Bother: to disturb; cause physical pain to somebody

               Offend: to upset; cause somebody anger, resentment, or hurt

 

Twenty years on I can still recall my reaction after reading Kathleen Woodiwiss’s first book, “The Flame and The Flower” – a romance novel in which Heather Simmons falls in love with Brandon Birmingham. Lest you think they ‘meet cute’, during their first encounter he rapes her. Then they fall in love. Sorry. I can’t get into a novel where the heroine falls in love with her rapist or an equally despicable person. Of course, no one is forcing me to read anything like that.

 

Unless it’s presented in one of my critique groups.

 

One of the challenges in writing groups is dealing with material that individuals may feel unable to fairly critique. Sometimes it’s a matter of not understanding what has been written or having an aversion to a particular genre. If I don’t ‘get’ your poetry, I can’t tell if the problem lies with what you’ve written, or me. I’ll always begin my critique of anything paranormal with the caveat that those storylines don’t appeal to me because they strain credibility. I’ve known others who take issue with profanity, graphic violence or sexuality, religious affronts, child endangerment, and most often violence against animals. When critiquing sensitive material we should express our bias and move on. But on a few – mercifully few – occasions I’ve found myself subjected to unacceptable material in substance or presentation.

 

My first experience with this involved an ‘author’ who kept bringing in pieces that read like letters to Penthouse Forum, wild sexual encounters that defied believability. Our group had no policy in place for dealing with such material, so after a few weeks of explaining that, shall we say, he misunderstood what was meant by a story’s climax, we finally told him to seek out another group. I should note that the graphic content didn’t offend me as much as the intent of the writer to shock and titillate his audience, like a flasher who inflicts anatomical words instead of parts.

 

Once I’d been exposed to this issue (yes, that pun was intended) it made me wary of it happening again, so in my next group I suggested creating a policy for a comparable situation. The members laughed it off as unnecessary. Less than a year later, I received pages to critique via email that glorified pedophilia. I wanted to scrub my computer clean in every sense. Since no policy was in place it took a village to expel that writer; angered at our group’s united refusal to read his pages, he dropped out.

 

I included the definitions for Bother and Offend to make a point. I’ve always thought of offend as being much stronger than bother, so I found it interesting that bother relates to a physical discomfort while offend describes an emotional uneasiness. It makes sense, though. Being bothered is more concrete; you know what’s causing it and how it’s affecting you. But offence is harder to pin down; like Potter Stuart’s legendary Supreme Court determination that hard-core pornography was hard to define, but “I know it when I see it”.

 

Having gone through this experience more than once, I’ve come to believe that having a written policy best addresses the problem. Individual wording will vary depending on the group, but in general no one should have to read material that is ‘unacceptable’, a more concrete and less emotional term than objectionable. I define unacceptable to include any material that presents what is generally considered heinous – ethnic cleansing, nonconsensual sex, child rape, enslavement – in an agreeable or glorified manner. Simply put, the hero should fight evil, not be evil.

 

My writers group recently updated its by-laws, so I brought up the idea of including a clause on unacceptable material. Some members agreed that a written policy in place would be wise while others felt that common sense should prevail, otherwise we might be perceived as practicing censorship. The subject initiated more debate than all the other sections put together. Ironically, one member of our group submitted chapters from a religious philosophy book he’s writing and complained about the personal nature of the feedback. Apparently members found his reasoning ‘unacceptable’ and commented not on the writing, but the philosophical ideas behind it.

 

So am I wrong in thinking issues like this should be headed off at the pass, or left to a case-by-case basis. And where should the line be drawn? What would you advise?

Guest post by Rebecca Carey Lyles*

Write what pleases your readers?

While on my daily walk this morning, I listened to one of my favorite book-marketing podcasts. Although I’ve learned much from that audio show, I took exception to a statement made by today’s guest, who writes romance novels, thrillers and comedy. In addition to being versatile, she’s prolific and has sold thousands of eBooks. Obviously, she knows whereof she speaks. Even so, her suggestion that we write what pleases our readers didn’t quite jive with me.

