Once upon a time…

by Jackie Houchin

Once upon a time, in a WAY long time ago, before I had a smartphone, a computer, an online presence, or even a typewriter, I wrote with a pencil, on lined school paper.  I wrote letters (to pen pals and cousins), stories (mostly tragically romantic vignettes in far-off places), and I wrote in small daily diaries.

You know those little books, about four by five inches, with a strap that wrapped across the pages and fit into a lock on the front, and had a half-inch, flat key to secure it. I mean, even a fork or a good slap could open them! 

The pages were dated, but you had to fill in the year. And you had to write quite small if you had a lot to say, like I did.  Wow, did they hold secrets!  And souvenirs – another good reason for that little strap and key. I wrote about feelings, events, boys, teachers, embarrassments, fights, dreams, disappointments, and things or people who made me mad, jealous, or envious.

One day, I found and opened a thirty-five-year-old diary like that. Oh, my goodness!  I slammed it shut and looked around me. Then I carried it to a small chair in a corner of the bedroom and opened it again.

I wrote THAT?  And that? Oh, my!

I laughed. I cringed. I even cried a little. A couple of times, I gazed off into space, seeing and reliving a sweet incident.  I’d smile and sigh.

How would my life be different if THAT had happened? Or hadn’t happened? Or if I’d said something else? Or acted quickly, nicely, or at least not selfishly? What if….?

What if? 

That’s the way fiction writers often dredge up a story idea or outline. What if such and such happened, or someone said or did THAT?  

I glanced down at the diary and thumbed through the pages, stopping now and then to read a heavily underlined passage.  WHOA!

I eventually put the little book back into the cardboard box with maybe eight others like it.  I’ll read them all, I promised myself.  I’ll write a story or two.  Is there enough for a book, I wondered?  

I stretched the duct tape tightly across the flaps and penciled “diaries” on the front. Tomorrow we will take the last of these attic finds to our new house.  After all the unpacking and settling in, I will dig out these diaries and sit at my computer, and type, “What if….?”

Halfway down the busy freeway to the new house, traveling at 65 mph, our heavily packed pick-up truck hit a pothole. In the passenger side mirror, I saw a small box jump and pitch itself over the truck’s railing. When it landed, the box split apart.  Small square objects flew out and bounced into the bushes growing close along the side.

“OH!” I cried.

“What?” my hubby asked.

“My diaries!  Didn’t you tie the boxes down?”

“I did!”

“But…”

There was no place to pull over. No going around. No going back, either along the freeway… or to that youthful time long ago.

I sat stunned.  Then I laughed, imagining some homeless dude living in the bushes finding and being entertained by my teenage drama and angst. Or maybe a gang of miscreants wearing orange vests and carrying plastic bags would come by to clean up the roadside trash, and find them. 

Hey, my stories could be read in jail! Perhaps even traded among the inmates for snacks or phone calls. Juicy sections could be copied on the backs of old envelopes and reread a hundred times. Pages might be torn out and passed on to new inductees as the old timers were released. My audience would grow! I might become “a best-selling author!”  

Well, maybe not.

Anyway, that’s why I never wrote the “Great American Novel.” 

Did you ever write in diaries?  Do you keep a journal now?  If so, is what you write  “stream-of-consciousness” or does it have a specific purpose?  Have you ever reread your previous ones from a year ago, or many years past?

Free Write Your Way Out of Writer’s Block

By Maggie King

Writer’s block. Many writers suffer from this condition. I used to scoff at the very idea of writer’s block, regarding it as another way for writers to procrastinate. But the creative slowdown I’ve experienced for several months has humbled me.

I’m not blocked for ideas, I have them by the dozen. The problem lies in creating a story, one people would actually want to read. My writing skills have gone on hiatus.

My solution: free writing. According to Matt Ellis in his post in Grammarly.com, “How Freewriting Can Boost Your Creativity,” freewriting is a technique in which the author writes their thoughts quickly and continuously, without worrying about form, style, or even grammar.

Mr. Ellis extols the benefits of this practice: “The benefits of free writing revolve around organization, brainstorming, and inspiration, as well as beating writer’s block and relieving certain anxieties. Just getting anything written, even if it is imperfect, can jump-start creativity.”

