writing – Page 2 – The Writers in Residence

A Guest Star

by Gayle Bartos-Pool

Years ago, we could actually watch a favorite TV show, whether it be a television series or a variety show and see some famous, older, celebrity appear as a guest star. I just watched an old Man from U.N.C.L.E. 2-hour movie from 1966, The Spy in the Green Hat, and saw a bunch of famous, older character actors who guest-starred in it. Names like Allen Jenkins, Joan Blondell, Elisha Cook Jr. and Slapsie Maxie Rosenbloom.

These actors were in classic old movies from the 30s and 40s. I had watched them decades later in the 60s and 70s and even now on the old movie channel because I like the quality of the story telling and the great acting these folks did. They were memorable.

I watched another one of those 2-hour U.N.C.L.E. movies, The Karate Killers, where Joan Crawford was one of the guest stars. Her film career had slowed since the 1950s and she was appearing in lots of TV shows, but she still had that talent that made her famous. She was in the opening segment of this Man from U.N.C.L.E movie and was killed off by the bad guy in the first fifteen minutes, but she turned in a marvelous performance. I wasn’t expecting her to do that good of a job, but that gal beat all expectations for an actor in a few minutes of a silly Man from U.N.C.L.E movie. This wasn’t exactly Gone with the Wind, but the lady delivered.

Using the talent of a famous, seasoned actor was good business back in the day when we actually had stars who did excellent work in movies that had a point. I’m not seeing much of that anymore. Call me cynical, but I haven’t been to a movie theater in over 30 years. I might watch a newer movie (maybe 10 or 15 years old) on TV, but since I’m usually disappointed in the results, I still prefer old movies.

But…and there is a “but,” in this post. I have used an older actor to “guest star” in one or two of my short stories. I don’t use their actual name but rather disguise the name slightly. And I might be the only one who gets the subterfuge, but I still do it. I used actor Glenn Ford in a story but changed his name to Dale Carr. (Another word for a “glen” is a “dale.” Another name for a “Ford” is “car.”) I always liked the actor and borrowed him for the short story “Arabian Knights” in the second Johnny Casino Casebook.

I’ve done this several other times in my stories. Sometimes I mention the fact in the Acknowledgement section of the book, but sometimes I don’t. My call.

But what about using a character from a famous book? I know there are legal issues to consider so I wouldn’t use a relatively new character from a famous book in a story unless I disguised their name. One could always say the character in your story was an incarnation of some famous character or maybe say: “he remined me of the private eye in that book, Mystery Whatever, but this guy was much taller…” Or maybe: “She was a modern version of Miss Marple, but this gal wore shorter skirts and high heels…”

But what if…?

What if you wanted to have Sherlock Holmes help solve a case? I mean the real Sherlock Holmes taken right from the pages of one of Arthur Connan Doyle’s books. And maybe the main character in your story never really understands who or what that character really was. Was he real or a figment of your main character’s imagination?

I’ve already come up with how a story could end if I did use such a character. In fact, my mind is racing to do this maybe a few times.

So…If you did pick a famous character to appear in one of your stories, who would it be?

A WORLD OF BOOKS…

by Rosemary Lord

Books. That’s what most of us aspire to write. And most of us writers read – a lot!

As Cicero said: “A room without books is like a body without a soul.” I wholeheartedly agree!

Baudelaire wrote: “A book is a garden, an orchard, a storehouse, a party, a company by the way, a counselor, a multitude of counselors.”

And J.K. Rowling believes that “something magical happens when you read a book.”

While Honore de Balzac wrote, “Reading brings us unknown friends.” How true.

And I think that the books people have in their homes says a lot about themselves.

I remember visiting Rudyard Kipling’s house, Bateman, in Sussex, England. The 17^th-century, wood-paneled house is filled with souvenirs from his travels to India and beyond, his dark, imposing library has floor-to-ceiling shelves crammed with encyclopedias, travel books, biographies and local-culture tomes from his exotic wanderings.

