Author: Jackie Houchin

First, I am a believer in Jesus Christ, so my views and opinions are filtered through what God's Word says and I believe. I'm a wife, a mom, a grandma and now a great grandma. I write articles and reviews, and I dabble in short fiction. I enjoy living near the ocean, doing gardening (for beauty and food) and traveling - in other countries, if possible. My heart is for Christian missions, and I'm compiling a collections of Missionary Kids' stories to publish. (I also like kittens and cats and reading mysteries.)

Writing Humor

by Jackie Houchin

How do you make a story funny?

Do you have to be a comedian? If you can’t make it laugh-out-loud-able, how do you make it chuckle-able, or at least grin-able? Or at the VERY least, smirk-able?

Our own Gayle Bartos Pool does it with punny words, double entendre, dialects, and snappy, sometimes tongue-in-cheek dialogue. And… hysterical situations!

You will grin and you will laugh aloud when you read her short story, “Only in Hollywood” in the Sisters-in-Crime collection, LAndmarked for Murder. I mean, can you picture a bunch of thugs pushing a dressed up dead body around in a wheel chair in the Bonaventure Hotel in Hollywood? No Way!

Gayle’s “Glitzville” in her own short story collection From Light to Dark has some hilarious dialogue scenes. They may not be as tangled as Abbott and Costello’s “Who’s on first?” but they sure come close. The back-and-forth conversation between Archie Wright and Sal Cohn is definitely grin-able. Your eyes will dance down the pages as you read it.

Here’s the opening paragraph so you can “taste” the style, before the funny dialogue begins.

“Archie Wright’s the name. Dishing dirt’s the game. My sandbox: Hollywood. The most glamorous and glitzy, vicious, and venomous playground in the world. If you come for a visit, bring your sunscreen and your shark repellant. If you come to stay, let me warn you, Tinsel Town eats up and spits out a hundred just like you every day. Sometimes it isn’t pretty, but it’s my job to chronicle the ebb and flow of the hopeful, the helpless, and the hapless. My best stories come from the dark side of Glitzville.”

And then the whip smart fun begins….

These are two stories in books you can try out for examples of how write comedic. Perhaps you can recommend others?

If you are an author, how do YOU make scenes funny in your books? Is it by the characters, or some ridiculous premise, or by snappy, punny words and dialogue? (SHARE YOUR SECRETS!)

Okay, as a journalist and book reviewer, I don’t have much talent with humor aside from a pun now and then. So, for the end of this post, I will try to get you to laugh, chuckle, guffaw, grin, or maybe just smirk with a few corny jokes. (from Woman’s Day magazine)

What do you call a snake wearing a hard hat?
A boa constructor.

What do you get when you cross a centipede with a parrot?
A walkie talkie.

How do you make an octopus laugh?
With ten-tickles.

How do you get a country girl’s attention?
A-tractor.

What do you call a beehive without an exit?
Unbelievable.

(You can pause here and come back later if you are grinned out.)

What do you call someone with no body and no nose?
Nobody Knows.

What do you call a blind dinosaur?
A do-you-think-he-saw-us.

Where do pirates get their hooks?
Second hand stores.

What do you call black birds that stick together?
Vel-crows.

(And a few to whet your appetite.)

What do scholars eat when they’re hungry?
Academia nuts.

Why do seagulls fly over the sea?
If they flew over the bay, they’d be called bagels.

Why should you never use “beef stew” as a password?
It’s not stroganoff.

What do you call a pig that does karate?
A pork chop.

(And for our own, Linda Johnston…)

What do lawyers wear to court?
Lawsuits.

What do you call a priest who becomes a lawyer?
A father-in-law.

What’s a lawyer’s favorite drink?
Subpoena colada.

I hope you got some ideas, or at least some laughs.

Remember the Bible verse – “A merry heart does good like medicine.” – Proverbs 17:22.

If you can’t find where to comment, click the title of this post at the top (Writing Humor) and you should find Likes & Comments below.

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Listening for the Rhythm of What Your Characters Say: Applying Poetry Writing Techniques to Writing Dialogue

by Guest Blogger, Tammy D. Walker

Writing dialogue can be difficult. First, there’s the content of what the characters say. And then, there’s the subtext, or what the characters are trying to communicate to each other without saying something that might be too awkward or imperiling for them to say directly. And, also, there are the actual words that need to go between those harrowing quote marks.

As readers, we want what characters say to sound realistic, even though, as writers, we understand that the best-sounding dialogue in the context of a story might strike us as odd if we heard it in real life.

So how do we balance all these moving parts to make them work as solid dialogue?

One solution I’d like to offer is to use techniques from crafting poetry.

Before I started writing mysteries, I’d had a couple collections of poetry published, and I studied the form in grad school. And while I find writing poems and novels to be quite different in most ways, I did find that the “ear training” required for writing poems has helped me fine tune my dialogue writing process.

Though most of the poems we encounter are in print, poetry is still a very auditory art, meant, for the most part, to be read aloud. So when I’m thinking about how to construct dialogue, I apply the same sound-related techniques in writing poems as I do while writing dialogue. Though dialogue in fiction, like poems, isn’t generally read aloud, we should still consider its sound and how that sound serves the story.

