A Guest Star

by Gayle Bartos-Pool

Years ago, we could actually watch a favorite TV show, whether it be a television series or a variety show and see some famous, older, celebrity appear as a guest star. I just watched an old Man from U.N.C.L.E. 2-hour movie from 1966, The Spy in the Green Hat, and saw a bunch of famous, older character actors who guest-starred in it. Names like Allen Jenkins, Joan Blondell, Elisha Cook Jr. and Slapsie Maxie Rosenbloom.

These actors were in classic old movies from the 30s and 40s. I had watched them decades later in the 60s and 70s and even now on the old movie channel because I like the quality of the story telling and the great acting these folks did. They were memorable.

I watched another one of those 2-hour U.N.C.L.E. movies, The Karate Killers, where Joan Crawford was one of the guest stars. Her film career had slowed since the 1950s and she was appearing in lots of TV shows, but she still had that talent that made her famous. She was in the opening segment of this Man from U.N.C.L.E movie and was killed off by the bad guy in the first fifteen minutes, but she turned in a marvelous performance. I wasn’t expecting her to do that good of a job, but that gal beat all expectations for an actor in a few minutes of a silly Man from U.N.C.L.E movie. This wasn’t exactly Gone with the Wind, but the lady delivered.

Using the talent of a famous, seasoned actor was good business back in the day when we actually had stars who did excellent work in movies that had a point. I’m not seeing much of that anymore. Call me cynical, but I haven’t been to a movie theater in over 30 years. I might watch a newer movie (maybe 10 or 15 years old) on TV, but since I’m usually disappointed in the results, I still prefer old movies.

But…and there is a “but,” in this post. I have used an older actor to “guest star” in one or two of my short stories. I don’t use their actual name but rather disguise the name slightly. And I might be the only one who gets the subterfuge, but I still do it. I used actor Glenn Ford in a story but changed his name to Dale Carr. (Another word for a “glen” is a “dale.” Another name for a “Ford” is “car.”) I always liked the actor and borrowed him for the short story “Arabian Knights” in the second Johnny Casino Casebook.

I’ve done this several other times in my stories. Sometimes I mention the fact in the Acknowledgement section of the book, but sometimes I don’t. My call.

But what about using a character from a famous book? I know there are legal issues to consider so I wouldn’t use a relatively new character from a famous book in a story unless I disguised their name. One could always say the character in your story was an incarnation of some famous character or maybe say: “he remined me of the private eye in that book, Mystery Whatever, but this guy was much taller…” Or maybe: “She was a modern version of Miss Marple, but this gal wore shorter skirts and high heels…”

But what if…?

What if you wanted to have Sherlock Holmes help solve a case? I mean the real Sherlock Holmes taken right from the pages of one of Arthur Connan Doyle’s books. And maybe the main character in your story never really understands who or what that character really was. Was he real or a figment of your main character’s imagination?

I’ve already come up with how a story could end if I did use such a character. In fact, my mind is racing to do this maybe a few times.

So…If you did pick a famous character to appear in one of your stories, who would it be?

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Author: gbpool

A former private detective and once a reporter for a small weekly newspaper, Gayle Bartos-Pool (writing as G.B. Pool) writes three detective series: the Gin Caulfield P.I. series (Media Justice, Hedge Bet & Damning Evidence), The Johnny Casino Casebook Series, and the Chance McCoy detective series. She also penned a series of spy novels, The SPYGAME Trilogy: The Odd Man, Dry Bones, and Star Power. She has a collection of short stories in From Light To DARK, as well as novels: Eddie Buick’s Last Case, Enchanted: The Ring, The Rose, and The Rapier, The Santa Claus Singer, and three delightful holiday storied, Bearnard’s Christmas, The Santa Claus Machine, and Every Castle Needs a Dragon. Also published: CAVERNS, Only in Hollywood, and Closer. She is the former Speakers Bureau Director for Sisters in Crime/Los Angeles and also a member of Mystery Writers of America and The Woman’s Club of Hollywood. She teaches writing classes: “Anatomy of a Short Story,” (The Anatomy of a Short Story Workbook and So You Want to be a Writer are available.) “How To Write Convincing Dialogue” and “Writing a Killer Opening Line” in sunny Southern California. Website: www.gbpool.com.

8 thoughts on “A Guest Star”

  1. What an interesting idea, Gayle. Like you – I love the Old Movies and hanker for those days of Old Hollywood Movie Stars. Their personalities seem so much stronger and more interesting; whether it was Rosalind Russell’s strong-but-sassy comebacks, Doris Day’s optimistic attitude always given with a smile and a laugh, Greta Garbo’ smokey intrigue or Clark Gable’s electric glint in his eyes… they always captivated and grabbed our attention. And their images linger today. And, yes, I think that personality sneaks into some of my characters. And why not? Let’s replicate the good images – and not find our characters watered down into oblivion. I’m happy to keep that wonderful energy alive in my writing….

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    1. You are so right, Rosie. The older actors had more character and that doesn’t mean just the one they played in the movie.

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  2. I love the idea of using a rendition of real people in a story, Gayle. And old movie stars? Why not! I’m still pondering the possibility but haven’t figured out who I’d use yet. Omar Sharif from Doctor Zhivago, maybe? Or perhaps the cast of West Side Story, although I doubt I’ll write about anyone who sings. Or, since I write about dogs a lot, maybe Lassie or Rin Tin Tin.

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    1. I started using older, real people, usually actors, in my stories a while ago. It was fun letting them into my world since I so enjoyed being able to see their world on the TV or movie screen.

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  3. Interesting post, Gayle. You bring up a timely subject for me. I have a story idea in the wings, based on a true incident that included someone who became a movie star, but in order to protect another character I’d have to disguise their actual identity. My plan is to create a fictional A-lister based on another comparable star.

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    1. One thing you can do with your story is have a few real stars pop up using their real names but have the ones you don’t want to reveal have a name based on a character they played in a movie. You would be mixing reality with fiction but that’s what we do all the time. In my spy stories I had real people make “guest appearances” along with my fictional ones. True, the real folks were long dead since this was about World War II, but having a real star show up in your story shouldn’t bother anyone as long as they don’t turn out to be the killer. Have fun with your plot.

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  4. In your Sherlock Homes suggestion, would your character be the fictional Sherlock, or the real man, Author Conan Doyle?

    I like the way you would semi-disguise a character to be “almost like” the real one. You are a devious one! Haha.

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    1. I would probably not reveal if the character was really Sherlock or even Conan Doyle, just have my main character wonder “who the heck was that guy who helped me solve this crime?” Let the reader wonder as well.

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