in a script that read,  “What’s that in the road ahead?” By adding a simple dash, Caine had his fellow actors in fits of laughter when he announced: “What’s that in the road – a head?”

Or the Australian take on bad punctuation, taught in schools as a way of making students remember the grammatical rules: “Let’s eat Grandpa,” sends Aussie kids into helpless giggles with such a picture. But it’s not a cannibalistic suggestion, merely the absence of a comma in a sentence that should read:  “Let’s eat, Grandpa.”  That’s why Eats, Shoots and Leaves became so popular, reminding us of school lessons that seem to have vanished in today’s hurried world.

So, my lock-down reading provided some laughs, and I learned a lot of new things. (Just don’t get me started on Social Media for Dummies, or U-Tube attempts to teach me ‘techie’ things with my computer or Social Media. Urgghh!)

But at least I discovered a terrific search engine: DuckDuckGo – where you don’t get followed by advertisements and constantly besieged by sales pitches for something you were looking up. 

My reading veered from my usual research about Old Hollywood, to total escapism. Mysteries in far off places: Peter Mayle’s The Marseille Caper, Victoria Hislop’s The Island and Rosanna Ley’s The Saffron Trail – to name just three. Clearly a theme here: my yearning to travel again!

Unless you’re half of a writing partnership – we write alone. Although, when I’m immersed in my writing, I’m enjoying a world with all sorts of characters – so I don’t feel alone. Our writing community is filled with a smart, imaginative assortment of writers. But this long, lock-down was different.  And as much as we did Zoom Meetings, phone-calls and Webinars, we missed that personal interaction, spontaneity, the regular Coffee Shop meetings sharing our latest pages and new ideas. We missed meeting friends – especially the hugs. Waving at the end of a Zoom meeting is not the same.

So now, as we venture out again, we are cautious. Driving any distance, after eighteen months of only running local errands, was most disconcerting. The intrepid journey on not just one, but three, freeways, took me back to learning to drive when I was seventeen – in a clunky old Morris that would not go much faster than thirty miles an hour. I was right back there on that quiet English road, holding my breath until I reached my destination. I found going to a shopping center almost overwhelming. Where did all these people come from? I’d got used to the quiet isolation of my apartment building. But I wasn’t alone. We had stopped interacting with each other. Stopped those lovely unexpected meetings of friends and acquaintances we bumped into on the street. We’d not been out on the street for eighteen months.

 But I discovered that friends and family were going through the same thing. The enforced isolation was more difficult than many of us realized. Not wanting to make light of kidnap victim’s suffering – but many people appear to be suffering from a form of Stockholm Syndrome.

We’d learned to keep ourselves ‘safe.’  Our world had become so small. Walking out again into the big, brash, noisy world was scary. It was tempting to run back inside and close the door. But, adventurers at heart, we writers have stepped back into the fray. Into that great big, bright, scary world again, that’s just waiting for our participation and our imagination. Hey, World, we’re back!

 

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Photo by Clay Banks on Unsplash

Why Aren’t You Writing?

By Miko Johnston

It’s a valid question. Maybe a few of you can’t think of an idea, but I’m willing to bet that you’re in the minority. In most cases we have an overabundance of ideas and at least one work in progress, if not more. Why are we having so much trouble writing? In a word:

PROCRASTINATION

Okay, we can admit it. We do procrastinate. Why? There are many reasons why, and they’re tied to different types of procrastination.

A dear friend and fine writer often wore a sweatshirt that said, EASILY DISTRACTED BY BRIGHT SHINY OBJECTS. This describes procrastinators who get sidetracked by other projects. Often they take on more than they can handle, or they get diverted by the next big thing. The only cure is to acknowledge writing is important enough to do. Focus on what’s in front of you for a set amount of time and literally time yourself.

Do you suffer from perfectionism syndrome? If you have a deadline and still can’t make progress, this may be why. If we can’t get it right, we don’t want to commit to working on our projects. I have a suggestion: GET OVER IT. You can argue about whether there’s crying in baseball, but there is no perfection in writing. Commit to doing the best that you can, then review it and make it better.