Writing poetry requires the poet to not only think about individual words but also their arrangement in syntactic units, in lines, and in juxtaposed groupings. As fiction writers, we can apply these ideas to writing dialogue to give our characters words that make them more compelling to our readers.

Countering Some Possible Objections

Let’s just get something out of the way, first: Poetry has a reputation among the general public for being obscure, enigmatic, and perhaps also stodgy. Which, I think, is unfair. The poems most of us encountered in high school are throw-backs to previous centuries, when flowery language twisted harder than barbed wire to fit the perimeter of some rigid form might well have kept all but the most diligent reader out of the green pastures of meaning.

Okay, maybe I took that metaphor too far. But I think you’ll get my meaning.

Contemporary poetry, and that leading up to it in the last century, relies on plainer language. Sure, there’s metaphor, simile, and all the other techniques we learned about in freshman English class, but there’s also a directness and freshness to language used now. Victorian poems were written for Victorian audiences; poems written in the 2020s were meant to be read by, well, you and me. In general, the language is accessible by your average reader.

So, for the most part, the language in this poetry-techniques-in-dialogue should be what your character would use in day-to-day life.

Unless you don’t want them to, of course.

What the Characters Say

So, that out of the way, let’s get to content.

Before I write either a poem or a scene, I first think about what the content of the poem or the scene and outline what needs to take place. For a scene, of course, that means thinking about what the characters want and how they’ll either achieve that or how I can thwart them. For a poem (and yes, I outline my poems before I begin drafting) I think about the arc of the poem, or what argument the speaker of the poem will make.

(A note on terms: even though many poems are autobiographical–or even confessional–many aren’t, including almost all of mine. The “I” of the poem is the speaker, who may or may not be the poet, so it’s useful in this context to think about the poem as spoken by a character, even if that character functions more as a narrator than a in-the-scene actor.)

Since most of my fiction these days is cozy mystery, I’ll use examples from that genre. Let’s say we have two characters, Curtis, an art collector and one of the suspects in my novel Venus Rising, and Amy, a librarian intent on solving the mystery of a painting at the center of the book’s mystery.

Amy joins Curtis for dinner in his suite. She wants to know more about his art collection, but, of course, being a good amateur detective, she can’t ask her pointed questions directly. But she’s there to gather information. Curtis, on the other hand, just wants to impress Amy. So this gives me both Amy’s content–she wants information–and Curtis’s–he just wants Amy.

How the Characters Say It

So now we know what the characters want to say. But Amy can’t tip her hand about her suspicions just yet, and Curtis can’t come on too strong. Let’s go back to a few ideas from poetry about wording, rhythm, line length, and syntactic units.

Curtis wants to woo Amy, and his language is more song-like. The rhythm of the words is more lilting. He calls Amy “A vision in aquamarine,” and later asks “Champagne for my lovely companion?”

To which Amy replies, “I don’t drink.” Her words here are clipped and emphatic. (She’s caught on to Curtis’s intentions by this point, and she has no interest in him.)

The rhythm of the words in this short example show how differently the characters are approaching each other. The words themselves are also worth noting, as Curtis uses Latinate language (“vision,” “aquamarine,” and “companion”) to inflate is dialogue, whereas Amy’s more Germanic retort punches back.

Line length is also key to establishing rhythm and the perceived speed at which the dialogue is spoken by characters. While dialogue isn’t split by line or stanza breaks in the way poems are, it can be split by tags (“she said,” for instance) or by the end of a sentence.

Longer lines tend to quicken a reader’s pace. Shorter lines, conversely, slow it. Poems such as H. D.’s “We Two” cause us to stop more often at the ends of short lines: “We two are left: / I with small grace reveal / distaste and bitterness[.]” Poems with longer lines draw us forward at a quicker pace. W. B. Yeats’s “The Lake Isle of Innisfree” does just this: “And I shall have some peace there, for peace comes dropping slow, / Dropping from the veils of the morning to where the cricket sings[.]”

So as I’m writing dialogue, I think about whether I want the character to speak quickly, perhaps revealing their anxiety, or slowly, to reveal their uncertainty. And then, from there, I’ll decide whether to use longer or shorter words in longer or shorter phrases, and how I’ll either break them (or not) with tags, interruptions, or actions.

In this example, I wanted to show Amy’s distaste for Curtis, even though she can’t reveal the fact that she does not like him just yet, since she needs to know more about his art collection. She backtracks a bit and later says, “Sparkling water would be lovely, thank you.” I wanted to move her more toward Curtis’s rhythm and longer lines, so that she doesn’t reveal her suspicions too soon.

Concluding Remarks Using the Best Words

One of the concerns of poets in the early 20th century was that the language of poems had been, too often, contorted to fit forms, and that the resulting work sounded contrived and unnatural. This carries forward through contemporary poetry, and poets do strive to make the sounds of the words, lines, and syntactic units fit with, complicate, and enrich the arguments of their poems.

This concern with the naturalness of language is also useful to fiction writers crafting dialogue. We want the content of what our characters say to sound natural. Considering the content in light of poetic sound craft can give the characters compelling things to say in a way that enriches the characters themselves and their movements through the story.

Which is an aim that, I hope you’ll agree, sounds good.

