Snail Mail and Literary Correspondence

It was a shock. How could they?

I’m talking about Denmark’s announcement to discontinue its PostNord postal service as of January 1, 2026 (after 400 years of continual service) and to remove all its 1,500 letterboxes.

Think of that!  No friendly postmen. No possibility of letters from family. Or Christmas greetings.  Or bills and solicitations. (Well, I wouldn’t miss those!)

Maybe not having snail mail wouldn’t bother you.  (Tell me how you feel in a comment.)

And yes, yes. I know about email! I use it. But it’s not thick envelopes, colorful stamps, and paper “delight” in your hand.

 

Anyway…

This news made me aware of a writing phenomenon that has begun in earnest this year. If you are on Facebook at all, you will have noticed.  It is the many opportunities we have to sign up for story-letters: snail-mail fiction divvied out twice a month for a fee.

A while ago, I interviewed the creator of “Letters from Afar,” Shawnee Mills. She researches (and sometimes visits) places around the world. Her fictional character tells readers about them in letters.  She sends field notes, a map showing its location on the globe, and a “find me” game where she hides objects in her hand-painted illustrations.     The Afar article. 

Shortly after the “Afar” letters, I signed up for the “Flower letters,” where an actual story – romantic/adventure/mystery – was told through correspondence (and inserts and artifacts).

But now. Wow!  In a short time, I discovered a baker’s dozen opportunities for you to receive bi-weekly story letters via snail mail.  I’ve listed some. You can find them on Facebook by typing the titles into the search bar.

 

  1. The Moonlit Letters – a cozy mystery where a young woman inherits her grandma’s cottage on Ocracoke Island and discovers/solves a mystery. Postcards, recipes, and a map are included.
  2. The Lost Letters Society – four choices of historical-fiction war correspondence, most including romance.  Authentic-looking letters.
  3. Letters by Lanternlight – a choice of three small town cozy whodunnits (all include a cat)
  4. Storyville Letters – mystery, romance, adventure. Two choices: one is from the 1920’s, the other is 1874, Victorian London. The creator of these is a filmmaker, so they are bound to be atmospheric.
  5. P.S. (PostScript) Letters – These are original historical fiction, in “the imagined voice” of women you may know. Not biographies, just private, human letters. You will read letters by Emily Dickinson, Jane Austin, Helen Keller, Amelia Earhart, Eleanor Roosevelt, etc.
  6. Letter Joy – letters for history buffs. Produced by the same people that create the PS Letters. You’ll read everyday correspondence from authors like  Fyodor Dostoevsky, Arthur Conan Doyle, Mark Twain, etc.
  7. Epistolary – “Letters, Lattes, and Lies,” a cozy mystery told in letters of observations and evidence by a retired librarian, to a reclusive homicide detective.
  8. The Heart Letters – a more serious “novel” told in letters.  The creator calls this 24-letter series “therapy through storytelling.” It is designed as “a gift experience for women navigating transition, healing, heartbreak, empty nest, divorce, or loss.”
  9. The Romantasy Letters – Bold, daring, fiery, spicy, romantic fantasy with passion, intrigue, and magic. (Not my cup of tea.)
  10. The Titanic Letters – Passengers tell their secrets in correspondence. “An illicit affair and a gripping mystery.”  The creator rates the letters PG-13.
  11. The Asylum Letters – psychological suspense set in the Danvers Asylum in 1926: a secret correspondence between a female inmate with amnesia and a new doctor. By the creator of #10,  rated PG-13.
  12. The Salem Letters – correspondence by an herbalist held in prison for the witch trials. Dark mystery/romance. Rated PG-13.
  13. Scaremail – a “terrifying, unfolding horror saga told through personal correspondence between characters.  (The ocre envelopes are splotched with black dripping stuff!  EEEEKKK!)

And there are more of these letter-stories available, like:  The Max Letters, Writings from the Wild (animals), and  The Cozy Letter Club (a farmyard mystery) for kids.  (There are also fictional Pen Pal stories to interact with.)

Most of the serialized stories span 12 months of biweekly letters and cost $99-$149.  It’s a bit expensive, but it’s fun to find them in your mailbox!

There is a series I didn’t mention above, because it was only available briefly. It is Mysteries in the Mail, written by mystery writer Sara Rossett.  I signed up for the series and have received 3 letters so far.  It’s different in that the “letters” seem like chapters in a cozy mystery book written in 1st-person POV.  There are some lovely hand-drawn, colored illustrations among the text, but no other inserts.

Have YOU ever done or thought of writing and mailing serialized fiction? It would mean some creativity, a bit of postage, and of course a mailing list – but some of YOU have that already.  What do you say?