Sometimes I open a work-in-progress document and stare at the last bit I wrote, wondering where to go next. Then I close it because I can’t think of anything. Does this happen to you?

Try creating a separate ‘work’ sheet, copy the last paragraphs you’ve written onto it and then…just write. Don’t concern yourself with anything other than getting words down on the page. This technique opens the door to creativity; once your mind is free to explore ideas without judgement, the ideas will flow. Write until you come to a natural concluding point, then read back what you’ve written. I guarantee that most times you’ll find something useful for some part of the story, and sometimes you’ll get what you need. If the block occurs at a point where the story is still open-ended, your ideas may give you some direction to move forward, or warn you, “don’t go there”. If you’re trying to connect your scene with an approaching plot point, try the bridge technique I explained in an earlier post .

Easier said than done, you say? True. But I’m guessing that none of you became writers because you expected to become rich, famous, younger and more beautiful. You did it because you had a passion to write, or a story to tell, or characters whom you’ve created who deserve to live. The world is not an easy place right now; has it ever been? We need your stories out there, whether to entertain or to educate, distract us from our problems or understand them better. Or all of the above. So please sit down, take out your computer, or notebook, or whatever you use to write, and WRITE!.

And why not begin by commenting on this post – do you procrastinate, and if so, how do you get past it?

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Miko Johnston, a founding member of The Writers in Residence, is the author of the historical fiction saga A Petal In The Wind, as well as a contributor to anthologies, including LAst Exit to Murder. She has recently completed the fourth novel in her series. Miko lives in Whidbey Island in Washington (the big one) with her rocket scientist husband. Contact her at mikojohnstonauthor@gmail.com

A Novel Based on a Terrifying 9/11 True Story

by Jill Amadio

The big “What if…” offers writers a limitless world of characters, plots, settings, and time frames, a chance to change history, to bend it a little. What if Henry VIII died at birth? What if General William Sherman never undertook his famous March to the Sea? Shakespeare would have been deprived of many of the plots for his plays and Scarlett O’Hara would have had no reason to be created.

The good news is, much of our past provides those who write historical fiction with stepping off points for their novels, with real characters who resound throughout the ages but can be given sham qualities they never possessed in real life.

Yet, how much twisting of the truth do these books require to suit the author’s fictional story? Is it a dilemma, a difficult choice, or a decision to blithely rewrite history? As for those writing non-fiction, do the same criteria apply?

The case of James Frey comes to mind as I mention it in my new novel that is – surprise! – based on a true story. Frey’s memoir, “a Million Little Pieces,” was revealed as fake although he was reported to have asked his publisher to release the book as a novel. However, Random House decided sales would be greater as a true story. To his credit Frey admitted he fabricated and exaggerated parts of the book.

Which brings me to a personal point regarding fiction, non-fiction, and writing the truth. A few months after September 11, 2001 I was approached by a young woman who said she had been married to one of the hijackers. She wished to tell her story.  As a ghostwriter I published several memoirs, biographies, and autobiographies under my clients’ names.

Long story short, I wrote the book for her. Then I printed it out and slipped it into a drawer. I didn’t look at it either in hard copy or digital form but kept the document on my laptop and on a thumb drive during all the years since.

The pandemic, forcing writers into greater isolation than usual, and for more than a year, has changed our way of life, and in my case, shredded any writerly income I was making as a hired hand. During those 13 months I thought about books I’d written and set aside, and decided to take a second look at the 9/11 story.

For several reasons I decided to turn the true story into as a novel. Luckily, I had retained all the documents including the marriage certificate, divorce decree, photos of her with the Said Arabian she married at 17 years old, and cassette recordings of her and her family. I also had written a 40-paqge non-fiction book proposal which resulted in my being signed up by a top New York literary agent. It was 13 months after the 9/11 attacks. However, the upshot was that no publisher would touch it.  The agent suggested they were afraid of reprisals because the book provides a rare, under-the-radar- glimpse into the terrorists’ personal lives in America, their loves of strip clubs and pizza, for instance, and the kinds of activities that should have served as red flags to law enforcement agencies.