Bio: Tammy D. Walker writes mysteries, poetry, and science fiction. Her debut cozy mystery, Venus Rising, was published by The Wild Rose Press in 2023. As T.D. Walker, she’s the author of three poetry collections, most recently Doubt & Circuitry (Southern Arizona Press, 2023). When she’s not writing, she’s probably reading, trying to find far-away stations on her shortwave radios, or enjoying tea and scones with her family. Find out more at her website: https://www.tammydwalker.com

Tammy D. Walker’s article is posted by member, Jackie Houchin (Don’t you want to run out and buy her cozy mystery to see how she does this? Wow!)

How Do You Name Your Characters?

by Jackie Houchin

NAMES in stories are important in that they have to “fit” the characters, the era, the country, and even class in which they live. You wouldn’t name a society woman, Buster. (Well, unless there was a right good reason for it.) Also, a native seamstress of New Delhi probably wouldn’t be called Manuela. So how do you find those perfectly fitting monikers?

It used to be you could use telephone books, but who even has seen one of those in the last 15 years?? There are websites that offer names for babies and their meanings. Some even suggest names that were popular in different years. (See below) Maybe you will name your heroine or villain after someone you love, or love to hate.

SUGGESTION One – A couple years ago I came up with an idea for a short story in a contest. I liked the name Autumn (the story had to be set in the fall). She would be a painter. I know how I wanted her to look – long, wavy auburn hair, green eyes. And she would be the quiet type.

Boy, did I get a shock when I asked my friends on Facebook what a character with the name Autumn Gold would look like and what she might do for a living. Nearly all of them said she would be a sexy night club dancer or even a street walker. Yikes! I changed her name to Audrey Gould. But I titled the story, and named the fantastical woodland painting her boyfriend made with her hidden image in the colors, “Autumn Gold.”

I got honorable mention out of 400 entries. Asking around might be a way to check out that clever name you’ve chosen.

SUGGESTION Two – I also wrote a middle grade mystery titled “The Bible Thief” set in a church much like the one we attend. For some weird reason 4 or 5 people (including myself) lost their Bibles at some church event. Some were found, others not.

Hmm. I pondered, and immediately thought of a clever gang of kids who would “investigate” and discover the remarkable solution to this mystery. Because I wanted to share the story with the kids in the 4^th-6^th grade class I was teaching, I minimally disguised their own names as the gang, their parents, and a few other easily recognizable people (by description) in the congregation.

That was easy! And maybe YOU have used names of people you know but changing Sheryl to Sherry, or Garrett to Darren.

SUGGESTION Three – And lastly, I also wrote a series of related short stories for the same age children, set in Africa. There were seven kids (one set of twins, and one who passed away at a week old), and they all had names that coordinated in some way with the month they were born in.

The youngest boy, born near Christmas (and since his father was a mission pastor) got named Deacon. “Deek” for short.

There was a girl, April (yeah, I know, too easy) and the twin girls were named Melody May and Charity June. (Know why twins have two months?)

A younger boy was named August, nicknamed “Gus.” The oldest boy was Marshall (can you guess his month?).

A sensitive girl born in July I named Julie Joy. And the little guy that didn’t make it very long was Freddie, born just after Valentine’s Day.

So, that is how I sometimes choose character names. How do YOU come up with yours?

Baby names from Social Security lists by popularity, the top 5 by year, by decade, state, and US Territory – https://www.ssa.gov/oact/babynames/

2023 Baby name finder and the meaning/origin – https://emma.ca/baby-names

70,000 Baby names by gender, alphabet, origin, meaning, and religion – https://www.momjunction.com/baby-names/

Saying Goodbye is Hard To Do.

By Marilyn Meredith, guest blogger

In this case, it’s saying goodbye to two whole sets of characters who’ve been living in my head for many years. First it was the all the police officers and their families who live in the beach town of Rocky Bluff, as well as many of their citizens. This is the first series I wrote and the first published. Reversal of Fortune is number 17, and the last one. I am going to miss the Rocky Bluff P.D. (I wrote this series using the author name F. M. Meredith.)

When I moved to Springville, I learned we lived near the Tule River Indian Reservation and I became friends with a Native woman who grew up on the rez. I love the little town where I now live and incorporated a lot of my surroundings in the Deputy Tempe Crabtree series. I’m certainly going to miss Tempe and her husband, Hutch, a pastor, and their good friend, Nick Two John. The latest book is #20,

The hardest part is that I know all these people so well—even knowing how they think, and how each one will act in any situation. In many ways, it’s like losing good friends.

I’ve been asked several questions about this decision. Was I tired of the characters and the settings? Absolutely not. I loved the folks who lived in Rocky Bluff, especially the men and women of the RBPD. The beach community of Rocky Bluff only existed in my imagination, but reflected much of the area where I once lived and other small towns along the coast.

Those who lived in Bear Creek and the surrounding area are near and dear to me since I live in the community that inspired it, with some minor changes. I’ve used much of what is here in many different books in the Deputy Tempe Crabtree series: the small river that sometimes floods as it did this year, the Inn as it was in earlier years, and the surrounding mountains. I’m staying where I am, but Tempe and Hutch are moving on.