My reluctance to accept her advice is partly due to being a faith-based author and partly due to the fact I’m old enough to be her mother. I realize more each day that life is short and my time on Planet Earth is limited. I want to leave a written legacy that deepens readers’ faith, enhances relationships, and inspires personal life-change as well as concern for others.

For a Christian author, writing for publication is a calling to use our God-given talent to honor him and draw others to him. Of course, I want to please readers. However, pleasing God should be my primary goal. Such a focus will enable me to compose stories that uplift, educate and challenge as well as entertain.

Romantic-suspense, peppered with frank reality

My romantic-suspense novels might attract a few readers similar to the above-mentioned readers. But difficult subjects like imprisonment and human trafficking will likely cause many who prefer a “lighter read” to turn away. Yet, I felt led to write about those important topics through a series of “serendipitous” events that precipitated each book in the Kate Neilson Series.

I’m currently conducting interviews and doing research for my next fiction series, which will feature individuals trapped in an abusive religious cult. Not exactly pleasant subject matter. Thanks to family members caught in a controlling group, I’ve learned that cult awareness is as crucial for Americans as is understanding the human-trafficking epidemic that plagues our country.

My part in disseminating truth about cults is to create an entertaining plot peopled by compelling characters who search for transformation and freedom in a beautiful mountain setting (only because I like mountains!). Just so you know, despite daunting themes and heartrending storylines, all my books have happy endings, even the nonfiction ones, It’s a God Thing! and On a Wing and a Prayer.

A good story

 I might add that my writing is neither literary nor preachy (at least I try not to be preachy). I’ve penned short stories that entertain or make readers think but don’t overtly teach biblical truths (see Passageways)***. As Henry says in the movie The Book of Henry, “A good story will remind you of who you want to be.” All truth emanates from God’s Truth.

How do we live out our calling and write what God wants us to write? The same tools that help us know his will for other aspects of life are also useful for writing guidance. Prayer, Bible reading and study, Bible teaching, listening and responding to the Spirit’s nudges, wise counsel, inspirational books and music, intuition, contemplation, circumstances, confirmation, serendipitous moments—and peace when the right decision has been made.

“We know that in all things God works for the good of those who love him, who have been called according to his purpose.” Romans 8:28 (NIV)

Bio

Rebecca Carey Lyles grew up in Wyoming, the setting for her Kate Neilson novels. She currently lives in Idaho, where she serves as an editor and as a mentor for aspiring authors. She’s also written two Colorado-based nonfiction books, “It’s a God Thing!” and “On a Wing and a Prayer,” and compiled a short-story collection with other Idaho authors titled “Passageways.”  With her husband, Steve, she hosts a podcast called “Let Me Tell You a Story.”

Please visit her website or contact her via email or Facebook.

*Posted for Rebecca Lyles by Writers In Residence member, Jackie Houchin

Excerpt from her most recent novel:

 Winds of Hope***

Prequel to the Kate Neilson Series

THE PRISON GATE CLANGED SHUT behind Kate Neilson, the sound as loud and harsh in her ears as coupling train cars. She’d heard that clatter of metal against metal hundreds of times during her five years of incarceration. Yet with each slam, her stomach lurched and her shoulders jerked. Try as she might to steel herself against the jarring crash, she couldn’t help but react like a startled bird.

For the first time, Kate stood on the visitor side of the barred gate that separated the reception area from the wide fluorescent-lit hallway leading to the cellblocks…..

 

***NOTE from Jackie: To read the entire excerpt, go to http://bit.ly/2sLVHzI  on my ‘Here’s How It Happened’ blog.

 ***NOTE from Jackie: PASSAGEWAYS  is a collection of 16 stories by four authors. They range from amusing (an old lady with an unusual “weapon” for an unusual purpose, in Mattie Cummins), to romantic (Follow the Moonbeam), heart-rending (Grand Champion), thought-provoking (Invisible Thread), mysterious (Three Days) and sweet (Morning Song) to….. downright creepy! (The Magician).

And yes, Gayle Bartos-Pool, there is a Christmas story (Spirit of Christmas) with a not-so-typical ending.

 

*My country ’tis of thee,
Sweet land of liberty,
Of thee I sing.
Land where my fathers died!
Land of the Pilgrim’s pride!
From every mountain side,
Let freedom ring!

