Month: November 2025

by Jill Amadio

Listened to any lyrics lately? I seem to be spending far more time in my car than usual and, of course, I have my CDs at the ready.

I have to admit, shamefully, that I never truly considered songwriters to be real writers. Yet, they record their daily lives, romances, disappointments, failures, joys, and happiness with succinct and clever poetry and core messages that perfectly fit the moment.

My favorite is Leonard Cohen’s “Hallelujah” and then all of his other works. I enjoy singing along with him until he slides into recalling some of his private, sexy moments for all the world to share. I quickly fast-forward.

His writing is pretty explicit even when he writes about religion, and I am sure his childhood and into adulthood included prayer and participation in services.

Which brings me back to lyricists and their skill at fitting words that we often fling about so wildly, are perfect for the composer’s work. Only Frank Sinatra did it ‘his way’ and sometimes scrambled words together and stretched them out, to my mind. I have never attempted to write a lyric, although I was forced to dabble in some corny poetry in school. It never occurred to me that songwriters, both those who write the words and those who compose the music, were so gifted and creative. Interestedly, they manage to make simple sentences sound beautiful when sung. I urge my memoir writing class students to read their prose aloud and none have ever broken into song. Maybe that’s a good thing. But I am sure that lyricists practice their sons aloud as a way to judge their effect.

It amazes me how songwriters like ABBA and “The Mommas and Poppas” manage to squeeze a lifetime of hurt and happiness into a 3-minute song. It is understandable, of course, when they are singing about one specific moment, but even that requires a skill that many regular writers lack. I wonder if they trim and edit, as we fiction and non-fiction writers do?

I have never met a lyricist, although I have several poet friends, and I watch time and again movies about composers, although the films rarely ask, to my mind, the crucial questions, such as must the lyrics rhyme? Whence comes the inspiration?  Like many famous writers who are the subject of other writers’ biographies, the nitty-gritty of lyric writing and composing are often lost in the labyrinth of their concert performances.

I have read that lyricists and composers work together, but which comes first? Are the words arranged to fit the music, or vice versa? Does erasing carefully-conceived words annoy the lyricist as our editors annoy us? I remember reading that Ernest Hemingway had huge fights with his editor, Max Perkins at Scribner’s, who invariably won the battle and improved the books so magnificently into bestsellers.

I don’t recall any such fights between songwriters, but I am sure there were plenty. Perhaps they were short – like their songs, although I can’t imagine the writers of the lyrics criticizing the music unless they are composers themselves.

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Perhaps we mystery writers should try to create a murder that can be described in just a few words, a one-page short story, although some songs have several stanzas. It seems that more contemporary songs are brief and to the point, except for country-western, which are often depressing and mostly seem to be about lost love.

Of course, once we’ve murdered the victim in our books and solved a sub-plot or two, finding the killer could take up an entire music album. Perhaps ancient people wrote songs although archaeologists only appear to discover crockery and texts. What would their songs sounds like?

These literary musings are a rather fun way to procrastinate although I am actually seated at my desk and using my laptop. And, I am writing!