Now is the time to jump on the bandwagon, especially if you have something unique. Any of the writers on this Writers in Residence blog could do what Sara Rossett has done.

And, who knows when the US Postal Service may discontinue!!!  Yikes!

But… if you don’t want to go through all the rigamarole of sending out prescribed letters, you can always do what these authors have done.  Write your story in a series of letters.  It’s called an Epistolary Novel.

Lee Smith did it with “Fair and Tender Ladies.” Helen Hanff did it with “84, Charing Cross Road.”  Annie Barrows wrote “The Guernsey Literary and Potato Peel Pie Society.”  And one more by Virginia Even, the new, highly touted “The Correspondent.”  Go for it, girls!  (And guys.)

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Me?   I’ve written (and illustrated) several serialized letter stories in the past. They are fun. I wrote mysteries for each of my three elementary-aged granddaughters via letters in snail mail.

I also wrote a series of twelve letter-stories for the same-age kids at our church, about life in Africa. (These were actually email story-letters.)

If I can do it, so can you.  Why not give it a try… while you still have time….  AND MAILBOXES!!!

My Reading Life: Finding Comfort in Uncomfortable Times

By Maggie King

Do you ever need a respite from the news of the world? Or maybe a respite from personal concerns? In recent months I’ve found solace in what I call “comfort” reading. I stumbled across Jen’s Reading Life on YouTube. Jen describes herself as “A 50+ Booktuber sharing my love for timeless literature, cozy mysteries, British women’s fiction, and comfort reads that warm the soul.”

Exactly what I needed. On Jen’s recommendation, I enjoyed Enchanted April by Elizabeth von Arnim, Miss Buncle’s Book by D.E. Stevenson, Spam Tomorrow by Verily Anderson, and 84, Charing Cross Road by Helene Hanff. Jen describes each book she reviews as “lovely and charming” (Jen herself is lovely and charming!).

The following may, or may not, be on Jen’s lists–she has a lot of lists.

For cozy mysteries, I’ve discovered Betty Hechtman’s crochet series.

The Gentle Art of Swedish Death Cleaning by Margareta Magnusson focuses on decluttering–during your lifetime. It is an ongoing activity in my house.

The satirical Lula Dean’s Little Library of Banned Books by Kirsten Miller addresses today’s controversial issues, but in a highly entertaining way.

I loved Bonnie Schroeder’s Write My Name on the Sky. Bonnie was featured guest for my holiday newsletter.

I tried to read Christmas stories, but couldn’t find one that held my interest. Exception was “The Adventure of the Christmas Pudding” by Agatha Christie. The Killer Wore Cranberry is a Thanksgiving-themed mystery anthology featuring a variety of tales.

I still return to the “dark side.” ellegal treasures by C.V. Alba and The Pilgrim by Thomas A. Burns, Jr. are hard-boiled tales that offer little in the way of comfort but much in the way of great stories. They do have happy endings, so there’s that.

If you’re in need of some comfort reading, I suggest visiting Jen’s Reading Life, and reading Tolstoy Therapy’s article “16 of the most wholesome comfort reads for a hug from a book.”

An added benefit: all this comfort reading is making writing more comfortable for me!

Tell us what you’re reading and recommending. Let’s keep those TBT lists toppling over!

Always Ask Yourself – A 3 Part Series

By Gayle Bartos-Pool

The writing class I teach might be based on Aristotle’s Sage Words from his classic work, The Poetics, but I do add my own thoughts. The main one is a simple reminder. I hand out a 5 x 5 inch card that reads:

Always Ask Yourself:

Does it Advance the story?

Does it Enhance the story?

Is it Redundant?

The first point is actually something new writers don’t see until it’s pointed out by their editor or their friends or writing group that gets a chance to read an early draft of the story. It might be the result of the writer trying to beef up the number of pages in the book so it looks like a novel and not a short story. Actually, several good short stories can be published in a collection if the writer has a bunch of those shorter works. Nothing wrong with that. I’ve published several myself.

But if the writer wants to turn out a novel, those sections that just take up space don’t help the story. In fact, they slow it down because the reader starts wondering what is the point of the book if it’s full of stuff that doesn’t add anything to the plot except pages.

Whether it’s a mystery, thriller, adventure or romance novel be sure to have each section add something important to the story. Every Murder: She Wrote episode has a part in the beginning where characters are introduced but there is always that one thing that happens or is said or is pointed out in those first ten minutes of the show that points to the killer. Good ol’ Jessica Fletcher doesn’t recognize it then because the murder hasn’t happened, but she sees the light in those last few minutes of the show when she puts all those earlier pieces together. But the clue was there.