Turning the non-fiction story into fiction was easy. I had all the background I needed both on tape, with photos,  and in documents. With Frey’s experience in mind I was careful to stick to the truth to back everything up but as the book was fiction, who would worry about its origin? The subtitle clearly states that the book is based on a true story.

Over the past two weeks I have received glowing reviews, all 5-star to date, and my dear neighbor, a retired CEO of a large company who writes a newsletter, said he’d be happy to give it some space. He added as an afterthought that would have to write the word “true” in quotes. He did not believe any of it happened, that it was too far-fetched. At first I remonstrated, then told him I really didn’t care if he believed it or not. I knew the truth.

Which brings me back to the point of this post: authors taking actual history, or history as reported, and subverting it to their own ends to make a book more interesting as some of our greatest writers have done. Is there a lesson here? Will youngsters believe the fiction or the real truth?

 

 

 

 

 

Betwixt and Between

AnotherRoadSignRecently, I was given a nudge down my “how to improve” writing road journey, while thinking about my most recent book club selection discussion. I’m sure I’ve previously mentioned how much I like—and have learned from my local monthly book club. Indeed, without the diversity of selections members put on our list, there are so many books and authors I would have regretfully never read. So first off, let me say again, I love book club!

For example, our August book selection was Catalyst, written by the highly acclaimed and award winning Science Fiction/Fantasy author Anne McCaffrey, this offering written with Elizabeth Ann Scarborough[i]. Great writers, but in a genre which is not my forte—which I’ve proclaimed on several past occasions. Thank goodness for members who ignore me and push us all outside our reading cocoons. Indeed, I’ve self-indulgently proclaimed on more than one occasion about the genre, “Not what I like. Not real.” 

On my way home from our meeting, I had one of those “good-grief” moments that astound me at my own silly thinking and categorizing. I write fiction. Duh, questioningmannot Real! Mystery fiction writers ask readers to accept people, places, events, etc.—all that often aren’t real—though sometimes based on real events and situated in real places.

From there, I headed down the “how real should our fiction be?” path. Sounds silly, but what I mean is the importance of having the right “reality balance” to our commercial fiction—mysteries in particular. I’ve talked before about closing books without reading because the characters don’t grab me, or I dislike them, which sorry to say, I seem to be doing more of. But, does the reality-balance also have something to do with my lack of story engagement?

Some thoughts:

    • For sure, for me in particular, I want readers to be able to visualize a non-existent-unreal town of Shiné as a real place. Store fronts, roads, places of business, even a castle. If they actually visualize an unreal alien world they can’t go to, will they want to mentally be there, or visit again? Indeed, I want them to escape from the reality of their habitat to a neat identifiable place they’d like to visit, but different from where they are—at least for a couple hours. But not as far as a different planet or world?
    • Are the characters real? Certainly not. But real enough for a reader to visualize a real person they can piece together, and at the same time find the character different or eccentric enough to find interesting? Normal enough to be real, but not too normal as to be alien, or worse, unlikable. Another balancing act.
    • Scenery? Can they see a real place in their mind’s eye? In my writing case, the Mojave Desert does exist. But Shiné? No. But can a reader imagine a place “like” this possibly existing in the real world?
    • And here’s a hard one. Are the events real? Especially with some of the mystery writing conceits in use. Of course not, ask any policeman(and I’ve asked several–thank you my PSWA friends and San Bernardino County Sheriffs). Indeed, we’ve got the reality in our own lives of actual bad guys and victims. The balance here is of not trivializing real crime and horror, but at the same time offering escapism with characters being killed and justice of some kind happening. Hmm…
    • And here’s another tricky one, is it a realistic story? Again, of course not. The goal is larger than life adventures, with larger than life characters, with larger than life attributes—and minimal flaws. Not reality for sure.
    • Is the conclusion realistic? And on this one, not a dilemma or quandary for me at all. No. It’s what I want to happen. Reality doesn’t matter. That being said, sometimes an author has hit the mark on all the previous points, and I’ve gotten to the end and said, bah humbug!(smile)

Agatha Christie, I think, was a genius when it comes to snatching a reader into sometimes outlandish unreal situations, with larger than life characters when it comes to abilities, and posit some implausible situations and happenings—but leaving me thinking these people, places, and events actually happened. Easily suspending my disbelief while reading. Her non-reality was/still is[ii] for me very real.