A much brighter house further west in England is Agatha Christie’s beloved Greenway House, situated in a rambling woodland garden on the River Dart in Devon, England. Like the rest of the sprawling house, Christie’s library is bright and sunny. The cream-colored shelves are filled with an array of crime-writer’s reference books of deadly poisons, murder weapons, infamous murderers, biographies as well as her travel pursuits. There are many books on archeology, Egypt, Syria and the Middle East. Christie accompanied her archeologist second- husband, Max Mallowen on his trips to the Middle East. She would catalogue the finds, methodically taking notes which would often later be used in her novels, such as ‘Death On The Nile.’ But in that sunny library, the most admired books are the shelves brimming with copies of all her own novels in their original or amended titles in English and a host of other languages.

Whilst most of us don’t have room in our homes for our very own designated ‘library,’ we do have bookshelves, or places to store or display books.

On the other end of the spectrum from Agatha Christie’s spacious, airy and very comfortable library, my own ‘library’ in my small Hollywood apartment is simply five bookcases in my living room crammed with my life readings.

The shelves are filled with books on the Golden Era of Hollywood and the history of Los Angeles. I have all of Agatha Christie’s novels, various mystery writers both past and present and a vast selection of ‘cozies.’ I have a lot of books written by fellow author friends. Of course, there are the mystery-writers’ required reading: ‘How to commit a murder’ books, forensics, poisons and other reference books. On my bedroom shelves are my escapist novels by Rosamunde Pilcher, Victoria Hislop, Santa Montefiore and Paul Gallico.

Most of my writer friends have fascinating collections of murder/mystery/crime books, romance-novel or science-fiction ‘How-to’ publications, as well as assorted guides to publishers, literary agents, self-publishing and more. I have a friend who has wall-to-wall shelves filled with books about every musical ever produced, books of lyrics, sheet-music and musical biographies. Guess what his interest is?! Others have an array of nutrition, cook-books, photography or – like my late-husband – motor-racing or herpetology: the study of snakes.

The contents of people’s bookshelves reveal their focus in life: be it travel, biographies, photography, bird-watching, theatre or needlework.

I recall a brief visit to a young wanna-be Hollywood actress’s apartment. It was sleek, cool and very trendy, her wardrobe similarly up-to-the-minute. But there was not one book – or even a magazine – in the place. “Books?” she shrugged dismissively, “I’m not interested.”

I still reel with shock at that image! (She only booked a couple of small non-speaking acting jobs then disappeared!)

Conversely, when my family and I stayed in an old house in Portugal, my room had bookshelves crammed with books on Mussolini, Stalin, Hitler, ‘Mass Murderers of the World,’ Nazis, World Wars, battles, ‘Mr. Nice: the international drug smuggler,’ Napoleon, Fidel Castro, ‘The Bin Ladens,’ ‘The Mind of a Murderer,’ and some Lee Childs’ Jack Reacher novels for light reading. All in Portuguese. There was a large, framed poster of a hand-drawn man’s face with several stab-marks, red slashes and undecipherable scrawled slogans. I quickly removed this and hid it behind an armchair. But the bed was very comfy and, surprisingly, I slept better there than I had in a long time.

One of the other bedrooms had a brighter selection of Hitler and Nazi books, mixed in with Winston Churchill and world political leaders. All in Portuguese. Another room had some travel books. How did that person fit in?

The general décor of this 1887-built house was grand but somber. The walls in the rather grim, marble-floored entrance lobby, and the walls of the sweeping staircase were filled with neat rows of gilt-framed, black-and-white etchings of various battles, warriors, death, solemn religious figures and crucifixions. So were the walls of the formal front parlor and the even-more formal dining room. The walls in each of the bedrooms and the long corridor leading to one of the spacious, marble floored bathrooms were similarly adorned. All the drawers throughout the house were locked. Even the Canaletto print over the fireplace was mournful and colorless. And so the selection of the books in this rambling old house was not surprising.

I remember my dad’s bookshelves were full of mysteries and police stories. His father had been a detective in the Bristol Constabulary. Dad had his Agatha Christie selection, of course. But his favorites were Arthur Conan Doyle, G.K. Chesterton, P.G. Wodehouse and George Simenon – which he read in English and the original French.

Mum, on the other hand, had favorite authors that included H.E. Bates, Laurie Lee, F. Tennyson Jesse (A Pin to See the Peep Show), Paul Gallico, John Steinbeck and W. Somerset Maugham, with whom she became regular ‘pen pals.’