Another question was had I run out of ideas? No, that wasn’t the problem. With the Rocky Bluff series policing is changing so fast, I didn’t think I was able to keep up with the changes. With the Tempe Crabtree series, I knew in my heart it was time—20 books was enough

So what will I do now? I have another cook book on the back burner—this one with camping recipes. I plan to update one I wrote when I was a Camp Fire Girl leader and we went on many camping trips.

I’m also planning to write either a young adult mystery series set during World War II in Los Angeles, or a memoir. Haven’t really decided yet. My childhood and early teen years were during that period. I have lots of memories during a time that was much different than now.

Like the characters in my books, my life has made some major changes and I am changing along with them.

Marilyn Meredith aka F.M. Meredith

Visit me at http://fictionforyou.com/

Blog: https://marilynmeredith.blogspot.com/

Marilyn’s article was posted by member, Jackie Houchin

Why I Read Short and Long

by Jackie Houchin

I read a lot of print books and listen to a great many audiobooks each year. I do not read anthologies or collections of short stories unless they contain several stories by authors that have a track record I enjoy.

Recently, I have been “reading” (I will use that word whether I use my eyes or ears) a good many short prequels to book series. If the book turns out to be so-so, I haven’t wasted much time. If I like it, I’ll consider the series. Also, more authors are writing their stories as novellas, which I enjoy too. For me “shorter is better.”

Except!

Except when I read authors that I KNOW will come through with an outstanding story. Then I will read longer. Sometimes much longer. I’m currently reading CITY SPIES by James Ponti. It has 378 print pages and I LOVE it. I eat it up. I can’t get enough, even when my eyes are stinging. I’m already looking for the next in the series. (Okay, yes, it’s geared to 10-12 year-olds, but I’m a kid at heart, and it really IS written well.)

In general, for LONG reading, I like fascinating, immersive, tightly-written books, with unique plots and hooks and plenty of jaw-dropping moments. And the characters better resonate with me. I enjoy relevant back-story told well and within the plot. In mysteries, I don’t want to easily figure out who is the villain or how he did the crime. I want to follow the author step by cleverly contrived step to the WOW ending, which, on second thought, makes perfect sense. I want a story that stays with me for a while.

Charles Todd is one of those authors. His Ian Rutledge historical mysteries are top notch. Here are my reviews of two of those books. You can see why I love them and will READ LONG.

A Pale Horse

A Deadly Loyalty

Historical Novels and Mysteries need to be believable and take me right to that setting and hold me there. If they do, I’ll READ LONG. Here are three I reviewed that did that.

The Ghost Map by Steven Johnson

The Girl in The Painting by Tea Cooper

A Brilliant Night of Stars and Ice by Rebecca Connolly

In a LONG READ novel, I want to be carried along with astonishing characters, vivid settings, and heart-wrenching but hopeful story telling. Here are two I loved.

The Bronte Plot by Katherine Reay

Light on Bone by Kathryn Lasky

Here’s one dual-time plot that is outstanding and innovative and that I gladly READ VERY LONG.

When The Day Comes by Gabrielle Meyer

And I could name more. I totally enjoy reading Charles Martin (long & intense), Connie Berry (intricate plots), Katie Gayle (addictive), A.J. Pearce (Historical), Spencer Quinn (Humor, a dog’s POV), and my all-time favorite Mary Stewart, which I read and listen to over and over.

All these books are well written and enjoyable. If these authors keep on writing, and others like them, I think there is hope for readers. (At least in my life time.)

NOTE: I hope you don’t mind the blatant self-promoting of my Words and Reviews blog!

And a few fun shots of Jolly Ole England – Afternoon Tea at the Ritz with lovely piano music, 150 Picadilly, London.

Buckingham Palace and Big Ben

How I Set A Mystery In The Galapagos

By Guest Blogger, Sharon Marchisello

For as long as I can remember, I had three goals in life: become a bestselling author, meet and marry the love of my life, and travel the world together. And I always figured I’d do them in that order. Although I achieved my dream of being a published author, I’m still working on that “bestselling” part.

When I graduated from the University of Southern California with a master’s degree in professional writing, I realized I’d have to get a “real” job. Not only was I not making a living as a writer; I wasn’t even published. Should I go for an opportunity that involved writing but might drain my talent and energy? Or should I look for something mindless that would pay the bills, so I could focus on my stories during off hours? Then a position as a reservations agent at Western Airlines fell into my lap.

My roommate had a friend who worked there, and one day the friend called to say Western Airlines was hiring. I was the first person to listen to the message on our answering machine and begged to go to the interview too.

The woman who interviewed me said, “You’re overqualified for this job. You just want it for the travel perks, and I know you’ll quit after a year or so. But I won’t stand in your way.” I stayed with the company for twenty-seven years; my roommate left after six months.

But she was right about me wanting the travel benefits, and my first few years, I was on a plane every time I had a day off. I met my future husband at the Los Angeles airport, and together we’ve taken 65 cruises and visited over 100 countries on all seven continents.

Although I kept writing fiction and even published a few travel articles, I never set a story in one of the destinations I’d traveled to. Until the Galapagos.

If you’re looking for the Galapagos on the map, it’s a group of islands straddling the equator, approximately 600 miles off the Pacific Coast of Ecuador. I never planned to set a book there, either, but six months later, I remembered an experience from our cruise that I thought would make a great opening scene for a mystery.