Still pondering, but thinking “real” fiction writing of any kind, is a balancing act for sure. My take away from these meanderings? For me—more carefulness when it comes to reality-balancing, when developing all my characters, places, situations, and conclusions. And maybe read more Scifi(smile).

balancingAct

 

Happy Writing and Reading Trails!


[i] More about Catalyst and Anne McCaffrey here on Amazon https://www.amazon.com/Catalyst-Tale-Barque-Cats-Book-ebook/dp/B002XHNOMO/ref=sr_1_1?dchild=1&keywords=catalyst+anne&qid=1629596367&sr=8-1

[ii] I re-watch Poirot mysteries on DVDs all the time (with David Suchet).

Things to Consider Before You Self-Publish

When Jackie H. asked me to talk about indie publishing, or self-publishing,  I wanted to write something helpful for those who are considering going the indie route. You will find plenty of people online ready to tell you the pros and cons, but once you’ve made up your mind, what’s the best way to go about it?

There are people who can help you step-by-step through the processes of self-publishing. The absolute best is Sarah Cannon at Publish and Thrive. There isn’t much you won’t learn from her.

The question is, should you go this route. It is a LOT of work. You will need to commit both time and money. Here are the top five things that anyone considering the indie author route needs to know.

1. Your writing is your business. Treat it as such.

If you are writing as a hobby, or if you simply want to publish a book of recipes or family memoirs for your own group, no worries. However, if you intend to make an income at this, then treat it like a business. That means:

  • Showing up to write when you don’t want to. You wouldn’t skip your office job if you weren’t in the mood.
  • Take continuing education, especially in those areas where you are weak. Every profession requires continuing education. You’re responsible for yours.
  • Track your expenses. And there will be expenses. Cover artists. Editors. Software. Subscriptions. Know how much you are spending on your career.
  • Have a budget. It’s easy to go overboard with advertising, etc.

2. You Will Have to Do Things You Don’t Like.

I’m not fond of social media, but that is where readers are. So, I do it. With all the emerging social sites (have you heard of TikTok?) there is a learning curve. Consider it part of your continuing education.

If blogging is something you plan to do, (or YouTube or Facebook Lives) learn it. Don’t depend on others to do it for you. If they are busy or decide they no longer want to help you out for whatever reason, you’ll be stuck. Don’t let your career be at anyone else’s mercy.

Someday, when you have enough income, you can hire a virtual assistant to do these tasks for you. 🙂

3. Know Your Limits

You can’t do everything. You aren’t good at everything. Unless you are a social media wiz, focus on one platform and do it well. You can always expand.

The same goes for volunteering. This is an excellent way to network and get your name out there, but you still must find time to write, right? Know when to say No.

You may have seven wonderful ideas for seven different series. I understand. Pick one. Once you get the first few books out, if time permits, you can branch out.

4. You Can’t Do It Alone

Although writers tend to be introverts, you can’t live in a bubble and sell books. I’m sure there are exceptions, but they are probably not you.

Join writers’ groups. Make sure they are professional and supportive. If you write mysteries, Sisters in Crime and Mystery Writers of America are excellent groups, though not the only ones. For Romance, you can join Romance Writers of America. Every genre probably has a group.

Through these groups, you can also make connections and form smaller groups to help critique, promote, or whatever your group decides to focus on.

Subscribe to Indie Author Magazine. Join Indie Author groups on LinkedIn or Facebook or wherever you find them. Check them out first. You don’t want to waste times on groups that don’t match your needs.