I’m very blessed that I grew up in a book-loving family. For as long as I can remember, so many family conversations have turned to books old and new. Our mum wrote magazine articles, and all of my siblings have always been involved in the book or writing world in some way.

So, I guess they’re in my blood. Books, that is.

So, what books would we find on your bookshelves and what does it reveal about you?

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FOR THE LOVE OF (OUR) WORDS

by Miko Johnston

Whenever I read books on my Kindle, I find sentences, paragraphs, and dialogue highlighted by readers, in some cases by a multitude of readers. Lines that speak a certain truth to them, that are beautiful to read, or capture an emotion that hovers near the surface of our consciousness. Lines that express what many of us feel or know to be true, but we can’t articulate because we can’t say it as well, or at all.

Every time I write something, whether it’s a post for this blog, a correspondence, or an entire novel, I always have a line or two that makes me proud. Something I feel not only encapsulates what I want to say, but does so in a way that goes above and beyond what I normally write. Genius may be too strong (not to mention immodest), but the words raise the bar from good to superb, in my opinion. They capture a small moment in life, a bit of character. They illustrate what I mean to express in a unique, visual, and impactful way. At least, in my eyes.

Alas, I rarely hear others who’ve read the words and phrases I most prize and commended them. Don’t they get it? Or am I wrong? It frustrates me sometimes.

I always want readers to enjoy my work, page by page, cover to cover, but I also want them to savor what I consider to be extra-tasty bits. I can point to at least one example, and often more, in each of my novels, but I’ve yet to see them mentioned in reviews, or highlighted, figuratively or literally, throughout the pages. Even when I’ve repeated some examples of these lines and dialogue from an earlier Petal In The Wind novel, using them as flashbacks in a later book. Even when I’ve used a few examples in my posts on this blog to illustrate a point.

Okay, sometimes my writers group members have praised a particular line, but we always have to say something complementary. It might be like wine tasting – after sampling them all, the one you like best may not be great, just better than the rest.

Am I alone in thinking this? Do you ever wonder if readers have the same reaction to the lines you prize most as you? If they remember the passages you believe particularly memorable, repeat the lines you consider most quotable? Does it matter to you?

Miko Johnston, a founding member of The Writers in Residence, is the author of the historical fiction series, “A Petal in the Wind”, as well as a contributor to several anthologies including the about-t0-be-released “Whidbey Island: An Insider’s Guide”. Miko lives in Washington (the big one) with her rocket scientist husband. Contact her at mikojohnstonauthor@gmail.com

Free Write Your Way Out of Writer’s Block

By Maggie King

Writer’s block. Many writers suffer from this condition. I used to scoff at the very idea of writer’s block, regarding it as another way for writers to procrastinate. But the creative slowdown I’ve experienced for several months has humbled me.

I’m not blocked for ideas, I have them by the dozen. The problem lies in creating a story, one people would actually want to read. My writing skills have gone on hiatus.

My solution: free writing. According to Matt Ellis in his post in Grammarly.com, “How Freewriting Can Boost Your Creativity,” freewriting is a technique in which the author writes their thoughts quickly and continuously, without worrying about form, style, or even grammar.

Mr. Ellis extols the benefits of this practice: “The benefits of free writing revolve around organization, brainstorming, and inspiration, as well as beating writer’s block and relieving certain anxieties. Just getting anything written, even if it is imperfect, can jump-start creativity.”

Author Natalie Goldberg also encourages free writing, or “first thoughts” in her parlance. In this excerpt from her classic Writing Down the Bones: Freeing the Writer Within she explains how to write first thoughts (#6 is a tough one!):

Keep your hand moving. Don’t pause to read what you’ve just written.
That’s stalling and trying to get control of what you’re saying.
Don’t cross out. That is editing as you write. Even if you write something
you didn’t mean to write, leave it.
Don’t worry about spelling, punctuation, grammar. Don’t even care about
staying in the margins and lines on the page.
Lose control.
Don’t think. Don’t get logical.
Go for the jugular. If something comes up in your writing that is scary or
naked, dive right into it. It probably has lots of energy.

