HOW TO GROW A STORY

by Miko Johnston

I wish I could take credit for the title of this post, but the idea came from one of my favorite books on writing, How To Grow A Novel by Sol Stein. So instead, I’ll focus on what I’ve learned from the parallels between gardening and writing.

Know your regional growing zone

Trying to create a desert garden in the Pacific Northwest makes no sense. If you aim to sell what you write, be sure you have, or can create, an audience for it, otherwise write for your own pleasure.

Plant your seeds at the right time

In gardening, as in writing, timing can be everything. When I began working on my Petal in the Wind series in the early 2000s, I found little information about WWI’s eastern front (in English). That changed when the 100th anniversary of that war approached. We’re a year away from significant anniversaries: our nation’s 250th, the 25th of 9/11, and (looking at you, Mad) the 100th of Route 66, any of which should stimulate interest in books inspired by these events.

Know when to use seeds and when to use starts

With my local climate, anything slow-growing, like bushes, tomatoes or delicate herbs, takes too long to grow from seed, so I buy them as starts. Ideas also can be seeds, which require a lot of development, or “starts”, inspired by an existing story. If you like the thrill of seeing a workable idea break through the soil of your imagination, then go with seeds. Otherwise, get a head start with a pre-sprouted concept.

Plant them in the right place

Some plants need protection from the late afternoon sun while others thrive in hot, sunny conditions. Planting the latter in a place that provides some shade for the former benefits both. In writing, that’s called rhythm, which keeps the scenes flowing at a good pace, with moments of intensity/drama relieved by moments of relief/humor.

Nurture your seedlings, then toughen them up

In early March I plant some vegetable seeds indoors and set them on a south-facing windowsill to sprout. By the end of April, I’ll gradually acclimate them outside once the threat of frost has passed. If they don’t die, they go into the garden. I figure if they struggle a bit to survive, they’ll taste better. Do the same with characters; create them and then challenge them. It gives them, well, character.

Sacrifice the weak for the strongest

Thinning out your seedlings allows the remaining plants ample room to thrive, and lessens the competition for water and nourishment. Overloading your story with too many characters or too much (or a too convoluted) plot will starve out the best parts of your manuscript.

Know when to harvest

Whether flowers, fruits or vegetables, some need to be picked at their peak of ripeness, some slightly earlier and left to ripen on your kitchen counter. Leave a plant too long and it bolts or rots. Then all you can hope for is to collect seeds for next year.

A story must be tended and nurtured until it’s “ripe” for picking. Sometimes that means tackling a second draft while it’s fresh in your mind, other times it’s better to let a finished manuscript sit on the shelf awhile. Just don’t let it linger too long, but if you do, take a seed from it and start again.

Like planting a garden, a great pleasure of writing is growing your seedling into a full-fledged idea, nurturing it and watching it take form until it’s complete. The food we grow feeds our bodies, while the stories we grow feeds minds. But stories have one advantage over garden products.

My writers group used to sell our books at the local farmer’s market. We’d always remind shoppers that unlike the berries, tomatoes and lettuces they’d purchased, our products wouldn’t rot if left in a hot car awhile (insert laughter here).

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Miko Johnston, a founding member of The Writers in Residence, is the author of the historical fiction series, “A Petal in the Wind”. Her fifth and final book in the series is about to be published. She’s also a contributor to several anthologies, including the bestselling “Whidbey Island: An Insider’s Guide”. Miko lives in Washington (the big one) with her rocket scientist husband. Contact her at mikojohnstonauthor@gmail.com

12 thoughts on “HOW TO GROW A STORY”

  1. You planted some great ideas on how to start and maintain a story, even if you have to prune here or fertilize there. But letting in that sunshine will certainly help the writer see what he’s planted until it bears delicious fruit.

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  2. So true, Gayle. For writers, sunshine could be an objective eye. I’m hoping for that as my editor and beta reader review my finished manuscript.

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  3. Miko, I love these gardening/writing parallels. They certainly ring true.

    is your writers group no longer selling at farmers’ markets?

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    1. Thanks, Linda. So many more analogies can be found. For example, I write historical fiction. In the genre as in gardening, you start with a healthy foundation, then amend it with a little – ahem – manure.

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  4. Gardening is such a rich and productive metaphor for our writing world, Miko. As we dig deep for ideas and characters – Jill Amadio’s Tosca Digging Deep series fits in perfectly. Even for those of us with no gardens, but simple window boxes.

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  5. We all delve into the fertile soil of our minds to plant the seeds of ideas and watch them grow into ripe stories.

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  6. Great analogies from both you, Miko, and the others who have commented! In my real garden, I have problems with rodents, beetles, and munching caterpillars, who steal (or ruin) my fruit before I can get it.

    Those critters (annoyances) could be like procrastination, wandering thoughts, phone calls/emails that whisk away finishing a project. sigh.

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    1. Great observation, Jackie. Continuing with your analogy, getting a great idea and forgetting it before you can write it down. Double sigh.

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