Mystery People

By Jill Amadio

As a Brit I put up with a lot of ribbing in America. Some friends take me to task for pronunciation. Well, I can’t help it if I have a very slight West Country accent as I am from Cornwall. To my amusement my accent is occasionally mistaken for Australian.

As a writer from over there, though, the ribbing can give me indigestion or at the very least depression for hours. The main problem is spelling. I am warned by colleagues that editors at U.S. publishing houses come down hard if you keep inserting a “u” into words like behaviour,  colour, and honour, or substitute a ”z’ for an “s”. Other minefields include using “ae” rather than “e,” as in “aeon” and “eon”.  Maybe it’s a matter simplicity. Americans pare as many ells from words as possible while Brits love double ells, such as “levelling” versus “leveling”.

My books are published here but habits die hard and I usually claim that Brits use the correct spellings. They only got chopped when unnecessary (to whom?) letters are summarily killed off. Flautists are called flutists, kerb is curb, and gaol is jail. Obviously what it comes down to is pronunciation, though. Americans spell words economically as they are spoken which is commendable although it escapes me why tyre is spelled tire. I think it has to do with the Boston Tea Party and wanting to be set apart from that awful king.

It’s a huge temptation to some authors who have leapt across the pond to use British spelling, perhaps as a sly signal to agents and publishers they are querying that the writer is a Brit – a sort of literary snobbism one occasionally encounters. In my first mystery I have my lead character admonish the British consul’s wife for this attitude which I did, in fact, actually encounter in Newport Beach.

Then there’s the grammar. Collective nouns in particular give me pause. Is a group, say, a government, singular or plural? Americans say it’s the former; Brits insist on the latter.  I have a page from the Associated Press Stylebook permanently stuck to my printer to remind me which to use.

Figuring out past particles is always fun. For instance, Brits say “pleaded” Yanks say “pled”. Oh, and the very, very worst word I hate to see changed is “hanged”. To my mind it should refer only to someone at the loop end of a rope, giving the action a far heftier meaning than the briefer word “hung”, as used here. People are not paintings.

What else? “Have” and “take” always flummox me. Am I going to take a bath? Or, am I going to have a bath? I read somewhere that this is an example of a delexical verb, which I’m not even going to touch.

While writing my mystery my beta readers caught another mistake. I wrote, “He drove her to hospital.” Wrong. I was told there should be a “the” in front of “hospital”.  I’m sure there’s some kind of diabolical rule about this but I think it is fine to give an in-house editor something to mark up to justify his/her salary.  As for tenses, the past participle in the U.S. for “got” is “gotten,” an ugly word that makes me shudder enough to want to write a thriller entitled “The Dangling Participle and the Dark, Dark Pluperfect”.

While writing the first in my crime series, whose amateur sleuth is a disgraced Cornish woman exiled by the palace for discovering a scandal (not sexual!), I had to learn the police rankings and figure out who was a sheriff and who was a police officer. Having worked with a reporter at the good old British rag, the Sunday Dispatch, I decided to have my sleuth simplify her confusion (and mine) by using British titles. When caught speeding she addresses a California Highway Patrol (CHiP) officer as Chief Superintendent, and calls the Chief of Police,  Constable.  I was very pleased to learn that sheriffs and policemen can be lumped into a group collectively referred to as “cops”.

When I mention a British pastime, such as nighthawking, no one has a clue as to its meaning. I was going to give the nasty habit to a character in my next book but I decided the explanation could be tedious unless you’re one yourself.

Even the four seasons can be a challenge. Seeking representation for my new book I scoured the agent lists and was rejected by 55 of them. I knew small presses can be approached directly and I found one with whose name I fell totally in love: Mainly Murder Press in Connecticut. However, the website declared, NO SUBMISSIONS UNTIL LATE SPRING!

Ha. I immediately sent in my query along with a note: “Dear MMP, I live in Southern California and although it is only January according to the calendar, and snowing where you are, it is already late spring here. You should see the roses!”

I received an email back within three hours, asking me to send chapters. Which I did. Obviously the publisher was not off in Tahiti but still on the snowy East Coast.” MMP published only 12-14 books a year and has now closed its doors but who can resist the name? So my advice is to go ahead and break the rules. Lay it on thick. Change the climate. Worked for me.