Sometimes I write from a prompt (maybe not technically free writing, but who’s nitpicking?); at other times I simply write whatever comes forth. I set a timer on my smart watch for thirty minutes and go, without stopping. At first I went for ten minute sprints, but soon found that half an hour worked best. My thoughts and words flow. When the timer goes off, I pause, then go for another thirty minutes. At that point my hand needs a rest!

My free writing is turning into a memoir. Nothing organized or even chronological—whatever occurs to me ends up on the page. What occurs are often experiences from my past: family, people I’ve known, jobs held, schools attended, challenges faced. I’ve devoted pages and pages to my summers spent with relatives in a rural part of upstate New York.

It’s been an enlightening process, especially as I discover how my perspectives have changed over the years. Frankly, there are memories I’d like to keep buried, but I’ve found it liberating to get them down on paper (See #6 of Natalie Goldberg’s list above).

Since I started this process in July, I now look forward to writing each day. I can’t yet report much creative writing activity, but last week I was invited to submit a short story to an anthology. I have a great idea for a story (remember, I have no dearth of ideas) and now feel up to the challenge of actually writing it.

And now, please excuse me … it’s time to free write!

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Naming Characters

by Gayle Bartos-Pool

Sometimes the name of a character a writer uses just pops into their head. Other times they use the name of a friend or relative. There are also times when the writer changes the name they started with when they realize it doesn’t fit the character anymore. But how is that possible? The writer is just making up the name and the story.

Well, it’s like this…

When a writer is creating a story, they are creating a new world. It will be filled with things everyone will recognize or at least understand if the writer gives good descriptions. A space odyssey might be made-up, but there will be enough things explained so the reader can follow along. Hey, the people who wrote the Star Trek episodes imagined fantasy gadgets that were actually invented many years later by real scientists who used roughly the same concept and style for actual things we use today… “Scotty, beam me up!”

But character names can be tricky.

If one is writing a story that takes place a hundred years ago, names like Tiffany or Jaiden might not work. Watch an old movie and check out the names used. Or maybe read an old book. But something interesting is happening now in the first quarter of the 21^st Century. Names from fifty to seventy-five years ago are making a comeback. This will probably mean that you can use any name for a contemporary story. But there still is the problem of fitting the name to the character.

In most cases you wouldn’t want the “heavy” in a cops and robber tale to have a cutesy name like Willy or Felix. They would more likely be the comic relief characters in another story. The same is true with the hero’s name. It would have to be something a bit stronger like Max or Duke. Remember, studio executives and a director changed Marion Morrison’s name to John Wayne to fit the type of characters he would be playing in the movies. And that’s a fact.

Female names have the same concerns. The female lead in a romantic story could be called April or Amber, not Bertha or Myrtle. Wilhemina could definitely be the name of the amateur sleuth in a cozy mystery. She could be a librarian or maybe an older sleuth like a Miss Marple.

Names can do as much to define a character as what he or she does within those pages. If you start off by introducing your main character with his or her name linked to a strong action, it will help the reader understand the part they are playing. But that is only if you want the reader to know who they really are from the start.

If, for some reason, you wanted to gradually introduce your hero, you could peel away certain aspects of your lead character by letting him show the reader those special qualities a little at a time, but that method is usually meant for the villain who starts off as just one of the boys or maybe some influential person in the plot, but who knew he was actually the bad guy? The hero will finally see the real person under all that finery and expose him.

As for the hero, usually the reader knows who he is from the beginning, but the hero might have to discover that truth about himself by peeling away his own fears and finding his own strength when push comes to shove at the end of the book. The reader will be rooting for him, but he has to do the work.

But establishing the name for that character will still take some planning. Now that we have access to the Internet, you can type in the name that you have cleverly come up with. It fits the parameters of your story. It isn’t too quirky or too cumbersome. But “what if” there is some famous person with the same name out there? Just about every name I have come up with has two or twenty-two people with the same name on the Internet. I have a rule: If it isn’t some current name in the news and I like it, I’ll go with it.

