“Write What You Know” : An Author’s Experience of Living in Africa

by Guest Author, Victoria Tait

SONY DSC
SONY DSC

A common piece of advice given to school children and new authors alike is “Write what you know”.  But many established authors dismiss the principle.  Ken Kesey, author of One Flew Over The Cuckoo’s Nest, told The New York Times, “One of the dumbest things you were ever taught was to write what you know.   Because what you know is usually dull.”

So where does an aspiring writer begin?  Unlike most authors, I had no lifelong desire to write a book and only considered it as a potential career two years ago.  We moved back to the UK from Kenya so my husband could begin training for his next military posting in Sarajevo, in Bosnia and Herzegovina.  I realised that as I didn’t speak Bosnian, and the country had a high unemployment rate, I was unlikely to find a job.

Further, as a family we would be moving around the UK, and potentially the world, for at least the next eight years.  I needed to keep myself busy and engaged, but not with a physical business like the farm shop I had set up in Kenya.  My new venture needed to be portable and flexible to work around the demands of my family.

I first considered writing as a method to convey the incredible experience I’d had living in Kenya, in Eastern Africa.  I’m not sure if moving to Kenya or returning to the UK was more of a culture shock.  In Kenya I’d become used to a way of life lived at a slower pace, with no judgement of what people wore or what car they drove, and far less emphasis on the material side of life.

Giraffe samburuIn Africa, the first priority is to survive and so each day, and certainly every birthday, is celebrated.  After that come friendships and community and, of course, enjoying the glorious sunshine, fantastic scenery and amazing wildlife that Kenya is famous for.

P.D. James wrote in her “10 Tips for writing novels” for the BBC, “You absolutely should write about what you know.  There are all sorts of small things that you store up and use, nothing is lost as a writer.  You have to learn to stand outside yourself.  All experience, whether it is painful or whether is is happy is somehow stored up and sooner or later it’s used.”

My Kenya Kanga Mystery Series is set in Nanyuki, a small market town three hours north of Nairobi, Kenya’s capital.   It is dominated by the often snow-capped Mount Kenya which, at over 17,000 ft, is the second highest mountain in Africa.  This is where I lived for six years, and it’s the perfect setting for a cozy mystery series.

Mkt St SceneIn my books I’ve used actual locations, such as Dormans, a town centre coffee shop and a hub of gossip, and the relaxed garden location of Cape Chestnut restaurant.  Other places, such as the Mount Kenya Resort and Spa, are recognisable as being based on real settings which I’ve altered to suit my stories.

Small towns in cozy mystery series can develop the “Cabot Cove” syndrome; if Cabot Cove existed in real life it would top a number of categories of the FBI’s national crime statistics. 

To avoid this phenomenon, I themed the second and subsequent books around actual events.  These include an important elephant focused wildlife summit, a 4×4 off-road charity event in the Maasai Mara and, in the book I am releasing in May, a marathon in a UNESCO World Heritage wildlife reserve.

Elephant Mother & Child PuddleA sense of place is important to me and my writing.  Has a certain smell or the call of a bird transported you back to a memorable location? I try to convey the smells, sounds and sights of the individual settings and it does help that I’ve visited most of them.  And if I haven’t, as P.D. James said, I can use snippets of other places that I have stored up to successfully create them.

The characters are another aspect of my books which I’ve developed as I’ve expanded my writing craft.  Mama Rose is based on an incredible friend of mine, now in her 80s, who is a community vet, a staunch catholic and a member of various committees.  The help and assistance she has given, and continues to provide, those less fortunate than herself can not be fully conveyed in my books. But is it important to recognise, and remember, that there are still people who put others before themselves and work for what is morally right and just in life.

The other characters have developed from meeting people and observing situations in Kenya: the interaction of customers and stall holders at the local vegetable market, street sellers trying to persuade tourists and visitors to buy their wares, and the ability of a charismatic priest to captivate his audience in a town centre park.

A snippet I have woven into one of my books occurred when I took my young children to mitumba; a large jumble sale of donated thrift clothes, and other items, from first world countries which are shipped to Kenya and sold in makeshift markets.

Mitumba 3Two raggedly dressed, and shoeless, children tentatively approached our car holding out their hands in a begging gesture.  I remembered two squares of jam sandwich which my boys hadn’t eaten.  I handed the pieces to the children expecting them to stuff them into their mouths, but instead they just stood and waited.   Slowly they were joined by a group of similarly attired children, and those who had the sandwiches carefully divided them up until every child had a small morsel to eat. 

This was an incredibly humbling experience.  So perhaps it is not necessarily “write what you know” but “write what you feel”. After all, as writers we strive to elicit an emotional response in our readers’ minds.

Finally, Dan Brown said, “You should write something that you need to go and learn about.”  As writers we do need to expand our knowledge, and understanding, and researching is one of my favourite area in the writing process.  I have learnt so much more about Kenya than I knew, or understood, when I lived there.

