On my winding writing road, I’ve been stopped dead in my “writing tracks.”
Indeed, several recent posts here on Writers in Residence discussing research(Elaine L. Orr and G.B. Pool), and a recent most excellent local book-club selection, have sent me down a thought-path(new considerations), I most definitely did not expect.
Research thoughts, combined with my belief that characters and location are the essential keys to good story-telling, and subsequently good book writing—have taken me aback a bit—well, at least rethinking my “absolutes.” So, I’m sharing here(smile).
Indeed, I always take particular note of posts—here, and elsewhere on writer’s blogs on “Research”—especially regarding, how, why, and its value. I so agree that only with direct knowledge, and/or in depth research, can you take a reader on the great adventure you think is important enough to write a book about. It’s in the “environment” that your characters tell their stories. Story telling at its best—and producing an enjoyable novel that will bring pleasure to a reader.
But here’s what really pulled me into this particular rest stop. Our latest book club selection was by a famous, and justifiably so, well liked, well respected, popular, and to me, very accomplished and good writer. And I certainly would recommend. I sampled enough to know the prose was excellent—with good story telling prowess, and the characters seemed like real people. Indeed, the author’s ability to take you to a place in just one sentence was astounding! The characters seemed real and quite interesting. But, after reading the intro, a quickie synopsis, and enough sampling to make the above comments, I did not want to read the book.
Why? Right now I’m thinking it was because I did not want to go to the location of the novel which I’m sure, in its completeness, was presented expertly. Nor did I want to be involved in the lives of the characters.
Which led me here; is it possible a reader might not want to go to the place I’ve so wonderfully researched and described? Not want to enter into the story intrigues I want to draw them into? Not want to “feel” the sensations I’ve taken such care to describe? How could that be? Right now, I’m leaning toward the supposition there are some places some readers might not want to physically or mentally visit—in reality or literally. Regardless of how well researched, described, or author enticed into.
Surprised by my reaction, it’s given me pause to initially think some potential readers might not be reading my books because they don’t want to go where my setting is, or with my characters? The Mojave Desert, and Leiv et al?
Rereading the above before posting, there’s a lot of “I’s” here, but as always, I’m(smile) thinking laying out my surprising to me reaction, and initial thoughts here might be helpful? Location and characters are still my “holy grail” for writing—though there’s a “but” here somewhere that I’m missing…
All thoughts are welcome!
Happy Writing Trails!