I seldom use the actual name of a friend in my stories. If I only use their first name, I’ll do that, but I have added little changes to their names just for fun. The reason I do this is because I do want my characters to have a life of their own. After all, my friends have their own lives. But it’s fun to use their first name for a character who makes a “special guest appearance.” I even used a version of my dad’s name in my spy novels. Dad dealt with spy planes and did some rather interesting things that are still classified, so calling my character “Ralph Barton” instead of “Ralph Bartos” worked. And dad got a kick out of it.

I probably do keep the names of my characters fairly simple. If they are all wildly intricate with too many syllables, the reader might get lost in the multi-syllabic confusion. And several odd names might confuse the reader as well. They might think Henrietta is Hildegard and not understand why the wrong one riding in the taxi with the killer.

So, I keep the names a little simpler and do something else. I don’t have three or four characters in the same story with a name that begins with the same letter. This makes it easier for the reader to follow, and it actually makes writing the story easier, too. I don’t want to confuse my characters while I’m writing.

And I do try to fit the name to the character. One of the fun names I picked was for my second private detective series. It came about this way. I always liked the old detective shows on television back in the 50s, 60s, 70s and 80s. And the private eyes from the old black and white movies I watched on the movie channel. I wanted this new character to be a tribute to those guys. Too bad they don’t have good detective shows on TV anymore. Our loss.

I started with Sam Spade. That was the name of the character Humphrey Bogart played in The Maltese Falcon based on the 1930’s novel written by Dashiell Hammett. A classic. I also liked the television series, “Richard Diamond,” starring David Janssen, that ran from 1956 to1960. I was a fan of “Hart to Hart,” starring Robert Wagner that ran from 1979-1984.

So, I liked all these cool detectives. I noticed that their names were like the different suits in a deck of playing cards – Spade, Diamond, Heart. I needed a Club, but that name wouldn’t work. Sounded like a caveman or something.

Then I thought: what’s another word for “club”?

There’s gaming club, gambling club, and a gambling casino!

How about just casino?

And Johnny Casino was born.

The name fit this character who took a chance, changed his name from Cassini to Casino after he worked on a gambling ship near Maimi and had to leave in a hurry. He then took another chance and moved to Los Angeles and after getting his life together, he became a private investigator.

But I worked on getting his name and his life right…Three books later, I guess the “chance” I took paid off.

And you know what? There was one more chance in this story. Another character was working his way into my head. His name: Chance McCoy. He got a second chance in life himself. There are three books in his detective series.

You see, names do matter. If they fit the character you’re writing, they can lead you to many new places. Write On!

PLOT, PLOT, PLOT

by Linda O. Johnston

We’re all novelists here at Writers in Residence. That means we all tell stories that may have some origin in fact, or not. But what we finish up with is fiction.

Whether I’m writing romantic suspense or mystery these days, the genres I’m into most, there always needs to be a plot. I’m not sure what the best definition of “plot” is, but in my estimation it’s how a story starts and continues and develops, with one thing that happens leading to the next until the grand finale, and then the wrap-up.

Where do my plots come from? My mind! I ponder them a lot as I plan a story and then write it, with things sometimes changing from what I originally intended. I make it somewhat easier on myself by plotting in advance, and I’ve even developed my own plot skeleton, pages with blanks to be filled in with people and how they interact and what they’re up to, whether it’s romance or murder, or a combination!

So, you other writers here. How do you plot? Do you enjoy it? Are you usually happy with the result when you finish a draft or manuscript?

I’m usually happy. But any issues may be the key to my figuring out my next plot.

A DILEMMA OF BOOKS…

by Rosemary Lord

There I was, puffing and panting in the 90-degree sun, lugging box after box of books out to the car….

But I’m getting ahead of myself.

I have always felt that one can tell a dedicated writer by the books with which they surround themselves. Although I know that nowadays, if you’re technically and digitally proficient, you can do and find everything on your computer or even on your phone.

But it’s not the same. Not for real writers! You need to READ books to be able to WRITE books. Real, actual books, that is – with carefully designed crisp paper pages, glued and sewn together – or however they do the spines now. Enticingly designed covers, beautifully matched colors, and perfect fonts. There’s a lot of work that goes into every book.

Many of those who dedicate themselves to the magical world of writing have fascinating, eclectic book collections.