Author Natalie Goldberg also encourages free writing, or “first thoughts” in her parlance. In this excerpt from her classic Writing Down the Bones: Freeing the Writer Within she explains how to write first thoughts (#6 is a tough one!):

  1. Keep your hand moving. Don’t pause to read what you’ve just written.
    That’s stalling and trying to get control of what you’re saying.
  2. Don’t cross out. That is editing as you write. Even if you write something
    you didn’t mean to write, leave it.
  3. Don’t worry about spelling, punctuation, grammar. Don’t even care about
    staying in the margins and lines on the page.
  4. Lose control.
  5. Don’t think. Don’t get logical.
  6. Go for the jugular. If something comes up in your writing that is scary or
    naked, dive right into it. It probably has lots of energy.

Sometimes I write from a prompt (maybe not technically free writing, but who’s nitpicking?); at other times I simply write whatever comes forth. I set a timer on my smart watch for thirty minutes and go, without stopping. At first I went for ten minute sprints, but soon found that half an hour worked best. My thoughts and words flow. When the timer goes off, I pause, then go for another thirty minutes. At that point my hand needs a rest!

My free writing is turning into a memoir. Nothing organized or even chronological—whatever occurs to me ends up on the page. What occurs are often experiences from my past: family, people I’ve known, jobs held, schools attended, challenges faced. I’ve devoted pages and pages to my summers spent with relatives in a rural part of upstate New York.

It’s been an enlightening process, especially as I discover how my perspectives have changed over the years. Frankly, there are memories I’d like to keep buried, but I’ve found it liberating to get them down on paper (See #6 of Natalie Goldberg’s list above).

Since I started this process in July, I now look forward to writing each day. I can’t yet report much creative writing activity, but last week I was invited to submit a short story to an anthology. I have a great idea for a story (remember, I have no dearth of ideas) and now feel up to the challenge of actually writing it.

And now, please excuse me … it’s time to free write!

Handmade Software, Inc. Image Alchemy v1.14

Naming Characters

by Gayle Bartos-Pool

Sometimes the name of a character a writer uses just pops into their head. Other times they use the name of a friend or relative. There are also times when the writer changes the name they started with when they realize it doesn’t fit the character anymore. But how is that possible? The writer is just making up the name and the story.

Well, it’s like this…

When a writer is creating a story, they are creating a new world. It will be filled with things everyone will recognize or at least understand if the writer gives good descriptions. A space odyssey might be made-up, but there will be enough things explained so the reader can follow along. Hey, the people who wrote the Star Trek episodes imagined fantasy gadgets that were actually invented many years later by real scientists who used roughly the same concept and style for actual things we use today… “Scotty, beam me up!”

But character names can be tricky.

If one is writing a story that takes place a hundred years ago, names like Tiffany or Jaiden might not work. Watch an old movie and check out the names used. Or maybe read an old book. But something interesting is happening now in the first quarter of the 21st Century. Names from fifty to seventy-five years ago are making a comeback. This will probably mean that you can use any name for a contemporary story. But there still is the problem of fitting the name to the character.

In most cases you wouldn’t want the “heavy” in a cops and robber tale to have a cutesy name like Willy or Felix. They would more likely be the comic relief characters in another story. The same is true with the hero’s name. It would have to be something a bit stronger like Max or Duke. Remember, studio executives and a director changed Marion Morrison’s name to John Wayne to fit the type of characters he would be playing in the movies. And that’s a fact.

Female names have the same concerns. The female lead in a romantic story could be called April or Amber, not Bertha or Myrtle. Wilhemina could definitely be the name of the amateur sleuth in a cozy mystery. She could be a librarian or maybe an older sleuth like a Miss Marple.

Names can do as much to define a character as what he or she does within those pages. If you start off by introducing your main character with his or her name linked to a strong action, it will help the reader understand the part they are playing.  But that is only if you want the reader to know who they really are from the start.

If, for some reason, you wanted to gradually introduce your hero, you could peel away certain aspects of your lead character by letting him show the reader those special qualities a little at a time, but that method is usually meant for the villain who starts off as just one of the boys or maybe some influential person in the plot, but who knew he was actually the bad guy? The hero will finally see the real person under all that finery and expose him.