Normally, the guides were conscientious about counting heads and watching over all the passengers in their charge whenever we were away from the ship. In an archipelago comprising 97% national park containing flora and fauna found nowhere else on earth, tourists must be carefully supervised.

But one day, my husband and I left another activity to join a snorkeling excursion already in progress, and neither of the guides assumed responsibility for us.

We were swimming along, marveling at the vast array of colorful underwater life, when I surfaced to see both Zodiac boats motoring back to the ship—without us! I can still feel the panic of being left alone in the middle of the ocean, treading water off the shore of an island populated only by sea lions and blue-footed boobies.

I waved and screamed, bobbing up and down like a spyhopping whale, and fortunately, someone spotted me. One of the boats turned around and came back to pick me up. I didn’t see my husband right away but told the guide he was still out there. In a moment, he’d swum up and climbed aboard. All was well.

But what if… What if my protagonist’s companion didn’t get picked up? And what if the person was left behind on purpose?

I had a great time writing the book, reliving our trip through photos and program notes, plus doing a lot of supplemental research on the internet.

When Secrets of the Galapagos begins, my heroine, Giovanna Rogers, is snorkeling with her new friend, tortoise researcher Laurel Pardo. The two get separated from the group, and Laurel disappears. No one on the ship will acknowledge that Laurel didn’t make it back.

To determine a motive, I recalled a conversation I’d had with one of our guides during a visit to the Charles Darwin Research Station in Puerto Ayora, the largest town on Santa Cruz (one of only four inhabited islands in the chain). “I know a secret about Lonesome George,” he said. “But if I tell you, I’ll have to kill you.”

Lonesome George was a Galapagos giant tortoise made famous for being the sole survivor of the Pinta Island species. Unfortunately, efforts to breed George were unsuccessful, and the ancient tortoise passed away in 2012 without an heir.

But what if someone discovered another giant tortoise from a different subspecies also thought to be extinct? And then a tortoise researcher unearthed information about the animal that the tourist industry didn’t want released?

You’ll have to read Secrets of the Galapagos to find out what happens next.

Blurb:

Shattered by a broken engagement and a business venture derailed by Jerome Haddad, her unscrupulous partner, Giovanna Rogers goes on a luxury Galapagos cruise with her grandmother to decompress. At least that’s what her grandmother thinks. Giovanna is determined to make Jerome pay for what he’s done, and she has a tip he’s headed for the Galapagos.

While snorkeling in Gardner Bay off the coast of Española Island, Giovanna and another cruise passenger, tortoise researcher Laurel Pardo, become separated from the group, and Laurel is left behind. No one on the ship will acknowledge Laurel is missing, and Giovanna suspects a cover-up.

When the police come on board to investigate a death, Giovanna assumes the victim is Laurel. She’s anxious to give her testimony to the attractive local detective assigned to the case. Instead, she learns someone else is dead, and she’s a person of interest.

Resolved to keep searching for Laurel and make sense of her disappearance, Giovanna learns several people on board the ship have reasons to want Laurel gone. One is a scam involving Tio Armando, the famous Galapagos giant tortoise and a major tourist attraction in the archipelago. And Jerome Haddad has a hand in it. Thinking she’s the cat in this game, Giovanna gets too involved and becomes the mouse, putting her life in jeopardy. But if she doesn’t stop him, Jerome will go on to ruin others.

AMAZON

SUNBURY PRESS

Bio:

Sharon Marchisello is the author of two mysteries published by Sunbury Press—Going Home (2014) and Secrets of the Galapagos (2019). She has written short stories, a nonfiction book about finance, training manuals, screenplays, a blog, and book reviews. She earned a Master’s in Professional Writing from the University of Southern California and has been an active member of Sisters in Crime since 1995, currently serving as treasurer of the Atlanta chapter. Retired from a 27-year career with Delta Air Lines, she now lives in Peachtree City, Georgia, and volunteers for the Fayette Humane Society.

Website: sharonmarchisello.com (https://smarchisello.wordpress.com/)

This article was posted by member, Jackie Houchin. If you’d like to read my review of the audiobook version of SECRETS OF THE GALAPAGOS, click here.

“Letters From Afar”

An Interview by Jackie Houchin

For about a year and a half, I have been receiving by subscription ‘LETTERS FROM AFAR’ through the (snail) mail. They are stories about real places written by the “fearless explorer” Isabelle. I am an avid traveler myself, and these letters feed my wanderlust in between my trips. As a writer, I got curious about who wrote the letters, how they got started and a bit of the process. Was Isabelle really her name? Did she actually travel to these places?

I read up on it on the LETTERS FROM AFAR website, but I wanted more. As writers and readers, I thought YOU might be interested too, so I interviewed the gracious gal and she responded with lots of interesting and encouraging facts.

Jackie – I love your “fearless explorer” Isabelle and her history, but what is your actual name and history?

My name is Shawnee Mills. I’m originally from Texas, but have lived in New Mexico, Colorado, Kentucky (where I met my husband), North Carolina, and now New York City. I was homeschooled from the second grade and attended college early at age 14. From there, I decided to pursue cosmetology, and I worked as a stylist for 8 years. Throughout my career, my true passion was always creating art and traveling as often as possible.

Jackie – Tell me about your family. I know you have a husband, but do you have children and pets?

I’m the middle of 3 girls. My parents chose quite a different pathway for us, and I firmly believe it’s led to my current career and lifestyle. When I was nine, my parents decided to sell everything they owned and begin living off the grid in Colorado. My father built our home (a log cabin), and my sisters and I spent our days exploring, pursuing our own unique interests, and avoiding our daily lessons as much as possible. 😉

After that adventure was over, we again sold everything we owned, bought an RV, and traveled the country on a year-long quest to find our next home base. We eventually settled on Kentucky, where I began my adult life and career as a stylist and met my husband, Palmer.

Palmer and I do not have any children, only of the furry variety 🙂 Our two dogs’ names are Izzy and Bronco.

Jackie – What did you do before the LETTERS FROM AFAR? Did you travel for business? Was the painting for pleasure or business?

When Palmer and I decided to sell everything we own (see the theme here? ;)) and move from Kentucky to North Carolina, I left my job as a stylist behind. I decided to dive right in and attempt to make it as a full-time artist…. Which was daunting, to say the least.

My medium of choice back then was oil painting, and peddling my works in local coffee shops and art markets was not panning out as planned. After doing a lot of research on profitable business models, I decided to try to find a way to blend my passions for art and travel into the world of subscriptions.

While I had traveled the United States extensively, I had never actually left the country. In a roundabout way, creating LETTERS FROM AFAR manifested my current life of travel and adventure. My actual life and my business fuel each other.

Jackie – How did the idea come to you for the letters? Was it an “Aha” moment? A passing suggestion from someone? Your hubby or your muse? Which painting were you doing? Were you sitting in a café in Bangladesh?

One day, I was brainstorming and jotting down ideas in my journal. It was a scorching day in July, and I was sitting on the beach on a random weekday.

I had no job, and after my failed attempts at selling my artworks, also had no money. Around that time, I had been reading a fiction novel (cannot remember the name of it), and the main character was traveling and writing a letter to her mother. The idea hit me hard and fast…. Write letters about faraway places, include illustrations of the location, and send the letters to readers on a monthly basis!

I drove home so quickly, and excitedly told my husband all about my idea. His exact words were, “I love the idea. Go for it… if it even pays the water bill, it’ll be worth it.” 😉

Jackie – What was the process from that first idea, to the actual addressing and mailing out the letters? Did you imagine it would spread so widely around the world?

That same day, I pulled out my dusty and rarely used watercolors and a piece of paper and hopped onto my computer to learn as much as I possibly could about Marrakesh, Morocco.

I had never been but had always dreamed of going. After researching, I wrote a letter from the perspective of someone who was there. The character was telling their friend all about the sights, smells, and wonders. At the bottom of the page, I sketched out a scene of Marrakesh and added a splash of color with my watercolor paints. Voila! The very first LETTER FROM AFAR was born. I made copies of the original, folded them with care, and prepared them to be mailed to my future readers

We decided to name the fictional writer of the letters Isabelle. My dad came up with the name. She’s inspired by the real-life Isabella Bird, an explorer that lived in the 19th century and bravely traveled solo.

I created an Instagram page and a website and began advertising my little idea. That first week, five people subscribed to receive my monthly letters. I’ll never forget the feeling. It paid for the water bill in just seven days.

The letters have come a long way since then in terms of style and skill… but this very first letter was and is very special to me. Even then, it somehow felt like the start of something big…. Not in terms of finances but in the idea that I was on my way to “making it.” AKA, truly doing what I love.

Jackie – How many subscribers received the first letters, and about what is your readership now? How did you go about building your mailing list?

We were very fortunate that LETTERS FROM AFAR basically grew on its own. Through word of mouth and occasional posting on social media, it grew to over 1000 subscribers in the first year. 3000 by the second year. My husband was able to quit his job to help full-time. And the third year? That’s when covid hit.

Like many small business owners, I was in sheer panic when the world shut down. Would my little company survive? Would the postal system even be able to deliver my letters? To our complete shock, the pandemic was the catalyst that skyrocketed our monthly readership.

While everyone was stuck at home and no longer able to travel, my letters became a small way to see the world without having to leave. In 2020, our readership grew to over 8000, and in 2021, to 10,000. It’s steadily continued to grow each year since.

Today, we grow and maintain our readership by continuing to post on social media and doing some light paid advertising.

Jackie – I personally began with the letter about Predjama Castle in Slovenia. How many letters came before this one? (I see on your website; you can order past letters. How would a person go about that, and how much would they cost?)

I’ve created a new letter each month since July of 2017. In short, there are many, many letters! Some of them are out of print, and some are still available in our “archives.” The previous letters can be purchased for $7 on www.pastlettersafar.com.

Jackie – Do you write and illustrate ALL of the LETTERS FROM AFAR yourself?

I research, hand illustrate, and write each monthly letter. The process is long, but it’s my favorite part of this whole endeavor. My goal is for the colors of the letter and the story told to portray the true magic of each location.

In the beginning, I started each letter by heavily researching each location. Nowadays, I’m so happy to say that some of the letters are written on location. The eventual goal is for all of them to be written on location. That means a LOT of traveling, the idea of which makes me smile.