I recently culled 432 books from my overwhelming assortment. And I still have many left!

How did it ever come to this?

In my defense, as a book lover, I began with just a few small (only 6”x4”) volumes I brought with me when I moved here from England: ‘Poetical Works of Tennyson,’ some Edgar Allan Poe tales, Poems of Elizabeth Barrett Browning, and a worn 1915 printing of Gene Stratton Porter’s Girl of the Limberlost, that I knew would not take up much space.

Over the years of attending so many writers’ conferences all over North America, I kept those heavy bags filled with the new books publishers gave us.

To support my fellow writers, I loyally bought the latest book by the authors I knew.

I’m a sucker for an appealing jacket cover, too – especially when Amazon made special offers so affordable, as a way to discover new writers.

I still buy books for my writing research. I have a great collection of books on Old Hollywood. And then there was my late husband, Rick’s, assortment of books on motor racing, motorbikes, animals, snakes (don’t ask!), music, finances, and the Stock Market.

And so my library grew.

But my small apartment didn’t.

I had seven tall bookcases crammed, with more books stacked on the floor in front of them.

Time for a serious cull.

I kept books that fellow writers had inscribed to me. I boxed up Rick’s books. I found several duplicate copies of paperback mysteries and ‘cozies.’ Out they go.

Of course, I kept my rare and special Hollywood books. But I was strong in my intent.

No, it’s not: ‘make room for more books,’ I tell myself!

But then, knee deep in book piles, I realized they had to go somewhere. Most of the charity shops where I donate clothes or household items are not taking any more books.

Hmmm. Where?…

Then I remembered The Last Bookstore. Years ago, my brother and I had schlepped half a dozen bags of books there to donate. It is downtown Los Angeles, at 453 Spring Street in an old bank building with marble columns and vaults filled with vintage books. Owner Josh Spenser has created an intriguing world of not just shelves and stacks of books, but enthralling shapes – a tunnel of books, higgledy-piggledy towers of hardbacks and paperbacks, with comfy armchairs and leather couches to sit and gaze and get inspired by the fantastical displays of books, vinyl records, gargoyles, and dolls.

The Last Bookstore has a free community service called Re-Book It: to ensure that books don’t end up in landfills. They will pick up your unwanted books and find new homes for them, dispersing books to schools, charities, hospitals, and retirement homes. Currently, they’re focusing on getting books into the hands of children and families who lost homes in the L.A. fires.

“Hooray!” I had found such a great solution. Then came the fun task of packing the books in boxes and bags, counting and labeling them. Of course, lots of lifting is involved, squatting and bending, too. Quite tough on the knees and the back! But I reminded myself that I was getting a free workout! And lots of empty apartment space.

The 432 books packed into 24 boxes and bags were amassed by the front door, ready for collection. Then, I learned that Re-Book It was short-staffed and could not complete the pick-up that day.

“Why don’t you bring it to our store on Lankersham?”

“Okay,” I foolishly agreed, anxious to complete this project.

It was about 8 boxes in that I began to regret my fervor of “I can do this!” The books were VERY heavy to carry across the patio, to the front lobby, and then outside to my car. What was I thinking? And it was the hottest day of the year – of course. Over 90 degrees.

I had to stop every so often, sit down with a large glass of water, and cool off in front of a fan.

But once my car was overstuffed with boxes and bags of books, I made it safely to the Valley location of The Last Bookstore on Lankersham Boulevard, just past Universal Studios.

Just as the Downtown store was a magical, mystical store – so is this one. Odd, beautiful old doors, parts of wonderful, vintage walls surrounded by an eclectic mix of books and, well, just fascinating ‘things’ to look at, curios to examine. And, of course, books: from best sellers to first editions. A book-lover’s treasure hunt. Had I not been so exhausted carrying all those books earlier, I could have easily spent an hour or three browsing there.

I was very happy that my books were going to such a lovely new home. And I returned to my apartment happy I had made more space, promising myself not to fill it back up with more books. I wonder how long that promise will last!

So, this is where we came in. My exhausting but therapeutic adventures in book culling ….

Have you ever tried culling your book collections?

