This writing trail of thought started the other night when hubby and I watched the movie, How to Steal a Million, with Peter O’Toole and Audrey Hepburn. We settled on this particular movie because I like looking at Peter, and hubby likes looking at Audrey. That being a point of enjoyment, I nonetheless snarkily(sp) commented several times during the movie that it was a stupid plot and the story moved far too slowly. Hubby didn’t complain at all—Audrey was quite striking, indeed!
Well, the next morning I woke up with a film-cut-like picture of Peter and Audrey, contorted together in the broom closet(a classic scene in movie history I think). And I wondered why I had that picture in my mind, given I’d complained about the movie?
Some background information about me is, for some of the best novels I’ve ever read, or movies I’ve seen, an actual photo-type image remains with me that I can call up into my mind’s eye. And often they popup when waking up. It’s more than scenery, or location, or character features, or clothes…but a real photography type snap. There have, of course, been many novels I’ve read, enjoyed, even loved, that did not have mental pictures associated with them. Some examples of ones that did are:
- Murder on the Orient Express, book and movie(s) dénouement scenes in the dining car, and/or out in the snow. For me, these are classic pictures left behind—and my all time favorite one is of David Suchet.[i]
- Several real-person pictures of Boo Radley—from the book and the movie To Kill a Mocking Bird. (of course, in the movie, the fantastic actor Robert Duvall may have had something to do with the leftover picture(smile))
- And a great and fun-filled–even though there’s a murder–picture I can still see is Friendly Farm itself, in Murder at Friendly Farm by Jacqueline Vick, and then another picture from Friendly Farm of Santa in the corn maze ,
- Miss Marple sitting in her drawing room,
- The Penguin Pool Murder by Stuart Palmer— a picture inside the New York Aquarium with Hildegarde Withers standing there remains quite vividly with me. (Even though I’ve forgotten “who” actually did the murder and I’ve never been to that aquarium…but what a vivid picture I still have)
These are all wonderful fiction novels and movies, so why after my snarkiness during How to Steal a Million, did I retain such a vivid picture? So I’m thinking there must be some storytelling reason(not just just eye-candy), why that picture from How to Steal a Million remains with me, but I haven’t figured it out yet.
But a more pertinent question remains with me—in my own writing, do I want a real snapshot like picture left behind as one of my goals? Or does that just happen given the nature of the story? Or, or? And all the time? Can you even make leftovers happen?
Despite my advanced age(smile), I am still Pollyannaish[ii] at heart, especially in my reading and movie watching inclinations. As a kid, I hated fairytales with bad endings(which were many it seemed)—and after seeing Bambi at the movie theater as a child, never knowingly watched a children’s Disney film again. Further, if it seems like a dog is going to get killed–won’t read, watch, or finish a book or movie if started. Indeed, hope, happiness, the world goes on unharmed, and bad guys get it in the end (even if in an ironic way) are my cup of tea.
So, after writing all these thoughts out—my answer is YES—I want to leave endearing leftovers. Not just thoughts or emotions, but real snaps that bring a smile to the reader’s face. [iii] Hmmm.
Definitely interested in your thoughts…
Happy Writing Trails!
[i] Just downloaded latest Hercule Poirot by Sophie Hannah, and looking forward to visiting the picture of Hercule(probably David Suchet) in my mind’s eye. FYI from Ecosia search—The Killings at Kingfisher Hill the latest Hercule by Sophie Hannah https://en.wikipedia.org/wiki/Sophie_Hannah She’s written 4 so far https://sophiehannah.com/
[iii] Back to another review of Never Forgotten to see if maybe there are some leftovers!