I’m a member of three Sisters in Crime chapters–Los Angeles, Phoenix, and Chicago. I also belong to Novelitics, a group of writers who critique each other’s work and offer support. It’s led by author Kim Taylor Blakemore, and she keeps creativity alive through workshops, challenges, and targeted topics. You can check out a free trial here.  

5. Enjoy the Process

Overnight Success is a rare animal. As rare as unicorns and dragons. It will take time to build a career. Probably years.

We all have “those days”, but if you aren’t enjoying the writing and you break out in hives when you need to tend to the business side, indie publishing might not be a good fit for you. Because if you’re going to invest the time it takes to become successful, you certainly don’t want to dread each day.

For those who are super serious about following this path, I highly recommend bestselling author Sarra Cannon’s Publish and Thrive course.  She covers everything you might want to know step-by-step, and there are weekly Zoom sessions as well as a Facebook Group where you can ask questions. She just closed her last class for 2021, but work on your book until the next one opens and follow her YouTube videos until then. You will learn a lot from her.

Good luck!

Short & Sweet

By Gayle Bartos-Pool

This might not be my usual type of post on our Writers-in-Residence blog, but stuff has been happening in my life as it has been with everyone at the moment, but I still wanted to encourage you writers out there to keep up your writing.

As for me, since my life has changed over the last several years, I have a few new directions to travel. First, let me mention the fact that I lost my beloved husband Richard about a year and a half ago. It wasn’t something I talked about or posted because Richard and I were never ones who wanted to open up all over the Internet.

During this Covid thing and being basically alone here in California, I needed family around, so I decided to move to Ohio where my brother and his oldest daughter and her three kids live. So I bought a house after looking at photos and a video my terrific niece took. It’s a cute house with room for my miniatures and vast Santa collection and all the other holiday decorations I have accumulated over these many years. And the house is near my family.

So at the end of August the movers come. My brother is flying out here so he and I and my dog Candy will drive to Ohio.

But during all this change I thought it was time to start writing what I call My Scrapbook Life story. For over 60 years I have been making scrapbooks of my life. From my family’s travels when my dad was in the Air Force and we were stationed on the island of Okinawa, to the three years we were living in France and I got to attend a terrific boarding school, to college and then my short stint as a private detective, to my move to California and the various jobs I had here, to meeting and marrying Richard at one of those jobs, to our 34 years together and the dogs and cats we had, to Richard’s illness and his strength during that time, to losing him and finally me moving to a different life.

The scrapbooks are full of pictures and memories of this life that I am having, so I thought I would share it with people. But writing this saga isn’t just to show what an interesting life I am living, but to let people know that everybody is living an incredible life.

During the past five years it has become apparent to me that all the people I was meeting were incredible from a lady I met in a hospital cafeteria who was fascinated by the fact that I was a writer. But while we were talking she mentioned things from her wonderful life. I told her that her life was so interesting that she might want to write about it for her family and friends. She had things to share with those folks as well as other people.

Then there is Art, the young man who regularly serviced our air conditioner and heating system. He told me about his late father and brother who added all the beautiful touches to the leather saddles of famous movie stars like John Wayne. Two of their saddles are sitting in the Gene Autry Museum. Art also does leather work and wants to move someday to Tennessee or someplace where he can continue doing that beautiful craft.

And my neighbor, Shawn, has written a book, though not yet published, about his fascinating journey from Iran to America when his dad got him out of the turbulent country to avoid being drafted into the Iranian army. So at 17 he was smuggled out of the country, sent to Turkey and then Sweden and finally after several years he came to America, got a college education through hard work and now has a terrific family and living that American Dream everybody has heard about. We found him an editor and I bet that book will be published. I got to read a first and second draft and it is marvelous.

What I am saying in this blog is that everyone has a story of their own life. Each is incredible, different, and worth telling. Your story might be read only by family members and friends, but if the stories are anything like the ones these folks have told me, they are worth the telling. Who knows whose hearts and minds they will touch.

Start writing about where you came from, who your parents, grandparents and relatives are. How they influenced your life. We all learn both the good and the bad. That’s how we grow. Tell the world who you are after you uncover the real you under all the life you have lived. You might be surprised by the person you are.