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HOW TO GROW A STORY

by Miko Johnston

I wish I could take credit for the title of this post, but the idea came from one of my favorite books on writing, How To Grow A Novel by Sol Stein. So instead, I’ll focus on what I’ve learned from the parallels between gardening and writing.

Know your regional growing zone

Trying to create a desert garden in the Pacific Northwest makes no sense. If you aim to sell what you write, be sure you have, or can create, an audience for it, otherwise write for your own pleasure.

Plant your seeds at the right time

In gardening, as in writing, timing can be everything. When I began working on my Petal in the Wind series in the early 2000s, I found little information about WWI’s eastern front (in English). That changed when the 100^th anniversary of that war approached. We’re a year away from significant anniversaries: our nation’s 250^th, the 25^th of 9/11, and (looking at you, Mad) the 100^th of Route 66, any of which should stimulate interest in books inspired by these events.

Know when to use seeds and when to use starts

With my local climate, anything slow-growing, like bushes, tomatoes or delicate herbs, takes too long to grow from seed, so I buy them as starts. Ideas also can be seeds, which require a lot of development, or “starts”, inspired by an existing story. If you like the thrill of seeing a workable idea break through the soil of your imagination, then go with seeds. Otherwise, get a head start with a pre-sprouted concept.

Plant them in the right place

Some plants need protection from the late afternoon sun while others thrive in hot, sunny conditions. Planting the latter in a place that provides some shade for the former benefits both. In writing, that’s called rhythm, which keeps the scenes flowing at a good pace, with moments of intensity/drama relieved by moments of relief/humor.

Nurture your seedlings, then toughen them up

In early March I plant some vegetable seeds indoors and set them on a south-facing windowsill to sprout. By the end of April, I’ll gradually acclimate them outside once the threat of frost has passed. If they don’t die, they go into the garden. I figure if they struggle a bit to survive, they’ll taste better. Do the same with characters; create them and then challenge them. It gives them, well, character.

Sacrifice the weak for the strongest

Thinning out your seedlings allows the remaining plants ample room to thrive, and lessens the competition for water and nourishment. Overloading your story with too many characters or too much (or a too convoluted) plot will starve out the best parts of your manuscript.

Know when to harvest

Whether flowers, fruits or vegetables, some need to be picked at their peak of ripeness, some slightly earlier and left to ripen on your kitchen counter. Leave a plant too long and it bolts or rots. Then all you can hope for is to collect seeds for next year.

A story must be tended and nurtured until it’s “ripe” for picking. Sometimes that means tackling a second draft while it’s fresh in your mind, other times it’s better to let a finished manuscript sit on the shelf awhile. Just don’t let it linger too long, but if you do, take a seed from it and start again.

Like planting a garden, a great pleasure of writing is growing your seedling into a full-fledged idea, nurturing it and watching it take form until it’s complete. The food we grow feeds our bodies, while the stories we grow feeds minds. But stories have one advantage over garden products.

My writers group used to sell our books at the local farmer’s market. We’d always remind shoppers that unlike the berries, tomatoes and lettuces they’d purchased, our products wouldn’t rot if left in a hot car awhile (insert laughter here).

***

Miko Johnston, a founding member of The Writers in Residence, is the author of the historical fiction series, “A Petal in the Wind”. Her fifth and final book in the series is about to be published. She’s also a contributor to several anthologies, including the bestselling “Whidbey Island: An Insider’s Guide”. Miko lives in Washington (the big one) with her rocket scientist husband. Contact her at mikojohnstonauthor@gmail.com

Superfluous Phrases – What Do They Mean & Why Do We Use Them?

By Jill Amadio

Often writers allow a well-known and well-worn phrase to trip off the tongue- or rather, onto the keyboard – to mark a particular moment in a story, just as we do in real life. In fact, to catch a moment in time, as in, “At this moment in time.”

What does that mean? Obviously, the first three words refer to a specific time frame, to the exact fraction of a second that is being noted. Exactly. It is a method for stating, or pointing out, that a moment is to be marked. All well and good.

So why do we also need to add the words, ‘in time?’ Surely we are already talking, or writing, to pinpoint something that requires noting as to time. We want to make it stand out, with our ‘at this moment’ that alerts the reader to note the moment. Why, then, employ the redundant ‘in time’ to add to the statement? When else would it be happening if not ‘at…this…time?’