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Jill Amadio is from Cornwall, UK, but unlike her amateur sleuth, Tosca Trevant, she is far less grumpy. Jill began her career as a reporter in London (UK), then Madrid (Spain), Bogota (Colombia), Bangkok (Thailand), Hong Kong, and New York. Jill writes a column for a British mystery magazine, and is an audio book narrator. She is the author of the award-winning mystery, “Digging Too Deep” and the second book in the series, “Digging Up the Dead.”  The books are set in Newport, California.    http://www.jillamadio.com

 

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This article was posted for Jill Amadio by Jackie Houchin (Photojaq)

My Fishy Introduction to Malice Domestic

by Jill Amadio

 

Ever feel like a fish out of water? As an ex-pat in California where residents are famous for being “the people from somewhere else,’ I humbly claim myself as a prime example. Because I am a Brit from Cornwall I was invited to be a “Fish-Out-of-Water” panelist at the three-day Malice Domestic Writers Conference held in Bethesda, MD just outside Washington, D.C.

Mary HigginsThe event is the largest annual gathering in America for writers and fans of traditional mysteries in the genre of Agatha Christie, which places them in a genre called ‘cozy.” It appears that publishers here prefer authors to be strictly categorized into the type of book they write: romantic suspense, noir, thriller, psychological suspense, hard-boiled, legal thriller, historical, private investigator, cozy, police procedural, and sub-genres such as a sci-fi and the newest, cyber-crime mysteries.

Some crime writers look down their noses at cozy writers. We are often considered to be the low man on the totem pole. No matter. We bask in the knowledge that it attracts hundreds of attendees from all over the country.  It was my first foray into this cozy conference although I am a veteran of Bouchercon, Left Coast Crime, Ladies of Intrigue, Surrey International in Canada, and other conferences for cozy writers and readers.

DiggingDeadCover-375x600The second book in my series, “Digging Up the Dead: A Tosca Trevant Mystery” was published just in time for this premier annual event. My main character hails from Cornwall and comes to live in Newport Beach, like me, so the “Fish Out of Water” panel was perfect for us both.  It was fun to explain to the audience that Tosca Trevant, a London gossip columnist (me too!) had rattled the royals by discovering yet another scandal at Buckingham Palace. This led her editor to re-assign her temporarily to America. Cussing mildly in the Cornish language, and coping with a culture that sees no need for a teashop on every corner, the meddlesome, outspoken and humorous Tosca turns amateur sleuth when she stumbles upon human remains in a neighbor’s garden, in the best Miss Marple tradition although Tosca is a younger version.

I was the only ex-pat author among us five panelists at Malice, whose main characters were also considered outsiders rather than police detectives or private investigators. I was bombarded with questions from the packed audience about how I came to live in the United States (“my ex-husband insisted and who needs all that rain back home?”), why I write traditional mysteries (“because Agatha Christie is my muse”) and how I manage to conjure up clues, settings, and plots. My favorite question is usually how I decide who the murderer will be. I answer honestly that I don’t always know until I’m into the story.

In my new book I created a character whom I intended to be the killer but the more I wrote about that person the more I came to like them so I designated someone else to be the villain instead. Another time during the writing of chapter 16 something incredible happened to me. I was writing dialogue wherein a character denies knowing something. GuardianShe was instantly contradicted by a voice behind my chair shouting out, “Yes! You did know!” The voice was male and sounded exactly the way I had described his gravelly voice in a previous chapter. I swung around, dumbfounded. Of course, there was no one there and no one else was in the house. Some writers say their characters often take over their role in a book but this was different. Sam spoke a line of dialogue that added another dimension to the plot. It worked well, surprisingly, giving an extra twist to the story. I didn’t hear from him again nor from anyone else I created so I guess he and the others were satisfied with how the plot was progressing.

One important take-away I have learned from being a panelist and this was particularly true at Malice: make ‘em laugh. I was fortunate enough to be able to describe some of Tosca’s amusing clashes with American culture, a few of which I experienced myself when I arrived in the U.S. Her reactions, though, are a bit more defined and she has no problem expressing herself although most of the time she is proven to have grabbed the wrong end of the stick or has misinterpreted the meaning, which makes for a few giggles.

So the lesson is that the more listeners you can make laugh, the more likely they are to buy your books. The key is for your readers to like you as a person, which can encourage them to believe they’ll like your writing. I was lucky enough to have sold out of my books at that first conference, as did other authors. I’m told that cozy readers make up the bulk of the crime-reading market so I plan to attend Malice Domestic forever. Or as long as I write mysteries.

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Jill Amadio’s mysteries are available in paperback and kindle on amazon, Barnes and Noble, and Nook. She is also the ghostwriter of 16 memoirs and biographies, and co-author of the Rudy Vallee life story, “My Vagabond Lover.”

