THE VALUE OF CRITIQUE GROUPS
by Miko Johnston
Did you know that Writers in Residence began as a critique group? Gayle, Bonnie, Rosemary, the Jackies and I met monthly to discuss one member’s set of pages. Although we all benefited from the peer review, we grew to enjoy each other’s company and finally accepted that work interfered too much with play. From then on we became a social group, meeting monthly for lunch and conversation. We relegate critiquing to a by request as needed basis (to which we always say yes).
As much as I enjoy getting together with my WinR friends, which now includes Kate and Madeline, I must credit their critiques for my success as a published author. Aside from their helpful comments to me, evaluating their work sharpened my ability to judge my own. Critique groups have been invaluable in my personal life as well. Last year I moved from California to Washington, where I knew no one. After spending over a week alone in my house, I researched local writing groups and found one in my new hometown. The members welcomed me and since then we’ve become good friends. I also belong to two other groups dedicated to critique – one strictly online, one in-person.
Membership in a writers group can provide support, encouragement and networking opportunities for the independent writer. You’re probably aware of the national organizations that champion a popular genre like romance or mystery. However, if you want to join a critique group, here are some things to consider:
There are two basic types – public and private. Public groups tend to be large organizations like the Ventura County Writers Club, Whidbey Island Writers Association, and the recently defunct Alameda Writers Group. They hold monthly general meetings featuring a guest speaker and offer various special interest groups – SIGs – geared to a specific genre of writing. You pay an annual membership fee, which entitles you to participate in their SIGs. The group I found in Washington, Just Write, is a unique public group anyone can attend. We gather once a week at a coffeehouse with our notepads or computers and just write for two hours. Afterward, we head to a nearby pub to socialize.
Members of public groups who want more autonomy or have different aspirations often form private groups like WinR. Membership is by invitation only and usually requires a probation period, where the newbie participates in a set number of critiquing sessions before presenting his or her own work. Some private groups meet in person, where members read their work aloud. Others exchange pages online and email their comments to the author.
Which type of group is better? That depends on what you need. I always recommend public groups for beginners – if you’re interested in writing but haven’t done much, if you’re unsure of what genre suits you, if you’re unsure if you truly want to write. Public group SIGs host a variety of skill levels. You can experiment with different genres to find one you like. You’ll learn a lot very quickly, for you’ll get to read some awful stuff. Since membership tends to fluctuate you’ll interact with many more writers and get a broad diversity of opinions in these groups. Best of all, if you find other members with whom you’re simpatico, you can start your own group.
If you’re well on your way to publishing or have published already, then consider a private group. Working with people you know builds trust and you minimize overexposure of your pre-published manuscripts. There is some debate as to whether it’s better to limit a group to a specific genre. I think that makes sense if you’re working outside mainstream fiction, particularly controversial or quirky sub-genres that traditionalists might not ‘get’. Otherwise seek or form a mixed genre group comprised of writers with a comparable skill level.
Writing is such a solitary endeavor we often get lost in our own head. It helps to connect with like-minded people who can spot the glitches in our work that we sense but can’t quite see. So does sharing a common goal, whether it’s completing that first novel or getting it published.
Do you, or did you ever, belong to a writers critique group? Share your experiences with us.