If the ‘something’ happened earlier or later, the writer will be sure to note it, probably with a detailed following sentence or paragraph to explain the time lapse or hint at a future action.

Another hackneyed phrase that rather galls me is ‘Right now.’ This second phrase, in itself, poses another question – what do we mean by ‘right?’ The ‘now’ word is fully understood, but whence came ‘right’ in this sense? We often use ‘right’ as a confirmation in place of ‘correct,‘ to signify to the other person their words ring true, but it is rather inelegant.

Here are other common phrases I don’t catch in my stories until perhaps my second or third draft:

Open any book, skim a few pages, and you are fated to come across ‘faded jeans,’ ‘a pale face,’ ‘the rugged terrain,’ or ‘winding road.’ These are all beautifully simple descriptions (a couple from Hemingway’s For Whom the Bell Tolls) that tell the reader in easy terms what we want them to know without going into unnecessarily exotic language. Just writing a well-known phrase in the correct context can provide the reader with an instant understanding of what is meant.

One of my favorites is ‘standing pat.’ It makes no sense whatsoever on its face. Yet, it has a sense of mystery because ‘standing’ and ‘pat’ appear to have no relevance to each other, yet they belong together. And, incidentally, could provide us with the basis of a plot.

One can assume the phrase to be a description of someone named Pat. Was she standing up when the phrase was created? Was the word ‘with’ missing so that phrase may originally have been ‘standing with Pat?’ It does suggest a sense of loyalty, of being at the side of Pat. Yet, the word ‘pat’ has many meanings, as well as a person’s name, although I doubt it means ‘to pat’ as in patting a pet.

So many other phrases we use are hackneyed but perfect for the moment in time (sorry). Trying to find a substitute to avoid sounding boring can take up too much time, and even sound unnatural.

A foreign character’s use of phrases in their own language often introduces an interesting change of pace as long as there is a way to translate it, if necessary. This can easily be undertaken in conversation, while other remarks may not need any translation at all. In fact, we don’t realize that many words have become part of our own English language. Someone told me that English is based on German, while someone else swore it was based on Latin.

All that writers need to remember, I would say, is how rich and versatile English is, and how fortunate we are to be able to dive in and select whatever we choose.

I recently bought an ebook from Amazon for my Kindle Fire, selecting a mystery at random. Not until the second chapter did I notice it was set in Norway and authored by a Norwegian. Bravo!

This article was posted for Jill by Jackie Houchin

A Writer Wastes Nothing

by Maggie King

“A writer wastes nothing.” This saying is attributed to F. Scott Fitzgerald. The renowned writer mined his college years to create his debut novel, the autobiographical This Side of Paradise.

I recently attended an outdoor event in a local park and feel inspired to write about it—in fiction form.

The crowd at this event was large, the air heavy with humidity. Virginia is a steamy place in the summer! I drank little water as I was unsure if facilities were available or even nearby (they weren’t). After standing for over an hour, the crowd started to leave—slowly.

A feeling of lightheadedness came over me and my vision blurred. To say I was frightened was an understatement. I was with friends and the crowd was friendly, so I wasn’t in danger. But the feeling of losing consciousness is scary and uncomfortable under any circumstances.

One of my friends let me lean on her until we came to a tree where I sank to the ground and sat back. People gave me bottles of cold water to drink and press against my wrists. I ate one of my melted protein bars. In no time I felt revived, grateful that I hadn’t passed out. A couple of EMTs showed up and took my vitals (they pronounced them fine!). I opted not to go to the hospital. Dehydration was named the culprit.

One of my friends left to get the car. The EMTs parted the crowd for me, and one of them stayed with me until the car arrived. While we waited, she asked what I did for work.

“I’m a writer, and I’m already planning to use this experience in a story.”

After all, a writer wastes nothing.

As I know how frightening it is to feel on the verge of losing consciousness, I can bring a visceral feeling to the story. My imagination will ratchet up the danger, raise the stakes. Possibly elements of a Hitchcock film I’ve seen is inspiring me as well.

My preliminary idea is based on a series of what ifs: