We writers write to express ourselves, to share an idea, to inspire – to give a glimpse of another life. We write to take people on a journey that they might never take in reality; journeys to places they might never see, in a time or a world they may never inhabit or discover. But, if it’s written well, our readers feel they have been there, maybe have lived that life, fulfilled that ambition – vicariously.
After finishing a good book, readers know more about that distant place or country, that time in history – or even the fictional future. Our audience has had the opportunity to have learned something new about people, their work, their pursuits and more about the world – vicariously.
Reading books is a way we ‘meet’ new people that we would normally never get to encounter and the chance to have wonderful, or perhaps scary, or even exotic, or romantic adventures, without ever leaving our armchair or couch.
Within these stories, the writer skillfully creates characters and plot lines that touch on parts of our own personal qualities and idiosyncrasies that we, as the reader, can identify or empathize with. Or perhaps the characters brought to life are those we recognize as someone we know or have met along the way.
The books that readers immerse themselves in are a wonderful escape from the humdrum and the stress of everyday living. They broaden our horizons and sometimes inspire people to make changes in their lives, to try something different or find a new perspective.
Inspire: there’s that word again. So, what inspires us writers to spend such long hours composing in our notebooks or wrestling with words on our computers?
Writers – Where do you find your inspiration when you’re stuck?
For me – music often inspires me. As I’m driving or when I’m washing the dishes or cleaning up, and I hear a particular song or piece of music, a story idea often pops into my mind. I find the inspiration for maybe a new twist on something I am writing. Sometimes it’s simply the title – often, the lyrics – and the music brings it all together. Songs can inspire perhaps a new character to solve a plot problem or a change of scenery that will move my story along.
The lyrics of some of our classic songs tell a story. When you think about it, just as poets have that special skill to say so much in a few (usually rhyming) words, so lyricists have a special gift of creating characters and a scenario, which they edit down to just a handful of words that say so much. Those carefully chosen simple words meld seamlessly with the melody and can touch on a story that we novelists can fill in, color, investigate, enlarge upon. We can be inspired to creat a whole world around a brief stanza that we then nurture into many thousands of words of a completed novel. That is our writer’s talent.
As a scribe, we can change the names and places, (to protect the innocent and the copyright!) but the plot line in some songs is already set out. So, when you’re stuck for what to write next, think of, say, the Beatles song Eleanor Rigby. What a poignant story for us creative minds to fill in the gaps. Or the dark storyline in Mack The Knife. Johnny Mercer’s Moon River is a more whimsical tale of “Two drifters off to see the world…” And how about Cole Porter’s 1934 facetious tale of the hanging of a society woman after she murders her unfaithful lover – the song made famous by Ethel Waters and later Ella Fitzgerald: Miss Otis Regrets, she’s unable to lunch today?
Take George Gershwin’s An American in Paris – inspired by his time in the City of Lights in the 1920s. Apart from the lush musical score, what story could that simple title inspire? Glenn Campbell’s Wichita Lineman, “I am a lineman for the county, and I drive the main roads…” could be the start of an intriguing tale. Barry Manilow wrote about showgirl Lola’s ambitions stymied by a jealous admirer in his disco hit Copacabana: there’s a tale ripe for embellishment.
What about Andrew Lloyd Webber’s Memory from his musical Cats, based on T.S. Elliott’s Old Possum’s Book of Practical Cats? Or Elaine Stritch’s signature song, Here’s To The Ladies Who Lunch, from Stephen Sondheim’s musical Company. Perhaps a more whimsical tale could be based on Antonio Carlos Jobim’s Girl from Ipanema. You get the idea.
Today, even traditional world-famous book titles can inspire us. I notice that some of the new books now use old and borrowed titles anyway. When authors had worried about their ideas being stolen, someone pointed out that if ten writers were given the same assignment, their styles and experience would be so varied that the ten books would turn out to be totally different.
And so I pondered: what if we wrote our own version, inspired by just the title, of A Tale of Two Cities, The Man Who Came to Dinner, A Caribbean Mystery or Witness for the Prosecution? The results would be as varied, as creative and fascinating as befits our own individual talents. Some scribes’ version would be a romantic comedy, or a hardboiled noir, others would produce a thriller, a cozy or a charming escapade.
Today I see inspiration everywhere – and am frankly open to ‘borrowing from the best’ when I get stuck. I like to channel their inspiration. I enjoy any way I can to write and to perpetuate writing for all of us. To paraphrase Pinocchio’s chanson – “Hi-diddle-dee-dee – A writer’s life for me….