Our father’s God to, Thee,
Author of liberty,
To Thee we sing.
Long may our land be bright
With freedom’s holy light;
Protect us by Thy might,
Great God, our King!

Freedom.

Freedom from fear and oppression, freedom to live our lives and fulfill our dreams, freedom to write our stories. It’s in our constitution and our patriotic songs. Freedom is a precious commodity still alive (for the most part) in this country. Oh, may we cherish it!

As authors and journalists, we are still relatively free from censor as long as we don’t intentionally harm someone. Ours is a country made for wordsmiths! We can write our articles, poems, songs, memoirs, stories, and books without fear of being imprisoned. We can think up plots that chill spines or puzzle astute minds; humor and satire that produce chuckles, guffaws, or wry smiles; and desperate, horrific situations that rend hearts (and bring out tissue boxes), and pierce consciences.

Words have power.

“The pen is mightier than the sword,” said English playwright, Edward Bulwer-Lytton. So let’s wield our words wisely.  Yes, let us use them to entertain, but  also to encourage, inspire, challenge, and provoke our readers toward  what is good.

Come mighty patriots, take advantage of the freedom you have. Write on! Publish! Change a mind, a life, a world!

“The Lord announces the word, and the women who proclaim it are a mighty throng:” Psalm 68:11 NIV

“How beautiful upon the mountains are the feet of him who brings good news, who publishes peace, who brings good news of happiness, who publishes salvation, who says to Zion, “Your God reigns.” Isaiah 52:7

 

* Written by Samuel Francis Smith; the tune used for this song is “God Save the Queen”, the British National Anthem.

 

 

When I was asked to teach a writing course for Sisters-in-Crime/Los Angeles, I decided I better evaluate how I wrote a story first. I write novels as well as short stories and figured there were similar fundamentals all writers use in both endeavors. Then I remembered the Aristotle course I had taken in college. I still had the textbook, The Poetics, so I dusted it off and read the part on the 5 Basic Elements in any story: Plot, Character, Dialogue, Setting, and The Meaning of the story.

 

I have covered most of these points in previous blogs, but there is one crucial thing a writer needs to make sure all these elements fit and that is a Timeline. I looked back over the files I had on all the books and stories I had written and lo and behold, I actually made a timeline for just about all of the stories.

 

What does a Timeline do? It keeps track of Who does What Where and When and sometimes Why.

 

I actually use several methods to achieve these goals. If the story doesn’t cover very much time or utilizes few locals, I write a simple timeline noting the date and time certain things happen and where the action takes place and who does what each time. If there is a lot of time covered, I use a calendar.

 

I generally have a basic idea what my story is about before I start putting words on paper. I write the opening (usually about 20 times) until I know where I’m going and the tone I want in the story. Then I jot down the relative time of day each event happens as the story progresses. I break them into no less than 15 minute intervals. Usually it is thirty minutes or by the hour. You can’t have more than 24 hours in any given day, so it keeps you honest and organized.

 

If my characters are driving around the city, take for instance Los Angeles, I use Google Maps to see how long it takes to get from point A to point B. I’ve seen TV shows where people in L.A. can get someplace in thirty seconds… Only if they use a teleporter. (“Beam me up, Scotty.”) I discipline myself and make my fiction a tad more real.

 

When I have finished the story, I’ll go back over the Timeline to see if I have crammed too much or too little into that given time frame. And I do something else. I’ll see if the plot holds together. Sometimes a destination doesn’t make sense or maybe some other character should be involved or eliminated. And sometimes I need to add a high point or low point just to give the story movement. I know movies today are all action and explosions and no plot, but I prefer plot and character.

 

There is another type of timeline I make: A List of Characters. I include their date of birth in case they age throughout the story. You want to make sure you don’t have a character born in 1920 be only fifty in 1990. And you don’t want a character to remember seeing news of the Hindenburg when she was born in 1947. Keep track.

 

Fellow Writer-in-Residence blogger, Bonnie Schroeder, has a new book (Write My Name on the Sky) coming out in July that starts out in the late Sixties. She had to make sure the items mentioned were around then. She did it meticulously. She might have lived through that time, but she still had to make sure she didn’t drop a 21st Century gadget into the story or mention a tune that wasn’t around then.

 

I start out with a piece of paper that I print off just for this task. I pencil in the character’s name as I write them. I give a brief description of their role and age. Many times I change the name. If you will note, there is an alphabet at the bottom of that page. I circle the first letter of the character’s name in that alphabet. I want each name to fit each particular character, but they can’t all begin the same letter unless you’re having fun.

 

When I’m finished with the story, I copy all those names and descriptions into the computer and add even more description and start evaluating those characters. Do some need more personality? Does one need to be meaner? Or smarter? Or should a particular character add something to the story that is needed? Or should the character be eliminated? One time I wrote a book knowing who the bad guy (or in this case gal) was going to be, but when I was finished I had another thought. I bumped off the initial suspect and then my private detective had to go back over the case to see what she missed… or was it time to hang up her .38s and retire? It was by reviewing that list of characters that allowed me to see a “What if?” scenario. And I am glad I did. It made for a much better and far more exciting conclusion to the novel.

 

And here is another benefit in having that Timeline. It gives you an Outline for your story in case an editor or publisher wants a synopsis of your book. And even better, that quick rundown of the plot lets you see what your story is about so you can more easily write the all important blurb for the back of your book. You only need the first third to tell any reader what is in store. Think of the timeline as the dry run for that “elevator pitch” you have heard about. The fact that you have consolidated your story into a few pages of a “timelined” plot; you can easily tell someone what the story is about.

 

I have put most of my writing course into a book: The Anatomy of a Short Story Workbook. It covers many of the things I have posted on our blog, but as an added bonus, it gives you diagrams and pictures of these worksheets. I use them in all my writing. I never create a story without them. Maybe they can help you.

 

Author Bio

A former private detective and a reporter for a small weekly newspaper, Gayle Bartos-Pool has several books in print: The Johnny Casino Casebook 1- Past Imperfect, The Johnny Casino Casebook 2 – Looking for Johnny Nobody, and The Johnny Casino Casebook 3 – Just Shoot Me; Media Justice, Hedge Bet, and Damning Evidence in the Gin Caulfield P.I. Series; From Light To DARK, a collection of short stories; Eddie Buick’s Last Case, Second Chance, The Santa Claus Singer, Bearnard’s Christmas and The Santa Claus Machine. She is the former Speakers Bureau Director for Sisters in Crime/Los Angeles and also a member of Mystery Writers of America and The Woman’s Club of Hollywood. She teaches writing classes: “Anatomy of a Short Story,” “How to Write Convincing Dialogue” and “Writing a Killer Opening Line” in sunny Southern California. Website: www.gbpool.com.

Chance McCoy was a private detective killed during a routine case, but he is given a second chance to make good. But with his track record as a P.I., he just might blow this chance, too.

 

SECOND CHANCE is a year in the life of this P.I. who usually misses clues by a mile, but this time there just might be some help along the way. Or maybe his new pal, Harold, was right when he said: “Everything you need is inside, my friend.”

 

Hello All. My name is Thunder. I’m G.B. Pool’s P.R. Person for her latest book:

SECOND CHANCE.

As you can tell from the blurb, this one is different. G. B. might write detective novels, spy novels, and a few Christmas novels, but this one will take you to a place you’ve never been… At least most of you have never been there… yet. Sometimes I wonder about a few of the good souls me and my furry friends have encountered during our lives.

That brings me to something special about this book. If you happen to find this one on your bookshelf or on your Kindle and have read the last chapter and the Acknowledgements, you’ll see what this “second chance” stuff means to the author. But something else, G.B. has made me a deal. 25% of the profits from this book go to animal shelters in the L.A. area or special ones she hears about. She already donated to Paws for Life, a unique rescue site that takes dogs literally on death row from pounds in the area and sends them to inmates doing life in the penitentiary. The inmates retrain these dogs to be good “citizens” so they can be teamed up with folks on the outside and given a forever home or if you will: a second chance. She was introduced to this worthy enterprise by author Christopher Lynch who has taught some creative writing courses to these guys. Sometimes a soul can be reached. Thank God.