Jackie – What gave you the idea to hide objects in the letters for readers to find? (Very clever and fun!) I like the Field Notes and the actual map too. Why did you decide to include that extra insert?

From day one, our audience has been mixed. While half of our readers are children and homeschooling families, the other half are adults who simply love to travel and learn about new places! I added the “hidden images” to entertain my littlest readers. 🙂

I decided to start including the field notes insert so I could be sure to include as much information as possible. LETTERS FROM AFAR is inspired by old-world exploration, and I imagine an explorer would always carry their trusty journal to jot down interesting facts or “field notes” from the journey. It’s just a way to make it a touch more special, in my opinion.

Jackie – I like that you help (with a portion of all sales) to sponsor education in Third World Countries through ‘Pencils of Promise’. A perfect charity for explorers. Thank you.

You’re welcome! I’ve always wanted this project to have some sort of an impact, so I was happy to partner with them.

Jackie – Thank you for joining us today, Shawnee. It’s been fascinating to learn about what you have accomplished in “doing what you love” through the LETTERS FROM AFAR. I look forward to the monthly LETTERS, and when I see that yellow airmail envelope with the golden seal, I open it first, find a comfy chair, and dive into whatever new place you are taking me to.

You are welcome. Thank you and have a great week!

Links:

Website to subscribe – LETTERS FROM AFAR

About – Idea/Destinations/Process

Isabelle – Meet your new Pen Pal

Instagram – letters.from.afar

Facebook – Letters From Afar

Can Writers Be Replaced by AI?

By Guest blogger/author Naomi Hirahara

Artificial intelligence, especially ChatGPT, is on people’s minds these days. ChatGPT is developed through OpenAI, a company Elon Musk co-founded with a controlling and growing investment by Microsoft, which is beta-testing artificial intelligence in its search engine, bing. Instead of doing a simple Google search in which you type in a word, phrase, or even question, resulting in a list of search links, chat bots can provide full narratives. They are interactive, too, and can simulate a conversation with the user, albeit with mixed results. (See https://www.kpcc.org/2023-02-27/how-microsofts-experiment-in-artificial-intelligence-tech-backfired)

These developments have Google on the run and the whole high-tech community both excited and nervous about what disruptions may take place. Certain authors savvy about this world have also expressed the whole range of emotions—fear, anticipation, and indifference. Artificial intelligence is already used in narrating audiobooks for outlets like Apple Books in lieu of “real people.” (For an interesting conversation about AI audiobook narration, listen to the last story on this page: https://www.kpcc.org/show/airtalk/2023-01-23/lunar-year-massacre-in-monterey-park-leaves-ten-dead)

I’ve been listening to and reading such conversations as both a novelist and co-chair of the Imagine Little Tokyo short story contest. Regarding the latter, some journals and magazines mostly in the science-fiction realm have been recently dogged with a flood of short story submissions created on AI. (See https://www.theverge.com/2023/2/25/23613752/ai-generated-short-stories-literary-magazines-clarkesworld-science-fiction) Could someone input our guidelines on ChatGPT with locations in Little Tokyo and come up with a semblance of a good story? I can’t imagine how teachers in the future will evaluate the veracity of student essays with the spread of AI.

Joanna Penn of the Creative Penn podcast has been discussing AI for years, pointing out how writers already utilize artificial intelligence, which predicts language based on patterns, in checking our spelling and improving our prose through software programs like Grammarly and ProWritingAid. She’s also now utilizing AI exploring various creative storytelling options.

As an author who writes very specific historical and ethnic stories, I haven’t been that concerned that I can be possibly replaced by a robot. But for fun, I did go to ChatGPT and asked the bot questions about the incarceration of Japanese Americans during World War II. The answers it gave me were both encouraging and unnerving. Encouraging in that the answers were correct and factual. Unnerving because the prose was clear and well-written. Then I asked ChatGPT specifically about the topic of my recent historical mystery, CLARK AND DIVISION, which is set largely in 1944 Chicago, where many Japanese Americans released from the ten detention camps sought refuge for some months and years. For this question, ChatGPT picked up none of the historical nuance and came up with a completely wrong answer. (See screenshot.)

As I discussed recently at a Sisters in Crime Los Angeles meeting, when writing historical mysteries—or perhaps any kind of fiction—look for the gaps of knowledge. Let’s surprise our readers, take them to places and situations that they have never been. If a robot can easily replicate our tropes, characters, or plot points, maybe we should seek to create fresher tales that only living, breathing person can tell. Let’s go to those archives and open those dusty books that haven’t been digitized or engage in vulnerable, emotional conversations with people who share stories that they have never told. In this way, I see artificial intelligence as a good challenge more than a competitor. I seek to stump the robot instead of destroying it.

For a headier analysis of ChatGPT, go to science fiction writer Ted Chiang’s article in the New Yorker, in which he likens the new technology to a bad photocopy of source material: http://Ted Chiang’s Article

(Naomi Hirahara is the Edgar- and Mary Higgins Clark Award-winning author of the Mas Arai mystery series and the historical novel, Clark and Division. Evergreen, the sequel to Clark and Division, will be released this August. For more information, go to her website, http://www.naomihirahara.com.)

