by Gayle Bartos-Pool
After writing my first three published short stories, something happened: Readers responded favorably to one of my characters. They liked this guy’s personality.
Of course a writer is supposed to craft memorable characters, but those are usually found in a novel. A writer has more room to flesh out characters in a 300-page novel, not a 25-50 page short story. But something was happening with my “Johnny Casino” character. His personality was too big to stay within 28 pages.
That’s when I realized I had more Johnny Casino stories in me. In fact, by the time I was finished, I had nine stories and 388 pages. That’s called a book. I had turned a one-shot story into what is basically a series.
But the journey was also a learning experience.
I wrote a batch of these stories and showed them to my agent. She liked them, but…she wanted more information about Johnny. She thought the stories needed a love interest, but I didn’t want the short stories bogged down with schmaltz. That wasn’t what I envisioned for my character. But I hadn’t written any reason why Johnny didn’t have a woman in his life, so I wrote a backstory. That’s when I learned a lot of new things about him. It was so detailed; it turned into the second story in the first collection, The Johnny Casino Casebook 1 – Past Imperfect.
The backstory also gave me a different view of Johnny. He had his dark side as well as his sarcastic side. He was becoming a three-dimensional person. I started learning so much about him, more stories popped up. One was so compelling; it became the focal point of the second collection, The Johnny Casino Casebook 2 – Looking for Johnny Nobody.
Since I had created a past for Johnny, I could write stories about him when he worked for the mob back in New Jersey when he was younger; after all, I had discovered that his father was a high ranking guy in the D’Abruzzo crime family. I could also do a story explaining how he became a private detective after he fled to California.
And here’s a heads up for all you multi-tasking short story/novel writers. The character I created who taught Johnny how to be a first class P.I. is the heroine in another mystery series I have been writing. I figured, if people like Johnny, they just might like the novel featuring Gin Caulfield. She is now in three novels, not short stories in this case.
The last thing I learned on this journey is that there is a different kind of short story out there. In classes I teach about The Anatomy of a Short Story I mention a short story is like an hors d’oeuvre. It consists of a few really good things served up in a small bite. Whether it’s a handful of cool characters in a terrific location involved in a catchy plot, the short story gets you to one location in the fastest way possible.
In contrast, a novel can take you far and wide with a cast of thousands with sub-plots and bits of interesting background stuff just for the fun of it, and the writer can use 300 to 400 pages to accomplish the task. But the short story writer has to chop out unnecessary characters, places, plot twists and trim down the description to its bare bones and do it in 10 to 25 pages, give or take. Or does he?
I think there is a new home for the short story. The Short Story Novel. The length of each individual story can be anywhere from 25 to 70 pages, but the main thing is to have a single set of characters, or in my case, one main character, in every story. Several characters make repeat appearances, and I mention one sub-plot in several of the earlier stories in any given collection that is resolved in a story of its own. Each story reveals more and more about my main character and the final story in Book One ends with a haunting question that will be answered in Book Two.
If this sounds like a television series, you betcha. I called it a “series” earlier in this blog and that is exactly how I visualize The Johnny Casino Casebook, whether it stays in book form or hits the TV screen. His stories might be in the “short story” format, but his entire life is a novel.
And for those of you who prefer to create something completely stand-alone in each short story you write, those individual tales can always be put into your own collection and published. I did just that in From Light TO DARK.
And to add one more thing to this blog, Johnny Casino isn’t the only short story character to be in a book of his own. Chance McCoy arrived this year. His first book is called Second Chance. There are more stories to come. And there is a second short story anthology called Only in Hollywood coming out next year. The book consists of various stand-alone stories, but one features a guy named Charles Miro, a former TV actor turned private eye. He works for a younger woman who owns the detective firm. There are several stories about these two coming up. You see, even a short story can magically turn itself into a book if you try.