It certainly gave me time to sort out a lot of Woman’s Club files, paperwork and organization. That makes it easier for me to delegate and hand over the reigns, so I can focus full-time on my writing once more.
But after weeks of world-wide shut-downs and no travel permitted, I also saw how small some of our lives had become. Often out of fear. When we do something out of fear – we cease to think rationally, boldly. Our courage leaves us. Some never get it back, especially as we get older.
In my former writer-life I spent many solitary hours writing. I was oblivious of the world around me. I forgot to eat. Not good when you had a husband hoping for dinner, after returning from a long day’s work! But Rick was very patient and sometimes cooked for us, and a plate of food would appear in front of me, on top of my typed pages. “You haven’t eaten in hours. You’ve GOT to eat…” he would grin and return to listening to his music through headphones, so as not to disturb me. But I loved what I was doing. He knew that, so he was happy.
So I am becoming a happy writer, once more. I’ll be even happier once we’re allowed to travel, too. Even if I’m not going anywhere, at least I like to know that I could if I wanted to. I’m a dreamer, too.

As writers and readers, one of our easiest ways to help can be to support the small businesses that are straining to survive while closed to foot-traffic. Especially the small bookshops, that have been struggling desperately in the new world of online literature. These small bookshops welcome writers, help us launch our new books, promote our work with book-signings and author events. I found a few where we have a chance to give a little something back. (I have been buying a book or two, including my own books, online from them.) Let us know if you have ‘hidden gems’ in the bookstore world that we can also help.
The most famous small bookshop in Hollywood is 

In Pasadena, one of the landmarks is
In West Hollywood,
Over in Hancock Park,
But a very specialized small bookstore on the west side in Culver City is







The house had belonged to British-born writer Sir Patrick Leigh Fermor – known as Paddy to friends and followers. A great traveler and adventurer, at age 18 in 1933, he walked across Europe, from Holland to Constantinople. He was travelling through Germany just as Hitler came into power and carried on to Greece at the outbreak of World War II, when he joined the Irish Guards. Having learned several languages along the way, Leigh Fermor joined the S.O.E and fought to help free occupied Crete.
Paddy began building this charmingly beautiful, rambling



“It’s just a bunch of middle-aged women who don’t know what they’re doing. They can’t stop us,” one was overheard saying. Oh, that set my blood boiling.

I’ve lived in England, Paris, Holland, Spain, Malta – and now Hollywood. My movie work has taken me to Germany, France, Spain, Miami, Bermuda, Minneapolis, Colorado, New York. So I really can’t complain. I’ve met and worked with amazing people. I’ve had tremendous adventures – until recent years, when my creative-self got buried.
I’ve worked at all the major Hollywood film studios as an actress or as a writer. All the dramas and angst of saving the Woman’s Club of Hollywood has taught me a lot about the American legal system, skullduggery amongst women and more about the law courts than I wish to know – as well as how to maintain an old historic building and run a business office.
I dealt with the sudden death of my darling husband, Rick Cameron. I’ve taken care of elderly, lonely neighbors and an ailing mother-in-law and learned far too much about hospitals, nursing homes and Medicare!
I was recently chatting with my family over coffee in a
Speaking of imaginations: We went to see the stage version of

It was a great time to meet up with old writer friends like Stephen Buehler, who’s short story is in the new collection Murder-a-Go-Go, novelist-sommelier Nadine Nettmann, now Arizona resident and ex-fellow blogger Kate Thornton, Travis Richardson, Craig Faustus Buck, award-winning Scottish Catriona McPherson, and award-winning Brit Rhys Bowen.
You must be logged in to post a comment.