I can guarantee you, we all have a story worth telling.  Write On!

Not Quite Cozy

by Jackie Houchin

(I’m early this month with my post, because I switched with the “other” Jackie – Jackie Vick  – who will be posting on Self Publishing on August 18th.)

I’ve recently read two books which are billed as “cozies” but have none of the more modern sewing, crafting, cooking, library/bookstore, tea shoppe/coffee house, or pet themes that we’ve grown accustomed to. (There’s nothing wrong with these if they are what you like to read!)

No, these were the “old fashioned” style mysteries, that are super-plotted, character-strong mysteries like Agatha Christie wrote. Clean, as far as no on-the-page sex, vulgarity, profanity, or excessive violence. Just good, captivating, complicated mysteries, sometimes in unique settings. 

Here are reviews of the two  books I read.

BLACK JADE, a Daiyu Wu Mystery by Gloria Oliver

What a fascinating book! It’s very different from the usual historical cozy mysteries out today. It has a main character who is unique and amazing in her disability, living in a disguised house with her once royal parents and a pair of staff who love and protect on her.

Black Jade, A Daiyu Wu Mystery by Gloria Oliver, is set in Texas in the early 1900’s, when the race issue is prominent against Asians, specifically Chinese, who are considered to be the “Yellow Menace.” Even more of a bias however in this story, is the rich vs commoner distinction. So when the second son of a British Earl comes to America and falls for a ‘common’ girl who is a waitress in a speakeasy, his hoity-toity relatives across the Pond rush to the first ship heading west to try and stop him marrying her. The means they use is macabra and horrific, but only the blind, Chinese Miss Wu, working in her family’s laundry is able to discover it.

The rest of the book takes us on a detailed and fascinating investigation to find and identify, first the victim, then the villain. (My guesses hopped from one to another of the book’s characters: all in vain.) But Miss Wu, accompanied by Jacques, her handsome companion and chauffeur (who also narrates the story), along with her new friends, a female forensic doctor and a millionaire playboy, moves along as surely as a bloodhound following an invisible scent (burnt garlic?) to the killer. She meets obstacles at every turn, but this gal is persistant and clever, and inspires those around her to not give up no matter what. The climax scene is a nail biter!  FIVE STARS

PS: I totally loved Miss Wu’s little dog, who goes everywhere with her. He has a strange name – Prince Razor. When you read this book, you’ll find out why.

 

GHOST DAUGHTER, An Alice MacDonald Greer mystery by Helen Currie Foster 

This is an amazing, sometimes jaw-dropping, mystery-adventure in which the heroine, Texas lawyer Alice Greer, risks life and limb to fulfill the last wishes of her friend Ellie. In Ghost Daughter, the newly widowed Ellie has discovered her long-lost daughter, conceived at age 17 and given up for adoption decades earlier. She wants to include her somehow in her estate and asks Alice to be executor if/when she dies.

Sooner than either expected, Alice finds her friend’s bloodied body in her own ranch house, along with a rearing, kicking, squealing horse! Yes, IN her house. LOCKED in. Huh? Instantly my mind tried to come up with suitable scenarios, but failed. There was nothing to do, but keep turning the pages.

And that was just the beginning of this fast-paced story with multiple complications and misdirections.

And what was so special in Ellie’s Santa Fe vacation house that could elicit murder? Alice tries to find out, but meets with “baddies” at each attempt. There are car chases through the mountains, unexplained  assination attempts, theivery of extremely valuable art right under Alice’s nose. And, if that isn’t enough, Ellie’s warring sons threaten to drive her up the wall with their arguing about who gets what. And the police can’t find the murder weapon or any evidence at all pointing to a suspect. 

There are no giveaways in the plot. To the literal last pages I couldn’t guess how, why, and by whom the murder of Alice’s friend was done. Thankfully the author ties everything together in a grand scene at the end.  FIVE STARS

I enjoyed Ghost Daughter so much, that I purchased Ghost Cave, the first of Greer’s six  books in the series!

