Location – The Writers in Residence

By Maggie King

Recently Linda Johnston posted about where writers set their stories. I commented that the next day I planned to visit Charlottesville, Virginia for a research trip. I had finished the first draft of a short story set there, and needed to verify setting details.

I live in Richmond, but lived in Charlottesville for many years, and visit occasionally. It’s a cool place to spend a day. Lots of bookstores! So I have a fair picture of the place. But how accurate was my memory? And Charlottesville is a growing, dynamic city—what had recently changed and what hadn’t?

Here are the setting details in my first draft:
The story opens at the Jefferson Madison Regional Library in the downtown area of Charlottesville. As my main character stands on the steps under a columned portico, she turns and sees the Market Street Park, scene of 2017’s Unite the Right rally. I provide some information on that rally, formed to protest the proposed removal of the Robert E. Lee statue.

Once inside the library, the character takes a wide staircase to the lower level and locates a meeting room where a writing group is meeting.

After the meeting, she and a woman she just met leave and walk to Charlottesville’s Historic Downtown Mall. As they approach the Mud House, a trendy coffee shop, they decide it would be a good place to chat.

Later they drive to a semi-country location, the scene of the crime they cooked up while drinking expensive lattes at the Mud House.

Based on my research, some rewriting is in order.

The character standing on the steps gazing at Market Street Park: she could only see a sliver of the park from where she stood. I could have her walk through the park and see the patch of dirt left behind when the Lee statue was removed in 2021. But neither the park nor the statue are important to the story, they only serve to add color to the setting. To use film parlance, this bit is destined for the “cutting room floor.”

The library interior: for all the times I visited this library, apparently I was never in a meeting room. They are located on the top floor, not the bottom, requiring the character to take the elevator (I didn’t check out stairway access). The rooms were in use, but I got a peek of the interiors through the glass doors. As the library is a real place in my story, being accurate with descriptions is important.

The Mud House. It’s a very attractive space with a nice, and pricey, selection of coffee and pastries. But it’s been completely redesigned and not conducive to private conversation. And the conversation my characters have needs to be private. But I can fictionalize a coffee spot, so no problem there.

Then there was the trip to the semi-country, where I once lived. The route, which must be accurate, was pretty much unchanged. I drove past the Earlysville Oak, estimated to be 250 to 300 years old.

My old neighborhood was also unchanged—except for the owners of my previous home not keeping up the grounds. But I digress. I’ll make up the neighborhood based on this one. After all, it’s where the crime takes place, and I don’t want to rile my former neighbors!

I’m grateful I took this trip. It pays to verify aspects of the setting, especially if using real locations. I also took lots of photos, noted sights, sounds, and traffic patterns (lots of traffic!) and made time for those bookstores.

See Linda’s post, “LOCATION, LOCATION, LOCATION!”

by Linda O. Johnston

Location, location, location. I Googled that phrase when I thought about that as my blog theme today, thinking there was a movie with that name. No, there’s apparently no movie about it, but the phrase originated many years ago, referencing real estate sales. There’s also evidently a British reality show with that name. I’m always interested in real estate. Yes, I used to be a real estate attorney.

But I’m a writer now, and the locations in which I set my story are important. Sometimes, they’re real, as in my most recent mystery series, Alaska Untamed. And my first mystery series, the Kendra Ballantyne Pet-Sitter Mysteries, was set in Los Angeles. Kendra was a lawyer who lived in L.A. with her Cavalier King Charles Spaniel Lexie. I was practicing law at the time, I live in L.A., and one of my Cavaliers at the time was Lexie.

Then there were my Alpha Force books for Harlequin Nocturne, where the setting was mainly a remote, fictional military base where the shapeshifters could change without being too much in the public’s eye. The stories are currently being republished as eBooks.

Currently, I’m mostly writing for Harlequin Romantic Suspense, and my settings are fictional. For example, my Shelter of Secrets series, which is ending, is set in a fictional remote area of Southern California where a special shelter that cares for animals—and people in trouble—is located.

So how do other writers decide where to set their stories? If you’re a writer, how do you decide? How do you determine whether to use a real or a fictional location? In any event, location is an important part of the story, since the characters have to live their lives in the area and deal with whatever is going on in their fictional lives there, or in other locations to which they travel.

What’s your favorite location to read about—and maybe to visit, for research purposes or just for fun?