GET YOUR STORY PUBLISHED by Miko Johnston

Have you ever tried to get a story accepted into a writing contest or juried anthology? Wouldn’t you love having a covert resource who can give you a competitive edge? If so, then read on because I am going to share with you my secrets for getting your work published.

First, some background. Several years ago, I tried to get a short story accepted into a Sisters In Crime anthology. I wrote what I thought was a good story that fit the theme and technical requirements. I ran it though a few critique groups to help me polish it. When I got the notification that the piece wasn’t accepted, it broke my heart. I made it my mission to get my work accepted into the following anthology. The result: my story “By Anonymous” made it into Last Exit To Murder, published two years later. I succeeded in more ways than one; having a story in a prestigious anthology helped me win a publishing contract for my novels.

The experience taught me that it takes a lot more than just writing a good story to get your work into a competitive publication.

I       THE MORE SPECIFIC, THE BETTER

It’s hard enough to figure out what editors will consider ‘good’ or worthy of publication, but it’s even harder when they don’t clearly define what they want. If getting published is your goal, your odds are always better with a single genre competition and a clearly defined theme. Focus on competitions with a limited scope. ‘Stories under 500 words’ is vague , but ‘Heartwarming stories about rescued animals’ is more specific.

II      READ THE SUBMISSIONS GUIDELINES CAREFULLY AND BELIEVE THEM

Every contest or anthology will issue submission guidelines that contain vital information. Guidelines begin with an explanation of what the stories should contain or be about. For example, mystery anthologies generally want stories that include at least one murder or serious crime. If there is a theme, the guidelines will often state how the theme should be incorporated. Remember: the more specific the requirements, the easier it is to figure out what the editors want. Pay attention to technical information such as word count, page set-up, method of submission, and deadline for entries. Take that information seriously; consider them demands, not requests.

III     LEARN FROM THE PAST

Writing contests and anthologies are often sponsored by established organizations. Unless the sponsor is new, go back and read their previous publications. Determine what type of writing appeals to them. If everything they’ve published is dark and esoteric, your hilarious page-turner probably won’t get accepted. If the mysteries tend to be cozy, save your gruesome piece for another publication.

The sponsor’s website can provide invaluable help. Search online for any information about the selection process or editing of past competitions. I researched the Sisters In Crime L.A. website archives and located an old interview with the editors of an earlier anthology. All of them agreed that stories about previously unknown aspects of the city were more interesting than those that focused on familiar places and events. The anthology selections supported that. Which brings me to the next point:

IV      AVOID THE OBVIOUS

If the theme is U.S. landmarks, leave the most popular choices to ‘Family Feud’ and go with something less familiar. There are two reasons for this: First, many writers will select something famous like the Hollywood sign or the Statue of Liberty. Since editors may want one story based on that location there’s more competition. Or they might get bored reading story after story about the same place and reject them all. Secondly, as already stated, stories about unknown or unusual places and events appeal to editors. Think how omnipresent the White House has been in films, but we vividly remember Mt. Rushmore in “North by Northwest” or Devil’s Tower in “Close Encounters of the Third Kind” because they stand out due to their uniqueness.

V       WORK IT, WORK IT, WORK IT!

Everything I’ve shared with you so far will give any writer a competitive edge. The rest is up to you, though. You have to write a unique story. Start early, as soon as the announcement comes out. Brainstorm a few possible themes and work on them until you have a strong idea for a story. Take every advantage you have. I submitted one story to that first anthology although two submissions were permitted. For the next anthology, I finished my story months in advance and decided to write another before the deadline. I’m glad I did; the first piece was rejected, but the second one made it into the anthology.

Will any of my tips guarantee your story will get published? Of course not, but I assure you it will increase your chances of success. Good luck!

 

 

Writing Short Stories: A Mini Course by Kate Thornton Part II

Kate Thornton is a retired US Army officer who enjoys writing both mysteries and science fiction. With over 100 short stories in print, she teaches a short story class and is currently working on a series of romantic suspense novels. She divides her time between Southern California and Tucson, Arizona.

Today, Kate continues with the second part of a mini course on writing short fiction, beginning with marketing.

Marketing your finished work

1. Know your genre. Do you write mystery? Science fiction? Romance? Contemporary literary? I write mostly mystery and science fiction, but I firmly believe that if you can write, you can write anything you want to. Look at your story and figure out where it might belong. Chances are, it could fit into more than one category.

2. Research your markets. Know what they want. Every magazine, anthology or contest has submission guidelines. Read them carefully and give them what they want. If they say under 1000 words, don’t send 1001. If they say snail mail only, get out those envelopes. If they say no vampires, robots, brunettes, or cats, don’t send your epic space opera vampire story about the furry dark robot cats. Keep on looking for a market that fits – or revise your story to fit the market. Either way works.

3. Polish your story again. Give it one more read, made sure it looks great and is in the right format.

4. Submit. Go on, do it. And keep a record of your submissions. A simple Word or handwritten document giving title, market, date of submission and date/type of response is perfect. That way you don’t miss a market or submit the same thing twice to the same market.

A note about cover letters.

Short stories are usually sent with a short cover letter (not a query letter, which is something else entirely.) Cover letters usually say something like this:

Dear Editor,

Attached (or in the body of this email) please find my original 750 word short story, “Lost in the Woods.”

I am an avid reader of your magazine, and have had work published in “Sewage Monthly,” “Cat Lovers USA,” and “Coal Digest” (or leave credits out if don’t have any – it won’t matter if you don’t have any.)

I look forward to hearing from you.

Sincerely,

Avid J. Reader
123 Writer Lane
New York, NY 10000
(212) 555-5555
avidjreader@wtf.com (Your name, address, phone number & email are important!)

Then you wait. But while you are waiting, write something else. Keep on doing that.

Where? Where do I submit?

Here are the links to 2 of my favorite online market guides.

Ralan (look over on the far right for market listings)
Publishing…And Other Forms of Insanity

There are others, of course. And if you post to any writers’ forums (or fora for you linguistic purists) you will also find market info. Here’s one I like:

Absolute Write

Happy writing!

That’s the quick and easy of short stories. Time to write one!