 

 

 

 

 

This article was posted for Jill Amadio by Jackie Houchin (Photojaq)

A Writer’s Resolutions on Social Media

by Jill Amadio

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New Year resolutions?

I have known mine for many, many months, as had a writer friend. Bombarded and burned out by social media ‘noise’ last month, she left her computer and iPad at home and fled to the forest and her grandpa’s cabin in Oregon, Bigfoot be damned. Alas, Hazel was unable to escape her addiction to Facebook and Twitter and she drove miles into town each day to find an Internet café where she continued to pollute the airwaves.

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Linked In, Pinterest, Tumblr, Fomo, Reddit, WikiHow, Instagram and others jam our lives with clamorous demands to log on, read posts, share photos, and comment. The more timid of us comply.

No Escape.

I know dozens of writers who complain about the time it takes to respond to cute comments yet day after day we find ourselves enslaved to the practice, afraid to miss something someone has written. Did they see my latest awards photo on my FB site?  Have they followed my Tweet link to my new mystery web site? While grateful for congratulatory messages online, and helpful tips on feeding hippos, how about admirers sending a snail-mail card instead or a basket of premium wine?

One can barely escape social media even without going to the sites. I receive email messages daily that someone has commented on my status (whatever that means – single, poverty-stricken?) or wants me to Like them.

Procrastination.

We seem to be obsessed with spending hours online replying to friends’ remarks posted on social media sites, laughing at cartoons and jokes when we should be writing the next chapter or polishing an article. For some, it’s procrastination, an excuse not to tackle that elusive plot point, or figure out the murderer’s true motive; for others, perhaps, a means to make a mark upon the vast Internet audience.

Do the networking benefits outweigh the negatives? Many around the world have found long-lost school friends and relatives.  Others bemoan the lack of privacy. I still haven’t figured out how to send a private FB message to my daughter.

Guest Blogging

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Then there are the invitations to be a guest blogger. I was asked if I’d like to join a Blog Hop whereby ten mystery authors answered a series of questions about their books and their writing life.  First, it had to be explained to me how the process worked, then I answered the host blogger’s eight questions, after which I was told to wait my turn for the right day. I was nudged the day before with three emails reminding me, and finally, I was asked to promote the entire Hop through social media for several days beforehand, and several days afterwards: “I am guest-blogging today on Santa’s site.”

It was fun but time-consuming. The new idea prompted other friends who were not included in the Hop to ask me if I’d invite them to be a guest blogger on my own site.   After agreeing to two of them, I realized that probably no one checked out the blog page on my site anyway. More time lost.

An addiction?

How do we escape the trap and refuse to be manipulated? There are plenty of advice columns and seminars on how to overcome the addiction, even a 10-step program on how to recognize the symptoms and treat them.  You can Google the subject and dozens of sites show up. Even the Times of India newspaper has an article on how to handle the problem.

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Kim Fay, author of “the Map of Lost Memories,” was making a deliberate effort to stay “clean.  She said that Facebook terrified her, and she wasn’t sure what to do with Linked In.

Longing for peace and quiet aside from social media noise and actual noise of traffic and sirens outside her home in Los Angeles, she accepted her parent’s offer to holiday in their house in the mountains of Arizona while they went out of town. Once there, she covered all the clocks, researched, napped, and wrote 50 pages of her next thriller without once logging on anywhere.

Kim-Fay“Ideas had space to roll around in my head,” she said. “My thoughts were uninterrupted. It was divine. These days the life of a 21st century writer are frantic, a pressure cooker requiring one to write reviews, connect with fans and friends, and try to stay in the game. ”

 

Well, I gotta go. Time to check my FB page, and wish everyone a Happy New Year.

Capture (1)Jill Amadio is from Cornwall, UK, but unlike her amateur sleuth, Tosca Trevant, she is far less grumpy. Jill began her career as a reporter in London (UK), then Madrid (Spain), Bogota (Colombia), Bangkok (Thailand), Hong Kong, and New York. She is the ghostwriter of 14 memoirs, and wrote the Rudy Valle biography, “My Vagabond Lover,” with his wife, Ellie. Jill writes a column for a British mystery magazine, and is an audio book narrator. She is the author of the award-winning mystery, “Digging Too Deep.” The second book in the series, “Digging Up the Dead,” was released this year. The books are based in Newport http://www.jillamadio.com

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This article was posted for Jill Amadio by Jackie Houchin (Photojaq)

Web Site Ads, Anyone?

by Jill Amadio

How many of us buy site ads to promote our books?