Oh, and by the way, there is nothing “paranormal” in her Ghost books.  

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I hope that in the future more of these new/old style cozy mystery books will be published. Books that challenge the reader to get out of her rocking chair and trudge the mean streets with the protagonist. 

PS: I just noticed that both of these books were set in Texas. 

 

 

How short can you write?

How to Write Flash Fiction Stories: 4 Approaches

In short, flash fiction has all the elements of longer stories, but with less “fluff.” So, the challenge of writing flash fiction lies in crafting a complete story in under 1,000 words. How should you approach the writing of flash fiction? Consider the following four approaches.

1. Ruthless Editing

Some writers might try starting their flash fiction story as a normal story, then cutting the words down. This is a common approach to writing flash fiction, especially if your story isn’t far away from the 1,000 word mark. If you think you can cut a story down after writing it, then kill your darlings—and have fun with it!

2. Plot-First

Flash fiction stories require bones before you can put meat on them, so start with the story’s plot. With a plot-first approach, you start by writing only the details of the story, without any description or figurative language. Then, once the plot is written, you fill it with details until you hit the 1,000 word mark. This “fill in the blanks” approach allows you to keep the story to its most important details while still being complete.

3. Start with Poetry

Writing fiction from poetry? It’s more likely than you think. Many literary critics consider flash fiction stories to border the lines between prose and poetry, since it uses many poetic devices to convey plot. If you’re a poet as well as a fiction writer, consider writing your story’s plot in verse, then expanding that verse into a prose-poem or prose.

4. End with a Bang

For a flash fiction story to feel “complete,” it needs to “end with a bang.” The final line(s) of the story must leave the reader thinking long after the story ends.

The end of a flash fiction story must surprise the reader in some way. Flash fiction often offers a resolution to the story that inverts themes, uncovers ironies, or offers unexpected dualities. 

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Could YOU write a flash fiction story in, say, an afternoon?  THIS afternoon? Why not try it?  Take a notebook and pencil. Go outside to some shady spot. Scratch your head, put you pencil to paper and….write.

 

From an article on WRITERS.COM  –  How to Write Flash Fiction Stories –  by 

 

Photo by me.

 

 

 

The Joys of Waiting

It’s almost August, 2021. That’s the month my next book is being published, although it’s available some places already.

It’s HER UNDERCOVER REFUGE, the first in my new Shelter of Secrets miniseries for Harlequin Romantic Suspense.  That miniseries is a spin-off of another, also for HRS, that was called K-9 Ranch Rescue.

 And I’m delighted to have HER UNDERCOVER REFUGE published!  My last novel was published in February 2020, and that’s a long time between books for me.

It’s my 54th traditionally published novel, so most often there have been several a year. Was this gap a result of COVID? I don’t think so, unlike a lot of things that seem to be delayed these days. It just was.

 So how can you plan for a lot of traditionally published books to be published, and have several come out each year? I don’t really know!

Oh, it helps to write for more than one publisher. I’ve tended to write cozy mysteries and Harlequin romances at the same time.

And it helps also to write for different lines for the same publisher.  I’ve written for Harlequin Romantic Suspense and Harlequin Nocturne at the same time. However, Nocturne, their paranormal line, will no longer be published.

These days, a lot of people self-publish. I ponder that now and then, and may do it someday. But while I have good relationships with traditional publishers, I’ll probably hang out there some more.

Am I writing for anyone other than Harlequin now?  Yes. My first Alaska Untamed mystery, BEAR WITNESS, will be published next February by Crooked Lane.

Oh, and in the meantime, my next Harlequin Romantic Suspense, UNCOVERING COLTON’S FAMILY SECRET, part of the Coltons of Grave Gulch miniseries, will be a November 2021 release.

So although there’d been a bit of a gap between my last published novel and my current one, I’m delighted to say there’ll be more soon. I am working on my next Colton book in the next HRS miniseries. And I’m hoping for even more beyond that!

And you? What’s your preferred way of writing and publishing?

Either way, or both, I hope you’re highly successful!