RHINO CHARGERhino Charge, my third book, has many Kenyan Indian characters.  It evolves around events at a 4×4 vehicle off-road event which is popular amongst the Kenyan Indian community.  Whilst I had Indian friends, I wasn’t aware of how, or why, their ancestors had settled in Kenya.  Researching this aspect of the Kenyan culture was fascinating.  I learnt that Indians came to Kenya with the British and supported the creation of the East African Protectorate, which became Kenya, as clerks, accountants and police officers.

Two and a half thousand Indian labourers died during the construction of the Mombasa to Uganda railway line, including those killed by the infamous man-eating lions of Tsavo.  The rupee was the first currency used in the colony which was ruled using an extension of Indian law.  On the 22nd July 2017, President Kenyatta officially recognised the Indian community as the 44th tribe of Kenya.  Researching and learning this extended my knowledge and increased the depth of Rhino Charge.

Not all authors are luckily enough to live in extraordinary locations such as Kenya, or Bosnia and Herzegovina, but small towns still have their own customs and query characters. 

I’m currently planning my next series which will be set in areas of the UK I have lived in and visited. The theme is antiques, of which I have no knowledge.  I enjoyed, and was fascinated by, auctions which I attended on my return to the UK, to buy furniture for our house.  And I observed some fantastic people for the basis of my characters.  I’ll research collectibles, antiques and related crimes to build interesting stories with “can’t put down” plots.

Mostar, HerzigovinaWhen I can finally move freely around Sarajevo, and Bosnia and Herzegovina, I will begin researching for a future series.  I’ve already discovered that everyone here has a story to tell from the devastating war and various sieges, including the longest in modern history in Sarajevo.  As I search for potential locations, characters and stories my attention will be more focused as I learn to observe and record even the smallest incidents.  Who knows what snippets will make into future books.

 

Author Links

You can find Victoria at https://www.victoriatait.com/ or on Facebook at https://www.facebook.com/VictoriaTait

Blog/News: https://victoriatait.com/news/

GoodReads: https://www.goodreads.com/author/show/20373879.Victoria_Tait

Pinterest: https://www.pinterest.co.uk/vataitauthor/

Purchase Links – Amazon – B&N – Kobo – 

 

 

 

 

 

 

JH

Change, Mack, P.D. James, Book Clubs, & Continuity

Madeline (M.M.) Gornell is the author of six award-winning mystery novels. Her current literary focus is Route 66 as it traverses California’s Mojave Desert. Madeline is a lifetime lover of mysteries, and besides reading and writing, is also a potter. She lives with her husband and assorted canines in the High Desert. For more information, visit her website or Amazon Author Page.

 
Adler “Mack” Jones thinks, A whole year has passed, and I didn’t even notice. Or see it go by? Or feel it go by? And who the heck is Mack, you ask? The protagonist in a book I just started (600 words written! (smile)) The whole idea for Mack, his friends, and this Mojave story came to me contemplating this blog, an email from Jacqueline Vick, and from Facebook posts by Paul D. Marks on TCM movies. I know, story ideas sometimes come via a convoluted path. But my point for mentioning is; what Mack is thinking, I’m also thinking this early January week of 2016.
My life so far, seems to be broken into chunks, often in ten-year or so groups, punctuated by change. Twenty-sixteen numerically marks the end/beginning of one of those periods—and like Mack, it’s hard to accept 2015 is over? The change has come, but I certainly wasn’t ready for it.
P.D. James advised to “Read widely and with discrimination.” Ha! Easier wanting to do versus actually doing. Give me a good mystery, and I’m set. At the beginning of my last 10 year swatch of time, we’d just recently moved to the high desert. Before that, in Puget Sound I’d been a member of a wonderful book club. And I sure missed it. Fortunately, in not too long of a time (end of 2005) we had a local book club up and going. It is through their wonderful selections I can follow P.D.’s advice. (If you know me, you know P.D. is my “rock star” author.) Here’s an old picture of some of the first members at one of our early initial potlucks at my house. As you might notice, after the book we read, food was an important aspect! We even called ourselves “Books and Cooks.” And how this fits in, besides enabling P.D.’s advice to read widely, is in relation to change and time flying by. (An aside note about time and change—the shelves in back of us are now covered with stuff accumulated over ten or so years! Jeez.)
Which brings me to the writing part of this meandering. Even though I write fiction, it is the “stuff of our lives” that forms, or at a minimum, colors and influences the tales we tell. And no matter what I might literarily imagine, what location I might want to visit in my writing, what intrigue I might want to weave—it’s everyday life, friendships, connections, happenings that take me there.
The personalnugget here—I’m powerless to stop change and time. And that is good—moves me forward! But for some other things, continuity is so important. For example, sharing reading adventures in a book club.
 And, the writing nugget here is; somehow, and I’m not really sure if you can make it happen, or precisely how—but opening our minds and emotions to the serendipitousness of change, while simultaneously holding on to the things in our lives that matter, is what brings richness and depth to our writing. Now, that’s a mouthful! But it’s what Mack is thinking about. What I’m writing about.
Indeed, even writing this post has turned me from, golly where did last year go and why haven’t I finished another novel—to looking forward to the start of a new wonderful year, full of change and continuity from last year—with endless possibilities for Mack!
Happy New Year!