So, when you’re writing those scenes in your book make sure the scene is relevant. Maybe it introduces a few characters, one of whom might be the killer in a mystery or the new man in the leading lady’s life. Each subsequent scene or chapter can add a few new details or roadblocks to solving the murder or finding the love of the gal’s life. But a gaggle of gals in a tearoom or a bunch of boys at a neighborhood bar talking about a new dress shop in town or a bargain at the local hardware store might not add anything to the underlying story.

If the ladies talk about a gal in town who seems to frequent a certain divorce lawyer’s office a little too often or the guys mention a neighbor who seems to have come into a little extra money right after a bank robbery, then there’s a reason for the scene. But I have read books where there are scenes that provided nothing to the book at all. Personally, I never make a point of trying to figure out the killer ahead of time in a mystery, but I do like to keep track of the characters so I can make sure the clues were given even if I didn’t figure out “whodunnit” by chapter five. I just like to make sure the plot makes sense and the clues were really there.

I recently read a book by a famous author who writes an equally famous series. Names won’t be mentioned just to be nice, but this particular book had so many characters I needed a scorecard to keep track of them. To top it off, three people had contact with the deceased. One pushed him down a hill and thought they killed him. One actually killed him. One moved the dead body thinking that would protect who he thought did the deed. None of these people knew about the others. I thought yet another person, a woman, had done the deed. She didn’t though she had good reason to bump off the bum. Several others had a motive and might as well have done it since nobody liked the dead guy in the first place. The killer basically got away with it, not that nobody discovered the actual facts, but the killer was mentally challenged and he needed hospital care not a jail cell…

Overall, I was disappointed that the plot was so bloody confusing with way too many suspects and some other stuff packed into the plot that really didn’t add to the story at all. Did they advance the story…No. And they lowered the likability of the main character as well.

In Aristotle’s Poetics he listed the “Five Basic Elements of a Story.” Those Elements are Plot, Character, Dialogue, Setting and the Meaning of the story. I’ve discussed this in previous blog posts. Aristotle wants you to make sure you have some good characters in your story. I added my own requirement to the “character” qualifications. I want there to be at least one character you’d want to invite into your own house. This “famous writer” didn’t have a single character I’d invite over for a beer…Not even the hero.

Others may see the book in an entirely different light and like it. I will still write my books with a bunch of characters that most people would invite into their homes. I want those characters to have values and standards, but with some of the things I see on television I’m afraid a lot of those standards have disappeared. I’ll still craft my heroes with the standards I grew up with. I’ll continue subtly passing them along to readers through my stories because I learned things by reading good books, watching good movies, and a bunch of the old television shows that had those same standards.

As my characters learn things through various encounters at the beginning and the middle of my books they can solve the crime or make it to the destination they are seeking and the readers can enjoy following that journey because I kept advancing the story chapter by chapter because that’s the goal of a writer: Get the reader to the end of the book…and look forward to reading the next one.

So, this is part one of a three part series. See you later for part two. Write On!

Yes, It’s 2026! And…

by Linda O. Johnston

            I hadn’t initially realized it, though I was sent the Writers in Residence calendar by our member Jackie Houchin. But this is the first WinR post of this year! 

I get to introduce all of you to Writers in Residence 2026 and what our group is up to. Well, at least what I’m up to. Our other members will have to fill you in during their posts. 

Me? Well, unsurprisingly, I’m writing. Even more slowly now, thanks to my broken wrist, but I have stories I’m under contract for and others swirling around in my mind. That’s my usual, and I’m working on them. 

Plus, I’m having fun with my dogs—and my husband too. For one thing, we have some travel plans, though the dogs will be spending time with some special sitters rather than coming along. I’ll miss them—but will be having fun since some of the trips will involve other family members too.  

Did I make any New Year’s resolutions? Only indirectly involving writing and healing and such—nothing exciting. 

But how about you? If you’re a writer, how has your new year started? What writing are you working on or planning? And, writer, reader, or whoever you are, are you planning any trips? If so, using them for research? Yes, I’ll be doing that on my travels. And the first thing in the year is a good time to think about that, including anything besides writing you want to achieve this year.  

Are you starting this year in any different manner than in other years? Do you usually plan things, including your writing? If so, do you generally stick to your plans? 

Will you have any books published this year? I will, but fewer and later than I most often do. 

Will you be reading books? I definitely will, and have some themes in mind to look for. Dogs always work for me, but other topics too, including romance, mystery, and more. 

In any case, I hope you all have a wonderful 2026.