As for the hero, usually the reader knows who he is from the beginning, but the hero might have to discover that truth about himself by peeling away his own fears and finding his own strength when push comes to shove at the end of the book. The reader will be rooting for him, but he has to do the work.

But establishing the name for that character will still take some planning. Now that we have access to the Internet, you can type in the name that you have cleverly come up with. It fits the parameters of your story. It isn’t too quirky or too cumbersome. But “what if” there is some famous person with the same name out there? Just about every name I have come up with has two or twenty-two people with the same name on the Internet. I have a rule: If it isn’t some current name in the news and I like it, I’ll go with it.

I seldom use the actual name of a friend in my stories. If I only use their first name, I’ll do that, but I have added little changes to their names just for fun. The reason I do this is because I do want my characters to have a life of their own. After all, my friends have their own lives. But it’s fun to use their first name for a character who makes a “special guest appearance.”  I even used a version of my dad’s name in my spy novels. Dad dealt with spy planes and did some rather interesting things that are still classified, so calling my character “Ralph Barton” instead of “Ralph Bartos” worked. And dad got a kick out of it.

I probably do keep the names of my characters fairly simple. If they are all wildly intricate with too many syllables, the reader might get lost in the multi-syllabic confusion. And several odd names might confuse the reader as well. They might think Henrietta is Hildegard and not understand why the wrong one riding in the taxi with the killer.

So, I keep the names a little simpler and do something else. I don’t have three or four characters in the same story with a name that begins with the same letter. This makes it easier for the reader to follow, and it actually makes writing the story easier, too. I don’t want to confuse my characters while I’m writing.

And I do try to fit the name to the character. One of the fun names I picked was for my second private detective series. It came about this way. I always liked the old detective shows on television back in the 50s, 60s, 70s and 80s. And the private eyes from the old black and white movies I watched on the movie channel. I wanted this new character to be a tribute to those guys. Too bad they don’t have good detective shows on TV anymore. Our loss.

I started with Sam Spade. That was the name of the character Humphrey Bogart played in The Maltese Falcon based on the 1930’s novel written by Dashiell Hammett. A classic. I also liked the television series, “Richard Diamond,” starring David Janssen, that ran from 1956 to1960. I was a fan of “Hart to Hart,” starring Robert Wagner that ran from 1979-1984.

So, I liked all these cool detectives. I noticed that their names were like the different suits in a deck of playing cards – Spade, Diamond, Heart. I needed a Club, but that name wouldn’t work. Sounded like a caveman or something.

Then I thought: what’s another word for “club”?

There’s gaming club, gambling club, and a gambling casino!

How about just casino?

And Johnny Casino was born.

The name fit this character who took a chance, changed his name from Cassini to Casino after he worked on a gambling ship near Maimi and had to leave in a hurry. He then took another chance and moved to Los Angeles and after getting his life together, he became a private investigator.

But I worked on getting his name and his life right…Three books later, I guess the “chance” I took paid off.

And you know what?  There was one more chance in this story. Another character was working his way into my head. His name: Chance McCoy. He got a second chance in life himself. There are three books in his detective series.

You see, names do matter. If they fit the character you’re writing, they can lead you to many new places. Write On!

PLOT, PLOT, PLOT

by Linda O. Johnston

We’re all novelists here at Writers in Residence. That means we all tell stories that may have some origin in fact, or not. But what we finish up with is fiction.

Whether I’m writing romantic suspense or mystery these days, the genres I’m into most, there always needs to be a plot. I’m not sure what the best definition of “plot” is, but in my estimation it’s how a story starts and continues and develops, with one thing that happens leading to the next until the grand finale, and then the wrap-up.

Where do my plots come from? My mind! I ponder them a lot as I plan a story and then write it, with things sometimes changing from what I originally intended. I make it somewhat easier on myself by plotting in advance, and I’ve even developed my own plot skeleton, pages with blanks to be filled in with people and how they interact and what they’re up to, whether it’s romance or murder, or a combination!

 So, you other writers here. How do you plot? Do you enjoy it? Are you usually happy with the result when you finish a draft or manuscript?

 I’m usually happy. But any issues may be the key to my figuring out my next plot.