(Naomi Hirahara’s article is posted by Jackie Houchin)

(Blog) Housekeeping & Inspiration

(Jackie Houchin is standing in temporarily for another member.)

Before we go on to some inspiring quotes from a dozen great mystery writers, here’s a little housekeeping to help you get the most from our blog.

1. Have you ever been unable to see or post comments on The Writers In Residence blog? Here’s a trick to try.

When you first open the page, “click on” the title of the post. NOT the site title, but the new posting title. In this case, it would be “Housekeeping & Inspiration.” The page should adjust, and then you will be able to see the Comments section. Try it! PS: You will also be able to see the extended bio of the current posting’s author.

2. If you are curious about the rest of us bloggers, you can go to the top of the site and click on “About.” This will give you the complete list of bios by author.

3. From the sidebar, you can also search past postings by typing in an author’s name in the “Search” box and clicking. Recent articles by that author will appear. You can also type in a topic. If we have covered that, you will see them as well.

4. If you came upon our blog via social media and like what you see, you can enter your email address in the next box and click on “Subscribe.” Then you will receive an email every Wednesday with a link to the new post. We’d love for you to join us!

5. Further down the side bar, you will see “Recent Posts,” and under that, you can search by month and year in the “Archives”. We go back to 2009!

6. If you have any other questions, you can use the “Contact” feature at the top of the page, but (blush, blush) I’m not sure at this point, whom that will go to! Eek! If all else fails, and you are SERIOUS, you can email me. Photojaq@aol.com.

And now for the INSPIRING QUOTES! *

“The mystery story is two stories in one: the story of what happened and the story of what appeared to happen.” Mary Roberts Reinhart

“There is nothing more deceptive than an obvious fact.” The Adventures of Sherlock Holmes by Arthur Conan Doyle

“Another dead body. Every year it is the same. Every year, another dead body…” Lion in the Valley by Elizabeth Peters

“All things are poisons, for there is nothing without poisonous qualities. It is only the dose which makes the thing poison.” Paracelsus

“The best crime novels are all based on people keeping secrets.” Alafair Burke

“Revenge is sweet and not fattening.” Alfred Hitchcock

“Conversations are always dangerous, if you have something to hide.” A Caribbean Mystery by Agatha Christie

“People are straightforward enough, on the whole, till one starts to look for crooked motives, and then, oh boy, how crooked can they be!” The Ivy Tree by Mary Stewart

“Truth will come to sight; murder cannot be hid long.” The Merchant of Venice by William Shakespeare

“There simply must be a corpse in a detective novel, and the deader the corpse the better.” S. S. Van Dine

“The great advantage about telling the truth is that nobody ever believes it.” Dorothy L. Sayers

“Very few of us are what we seem” The Man in the Mist by Agatha Christie.

*This collection of quotes is from The Bookish Sleuth, Mystery Reader’s Calendar by mystery writer, Sara Rosett

A Blog Challenge – Write the Chapter Titles in Your Autobiography

by Jackie Houchin

On my Personal Blog: “Words and Reviews” I took part in what WordPress called BLOGanuary. It was a gimic at the first of the year to get bloggers to write every day. They sent questions to answer, and tags so you could connect with the community. It worked I guess. I went from 79 to 91 to 141 followers in one month! (Yeah, I know that’s no big deal, but my blog is less than a year old, and I don’t promote it much.)

Anywho, the question of post #30 was: What would you title the chapters of your autobiography?

At first I thought this challenge was just TOO hard.

I didn’t WANT to write an autobiography or even a memoir. (Although a friend in THIS writer’s group blog has encouraged us to do just that. “Everyone has a story!” Gayle Bartos-Pool urges. And yes, she wrote her own life’s story, wonderfully illustrated, titled – A SCRAPBOOK LIFE.)

OK, I told myself, I’ll write down just TEN chapter headings and be done.

THIS is what I came up with….

Chapter — Title

A Baby Sister!
Hanging By a Head
The Bobby Pin
The Long Trek
Trailor Park Life
Daddy’s Demise
Rude Awakening
An Auto Repair Shop
The Lone Ranger
Joe Boysen
The Gunsmith
Church Camp Decision
Nancy’s House
Locker Combinations
The 3-Mile Walk
Pimples and Fat
Denny Murphy
The Evil Out There
Double Dating
A Twelth-Grade Diamond
Dr Dentist
Hollywood Firsts
No Valentine’s Day
Miramar Reality
Cats and Cooking Disasters
Baby Mine
Hot Rods First
Adoption Debacle
Terror and Escapes
Wrong Way Turns
Dancing With Devils
Comedy and Tragedy
Horsing Around
Deadly Diagnosis
The Southern Retreat
Faith
Africa and Beyond
Letters to Kids
Pandemic Teaching
See, Hear, Speak No Evil
Cruising
Grands and Greats
Facing the Future

Gosh, maybe I SHOULD write my autobiography!

IF YOU WERE ME, with which chapter would YOU begin writing? From 1 to 43, or here and there? Tell me your answer in the Comments.

AND… let me challenge you to give this a try too. Write out at least 10 chapter headings if YOU were to write YOUR autobiography. Seriously. Try it! It may inspire you!