Grinding my teeth at low sales in August I was able to ask a couple of successful authors how they manage to keep their titles before the public. Brenda Novak, who writes the Dr. Evelyn Talbot thrillers, said that one of the publicity tools she uses are book marketing sites.  Although her wallet is somewhat fatter than those of many of us with four million copies of her books sold, Brenda still sends some of her personal advertising dollars to these sites.

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Among her tactics: Organize your own book group on Facebook. It’s free. Offer inexpensive swag such as commemorative pins in exchange for downloading only your book titles from her web site – not the books themselves.

Add a shopping page to your own website to sell T-shirts, mini-totes, Christmas ornaments, etc. Brenda said that it cost her $2,000 initially to set up her online shop and now it is hugely successful. 

Another tactic she uses is to create a Foodie Friday recipe which she cooks and posts on her Facebook and Instagram accounts, including a video.

Book trailers are one of her favorite ways to attract attention although she cautions that changing it regularly is key. To keep costs low (still expensive!!), the video company she contracts with uses stock video for much of the content.

Another tip: offer giveaways – one of her most popular was on Facebook Live in which she read from her books.  

Find a company that sells “scrap” advertising which are spots in major magazines discounted at the last minute. But don’t let the “scrap” description fool you. Brenda says that even discounted, it can cost a bundle. Nevertheless, one she found available was in People magazine, and she is always on the lookout for deadline deals with women’s magazines. 

“Not all marketing endeavors achieve the same goal. Some are more about brand building,” she told me. “I look at marketing my books like a farmer might his fields – it’s what I put into the soil before planting that makes the biggest difference in the end.”

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Away from Brenda’s heady, enterprising and pricey ads are the less expensive and free methods used by some of us Writers in Residence and by our colleague, psychological thriller writer Sheila Lowe. Like Brenda, Sheila subscribes to www.BookBub.com, a web site that sends out daily emails advertising books to millions of readers, although costs can be high.

Here’s how it works: you set a maximum price you’ll pay for the exposure, say $100. When someone clicks on your book cover you get charged a certain amount of money for the impression. After your stated maximum budget, the $100, is reached, BookBub takes down your ad. You can choose which readers and audiences you want to target by genre, interests, retailers, and location, and you can monitor your campaign on the site’s dashboard.  Extremely popular, the site has a waiting list of authors eager to sign up. 

While Sheila takes advantage of the benefits Facebook offers including its Authors Page, she likes affordable subscription sites such as www.BargainBooksy.com and www.RobinReads.com. The latter is a free author promotion service affiliated with Amazon and you don’t have to be part of Amazon’s Prime/Kindle Unlimited yourself to use it.  The site focuses on promoting eBooks which are now enjoying a massive surge. RobinReads buyers pay for discounted books if they choose to buy them only on Amazon. However, the deals are swift, lasting only 24 hours before they are retired for fresh offers.

man wearing pink polo shirt with text overlay

At BargainBooksy with around 3,000 subscribers, advertising for eBooks is also king along with print books. After a buyer clicks on a link to a specific book they are taken to Amazon’s web site, where the book can cost 0.99 cents or less, while pricing is based on your genre. This, of course, affects your royalties, so unless you are only targeting publicity you might want to reconsider. However, the site also links to your books at Kobo, Apple, and Nook, and to your own web site.

To splurge, you can buy a $50 BargainBooksy Deal of the Day promotion on FreeBooksy, a specialized-genre readers’ site designed to boost your click-through rates and purchases with free books that are not available on the main site.  

So, there you have it. A few costly as well as reasonably-priced ideas. Raid your piggy bank!

money pink coins pig

 

JillAmadioHeadJill Amadio is from Cornwall, UK, but unlike her amateur sleuth, Tosca Trevant, she is far less grumpy. Jill began her career as a reporter in London (UK), then Madrid (Spain), Bogota (Colombia), Bangkok (Thailand), Hong Kong, and New York. She is the ghostwriter of 14 memoirs, and wrote the Rudy Valle biography, “My Vagabond Lover,” with his wife, Ellie. Jill writes a column for a British mystery magazine, and is an audio book narrator. She is the author of the award-winning mystery, “Digging Too Deep.” The second book in the series, “Digging Up the Dead,” was released this year. The books are based in Newport http://www.jillamadio.com

Books: Digging Too Deep, Digging Up the Dead

Non-Fiction: My Vagabond Lover: An Intimate Biography of Rudy Vallee; Gunther Rall: A Memoire, Luftwaffe Ace and NATO General

 

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This article was posted for Jill Amadio by Jackie Houchin