by Gayle Bartos-Pool

Not every writer does this but let me just say this…my characters made me do it.
I have written a couple dozen books, mostly fiction, with a few books on how to write thrown in because I wanted to help other writers get their ideas on paper and into print. I write mostly detective novels because my wonderful husband, Richard, said something that changed my life when I couldn’t get my spy novels published early on in my writing journey. He said: “You used to be a private detective, so why don’t you write a detective novel?”
Words of wisdom from a smart man. So, I wrote that first detective novel, got it published and wrote a dozen or so more books as well as several short story collections featuring a detective or two.

But something happened while writing those books. When I was working on the second detective series featuring a guy named Johnny Casino, I did something my old acting teacher taught me. I didn’t want to be an actor, but I thought that class was a good way to learn how to write dialogue for the movies or television. What Rudy Solari taught us was to write a short biography of the character we were playing so we knew who that character was when we walked onto the stage.

I used that method to get an idea who the main characters were in the books I was writing. While I was writing about Johnny Casino, I let him “talk” and tell me who he was. What I learned was that he had been trained by the first detective I had written, Ginger Caulfield. Who knew? I guess those two characters knew it.

When I started the third detective series about a cool guy named Chance McCoy, lo and behold, he knew Johnny and had been trained by Gin, too. But the coincidence didn’t end there. One of the characters in the three spy novels I penned is a friend of Gin Caulfield. And Gin’s uncle is the main character in those spy novels.

So, after writing three different detective series, I have three detectives who all know each other. But it didn’t end there. These private eyes know this other guy from a stand alone novel I wrote years earlier. The character, Jason Kincaid, has recently retired from the police force at this point in time. There’s a reason he retired, but that’s another story.
Now I have these four characters who all know each other. What do I do with them? Why not have them start a new detective agency and see what happens. So Four Detectives was written. It consists of four stories from each member’s past and four new stories after they start working together.

But there is something else about these people. They have something in common that started in their respective pasts which is the real reason they know each other now and are working together. When they realize this, everything changes.
Hey, this wasn’t my idea. They told me their story and I just wrote it down…
I wonder how many other writers have this happen.

My characters sometimes talk to me too, Gayle, but not nearly as much as your characters communicate with you. That’s so fun! And it sounds so productive.
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I am rereading some of my books and there will be things in there that I didn’t remember writing. Maybe those characters are typing as well as talking…
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FROM MIKO —
A brilliant idea to reinvent your characters, and why not? We constantly hear reuse and recycle. Looking forward to their new adventures and wishing them (and you) great success.
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The characters still have stories to tell, so they keep going.
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I’m loving the book! I can picture them all together, telling their stories. Keep listening to your characters, Gayle.
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Thanks, Jackie. One of the elves in my Christmas books just might turn into a private detective helping kids. He might even know my other detectives. Who knows…
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Hahaha. What a cute thing. I wonder how you will link an elf with someone like Johnny Casino? Or maybe Chance would be the best bet! Go for it, Gayle
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That is so clever, Gayle…. but of course it’s not your doing – it’s them! And your detectives are such strong voices, how could you ignore them?
I also ‘channel’ my characters. I am often pleasantly surprised when they take me off in a new direction. And I can’t wait to see who they introduce me to! That’s the fun part of fiction writing…
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It’s that new direction that makes all the difference. Aren’t we glad we listen…
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I’m looking forward to your latest, Gayle. Listening is a valuable skill—even if you’re not a writer. But it leads us and our characters in new and exciting directions.
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It’s that new direction, Maggie, that can make for an interesting book.
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