So, if you find yourself in need of a summer read, SECOND CHANCE just might be your ticket. It’s a series of short stories all about this guy named Chance McCoy who gets something we all might want in life – a second chance.

Author Note: Thunder is studying to be a therapy dog with her talented mistress, Bonnie Schroeder. Bonnie’s latest book, Write My Name on the Sky is on the brink of release, but Thunder took time out from both their busy schedules to help me with the P.R. for this book. Thanks, Thunder and Bonnie.) G.B. Pool website.

Linda O. Johnston, a former lawyer who is now a full-time writer, writes two mystery series for Midnight Ink involving dogs: the Barkery and Biscuits Mysteries, and the Superstition Mysteries.  She has also written the Pet Rescue Mystery Series, a spinoff from her Kendra Ballantyne, Pet-Sitter mysteries for Berkley Prime Crime and additionally currently writes for Harlequin Romantic Suspense as well as the Alpha Force paranormal romance miniseries about shapeshifters for Harlequin Nocturne.  Her June release was her 46th published novel, with more to come.

 

 *  *  *

My turn. 

All my fellow Writers in Residence have been focusing their posts on pets for a while, and there are few subjects of more interest to me than that. 

Why?  I’m a dog lover.  A cynophilist.  All my novels these days feature dogs in one form or another.  In my Harlequin Nocturne paranormal romances, those canines might be shapeshifters or their cover dogs.  In my Barkery & Biscuits Mysteries, they include the protagonist Carrie Kennersly’s dog Biscuit as well as canine customers in her barkery, where she sells dog treats based on healthy recipes she developed as a veterinary technician.  My Superstition Mysteries featured Pluckie, a dog who’s lucky according to superstitions because she’s black and white–and she proves to be lucky in the stories.  And my upcoming K-9 Ranch miniseries for Harlequin Romantic Suspense has a background of many kinds of dog training occurring on that K-9 Ranch.

Is that all?  Not really.  In my first mystery series, the Kendra Ballantyne Pet-Sitter Mysteries that I wrote for Berkley Prime Crime, Kendra was a lawyer who lived in the Hollywood Hills with her tricolor Cavalier King Charles Spaniel Lexie.  At the time, I was a practicing lawyer, and I still live in the Hollywood Hills with my two Cavaliers, although we lost our wonderful Lexie last year.  Unlike Kendra, though, I haven’t tripped over murder victims–except in my mind.  And my second mystery series, the Pet Rescue Mysteries, was a spin-off from the Kendra books. 

So why dogs?  I’m not sure why I started loving them, but I was definitely young.  I convinced my grandfather to buy me my first puppy from a pet store when I was eight years old.  I learned a horrible lesson then about pet stores at the time.  My mother took Cuddles to a vet when I was in school the next day, and learned that the poor pup had distemper.  We returned her to the store and learned that all the dogs there had distemper.  In those days we couldn’t even bring a dog into the house for a three-month quarantine period after that, and I used the time to research breeds.  My next puppy was a Boston Terrier from a qualified breeder, and I had Frisky for quite a while.

Then, years later, on my first trip to London I saw my first Cavalier King Charles Spaniel on a woman’s lap on the Underground.  The rest was my history.  I hunted for a Cavalier puppy when I returned to the States and have been owned by them ever since.  Our current Cavaliers are Mystie, a Blenheim (red and white) and Cari, another tricolor.  Cari’s still a puppy, very cute, very energetic, and very determined to play with Mystie, whether Mystie wants it or not.

Dogs have inspired other aspects of my life, too, and I absolutely love writing about them.  In fact, I’m always dreaming up new story ideas but don’t have time to follow up on all of them. 

Why?  Well, if you’ve ever been leapt on by a puppy who wants nothing but attention and to give you doggy kisses, you know.  If you’ve ever worked with training a dog who really wants to learn what you want so you’ll be happy with him, you know.  If you’ve ever looked into a dog’s eyes and believe you understand what they’re communicating to you, you know.

Will I ever write anything in the future that doesn’t have dogs?  Possibly, but there’d have to be a good reason for it.

For now, dogs rule in my real life–and in my writing.